General Headphone Audio

SMSL R1 has been in a few days and I have some thoughts.

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The build quality and smoothness of the volume dial is excellent, feels and looks expensive in that Quad retro aesthetic kind of way.

The rear output mutes when headphones are connected on the front.

You can connect up dedicated 5V USB-C power input if using a non-USB source input which powers the R1 anyway along with data to a computer etc. You do not get more power running a dedicated power input as well as USB-C data.

The VU meter thing cannot be adjusted, it is fixed.

There are 4 preset EQs that cannot be customised, EQ 3 and 4 are the warmest sounding whilst 1 appears to be neutral.

Toggling input when playing via USB results in an overly longer than expected delay before USB input is resumed as it kills the USB connection when switching input to something else, meaning the computer doesn't see it any more and when going back to USB yo have to wait for it to initialise the USB input and be detected by the OS again.

There does not seem to be a USB DAC delay on initial audio playback which is great, but there is a very slight clipping noise that can be heard if there has been no audio playing and suddenly you play something like a Windows screenshot tone etc. This is something i have seen on other USB DACs before such as Toppings but not something I hear on more premium models like the X9, even without installing the Eversolo USB driver. This is usually resolved by installing the USB DAC driver provided by the maker, but SMSL does not have such a driver for the R1.

The sound when the treble/bass sliders are set to flat and EQ is set to 1 (neutral) is decent, soundstage is wide and imaging is pleasing. I would say it sounds as good as any good dongle DAC out there. The volume dial stepping is digital, and its 0% volume rest position is around 8 o'clock but audio cannot be heard until the dial moves to just above 8 o'clock.

When all processing is flat/off there is no noticeable distortion even at high volume on both HE1000se and HD600. The power output is 130mW so quite low, but it's capable of driving both headphones just fine and loud.

When you enable any EQ or adjust the tone controls, distortion comes in at higher volumes especially noticed in songs with bass or audio with bass, so for gamers playing shooters, this is a big issue if you want to tone control or use one of the better EQ presets as flat is just that and lacks any smoothness/warmth in sound signature.

Using it is a DAC only and pre-amp using the RCA outputs to the power amp it does an OK job although there is noticeable noise floor interference that can be heard, just like what I found with the Creek 4040A a while back. Seems the analogue circuitry is not isolated. I then plugged in the RCA interconnect between the X9 and power amp to test and heard no noticeable interference noise. In this config the power amp was set to bypass and R1 used as pre-amp, in pure DAC mode and volume controlling via the power amp, the same noise can be heard once you increase the power amp's volume, the R1's volume is maxed out in this test to imitate bypass and be DAC only.

It is priced at $71 currently, I think if you must have a desktop sitting box to use and interact with then ok it's fine, but these caveats have to be considered. Otherwise I would say the ONIX Alpha XI1 offers better sound with none of the distortion issues or noise etc at a slightly higher price and offers more power, lower THD+N.

The other advantage of the R1 though is it has dedicated mic input, although if you are a gamer you almost certainly have a USB mic or headset anyway so this is not really a selling factor.
 
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that looks like a an interface....but not useful like an interface (incorrect input jacks), most UI uses XLR inputs for mics, guitars and instruments.

I was going to get a UA Volt 2 or 276 earlier this year.
 
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SMSL R1 has been in a few days and I have some thoughts.

...

The other advantage of the R1 though is it has dedicated mic input, although if you are a gamer you almost certainly have a USB mic or headset anyway so this is not really a selling factor.

Pictures work for me, freeimage.host has been working well.

Apparently SMSL have the exact same Thyscon driver package everyone else uses, but like Fosi seem to link by model number, but is just a universal package. But I'm not sure how well the driver works (last SMSL box was the C200).

I think this new SMSL R1 is probably well placed for PS5 users, or PC gamers that want an all in one solution and have easy to drive headphones/set. A step up from the Dualsense and offers physical controls. Very budget oriented and competing with the likes of the Fosi Audio K5. Looks nice.

I did see the other thread on the new Creative Re:imagine. Expensive and not sure, but some interesting things about it. That one seems more a stream deck than a DAC/AMP to me.
 
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The marketing does mention consoles yeah and it does seem to do its intended job just fine, just you kind of expect the sonic performance to match how it looks and feels on the desk, as well as the fact that it's by SMSL I feel.

Still, its inexpensive and I guess in many ways it introduces gamers on a budget to the stepping stone of audio.
 
They are cheaper than some other "high end" headphones though whilst weighing less and using more exotic materials and come with alternative pads so there is that:p

I want to know how it sounds against something half its price, like the HE1000se.
 
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HEDD Audio has a new dynamic headphone and review makes it sound really good, Swedish driver tech too it seems:

 
I have been playing around further with 3d printed headphones over the last week. Since I had a bunch of spare drivers from the DMS Omega build, I have put together a different design that uses the same ones, the Capra Audio Satyr 3. This was a nicer build process than the Omega's, the Omegas were not designed to be FDM printed originally and were modified slightly later on to allow it, whereas the Satyrs were designed with being fully 3d printed as the goal.
So far I have tested them using the same Audeze clone pads that I was using on the Omegas while I wait for the recommended Audio Technica style pads to arrive from Aliexpress, but it has allowed me to get a direct comparison of the two designs using the same pads and the same drivers, showing how much difference the cup design makes.
Hopefully, the Audio technica pads don't change the tuning too much, as after listening for a bit and comparing the graphs, I think that I may have struck gold as they align very closely to my preferred HE6SEv2 EQ.


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Seems the current flagship choice is the Meze Elite going by peoples picks across the web, smooth and wide with all the details retained. Should expect so at £3700 (£2500 used) - Would 100% be my choice over either Susvara model or beyond, materials and aesthetics look awesome too as well as included selections of cables/pads.
 
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New ATH flagships, seems endgame levels, that weight too is very compelling.


I still remember when Audio-Technica were goated, and half the people in our call of duty clans were using their AD300/AD700 cans - this is like back in 2009
 
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I forgot the model number but I had a pair of ATs for a very brief period, back then I vaguely recall everything being plastic fantastic and not feeling nice quality probably why I had them a short time only.
 
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