First shot from my first L, and a random flower

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Went out yesterday to try out my new 17-40mm L USM lens.
Anyway, it wasn't a great day, and this is the only shot I can came vaguely happy with:
dwarfed%20landscape%20small.jpg


Not that great tbh. If that's the true extent of the "L" quality, then I can't say I think it's worth the price tag but I'm prepared to give it the benefit of the doubt for now. I'll need a bit of time to work out what settings to use with it to maximise quality. It is certainly is wiiiiiide though :)
It was quite fun to process this one anyway. Cloning out the telegraph poles and cables (which ruin EVERY landscape photo :().

Secondly, a random flower close-up taken a few days ago. Used extension tubes here to get up nice and close.
weird%20flower%20small.jpg

This was taken using the 18-55mm kit lens, which Im finding to to quite good for close up work.
 
Oooo nice new toy :D
tbh I really like them both. The tones and colour reproduction in the first shot are great.. Looks pretty darn sharp too ~ which is actually quite hard for landscapes!
Second one is interesting too, liking the DoF :D

We should meet up again sometime ;)

So I can play with your new toy!
 
buying L glass isnt a magic formula to getting a great shot or great quality everytime. Its not a miricle maker. It will give you improved sharpness, contrast and colour representation.

Spending £500 on a lens doesnt delivery better photos instantly...trust me I know after spending upwards of £3500 on equipment in the last year...it still takes a great deal of time and hard work.

sorry to sound like a misery guts but dont blame a bad days photography on your gear...its never that simple unfortuantely :)
 
morgan said:
buying L glass isnt a magic formula to getting a great shot or great quality everytime. Its not a miricle maker. It will give you improved sharpness, contrast and colour representation....

sorry to sound like a misery guts but dont blame a bad days photography on your gear...its never that simple unfortuantely :)

Oh gods no. I didn't mean to sound like that!
I'm wholly aware that shiny kit doesn't make me a better photographer, so please don't think I'm so naive, heh.
My point was that, while processing that shot and doing a bit of pixel-peeping I wasn't as impressed with the sharpness as I thought I may be, though as hoodi mentioned perhaps Im just expecting too much for a landscape lens.
The colours and contrast do come out very nicely from the camera though, that's for sure.

hoodmeister said:
We should meet up again sometime
Yes, we should! I'm back in Cardiff next week, but I've got lots on now (work, exams, house hunting) so I'm not sure how much time I'll have free :(

Cheers for the comments, both of you
 
neverender said:
and doing a bit of pixel-peeping I wasn't as impressed with the sharpness as I thought
You still need to sharpen the image in Photoshop to get the best out of it.
The 17-40L F4 is a sharp lens !!

By the way - Where was your focus point on the landscape photo ?
 
If you take a lot of landscape photos then you should learn the hyperfocal distance for each aperture at the wide focal length.
Hyperfocal distance - If the lens is focused at the hyperfocal distance, everything from half the hyperfocal distance (in front) to infinity (∞) will be acceptably sharp.

The hyperfocal distance for the 17-40L at 17mm is as follows :

F4 = 3.8 Meters
F5.6 = 2.69 Meters
F8 = 1.9 Meters
F11 = 1.34 Meters
F16 = 0.95 Meters
F22 = 0.67 Meters
F32 = 0.48 Meters
 
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SDK^ said:
If you take a lot of landscape photos then you should learn the hyperfocal distance for each aperture at the wide focal length.
Hyperfocal distance - If the lens is focused at the hyperfocal distance, everything from half the hyperfocal distance (in front) to infinity (∞) will be acceptably sharp.

The hyperfocal distance for the 17-40L at 17mm is as follows :

F4 = 3.8 Meters
F5.6 = 2.69 Meters
F8 = 1.9 Meters
F11 = 1.34 Meters
F16 = 0.95 Meters
F22 = 0.67 Meters
F32 = 0.48 Meters

Cheers for that mate, that's really useful :)
 
SDK^ said:
If you take a lot of landscape photos then you should learn the hyperfocal distance for each aperture at the wide focal length.
Hyperfocal distance - If the lens is focused at the hyperfocal distance, everything from half the hyperfocal distance (in front) to infinity (∞) will be acceptably sharp.

The hyperfocal distance for the 17-40L at 17mm is as follows :

F4 = 3.8 Meters
F5.6 = 2.69 Meters
F8 = 1.9 Meters
F11 = 1.34 Meters
F16 = 0.95 Meters
F22 = 0.67 Meters
F32 = 0.48 Meters

Im probably being thick - but wouldnt everything in the landscape pic above be well over those distances away anyway?
 
stuart38 said:
Im probably being thick - but wouldnt everything in the landscape pic above be well over those distances away anyway?

People tend to focus on an object in the distance and therefore lose foreground detail

In reality at 17mm F8 you can focus 1.9 meters in front of your position and get sharp focus from 1 meter to infinity.
 
SDK^ said:
People tend to focus on an object in the distance and therefore lose foreground detail

In reality at 17mm F8 you can focus 1.9 meters in front of your position and get sharp focus from 1 meter to infinity.

I will try and remember that ;)
 
If you look on this forum, there are a few people that have this lens that posted their images. Milou has one and I seem to remember his shots being really good using it :)
 
sproutpunx said:
So that was two days ago now, you got anymore to show us? I'm sure you must be playing with your new toy lots!
Not yet.
I'm in the process of travelling back to uni atm, stopping by my Dad's for a few days first. Oh, and I've managed to pick up a really nasty case of flu along thw way (sorest throat ever, I really cant describe how much pain Im in every time I swallow :() so not being able to get out much atm :mad:
 
:eek: At uni and you can afford L glass?

I must stop working and go to uni :p


SDK - is there a formula to work out the hyperfocal distance?
 
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Hmm interesting this hyperfocal stuff. I'd read it before and then totally forgotten about it.

What I tend to do is focus on a foreground object and stick to using between f8 and f16. It works pretty well, but I like the certainty of knowing the hyperfocal distance.
 
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