How is this done - 7 gigapixel panorama

Soldato
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Someone sent me this link today:

http://lifeinmegapixels.com/location.php?location=tolworth

I thought it was rather impressive the amount you can zoom.

Apparently it was done with a Canon 500D, which is isn't anything exceptional. I was wondering how it was done. Did the photographer take absolutely loads of shots and then stitch them together, or was some sort of funky motorised tripod used?
 
Isn't it just mounted on say a gigapan and just let to do it's thing?

I remember watching it on Gadgetshow, a simple Canon A series camera can do about the same job, just zoom and then set the height and width limit, the kit will then spend it's time slowly snapping in sequence and the software will stitch them all up.
 
i saw a photo like this the other day, and the little blurb with it stated it was taken on a Canon 5D, and iirc it was a MKII and i think a 300mm lens :)
 
Like Mr Jones says, it can be done automatically or it is possible to be done manually, I have stitched a handful of photos together successfully using an open source program called Hugin.
 
Isn't it just mounted on say a gigapan and just let to do it's thing?

I remember watching it on Gadgetshow, a simple Canon A series camera can do about the same job, just zoom and then set the height and width limit, the kit will then spend it's time slowly snapping in sequence and the software will stitch them all up.
That sounds like a great bit of kit, I've not heard of a Gigapan before, but now I've got a word to google I'm now able to find some more info - thanks. :)
 
Hello, im the creator of the image, ive just registered to give you a little more info since youve shown an intrest.

Equipment used was a canon 500D + 55-250IS + 18-55IS(kit), plus a cheap tilt/pan tripod.

Rendering and post processing was done with Autopano pro 2, intel E7200 ([email protected]), 8GB ram + a lot of free space.

Taking the pictures was done manually on the tripod, with a total of about 7-800 pictures taken at various focal lengths. The bulk is done at 250mm, or 400mm@35mm equivilant. Lower focal lengths were taken over the whole scene incase i missed any bits(fortunately not this time, but has been needed other times), and to square off the edges. Aswell as 250mm, the scene was taken at 18, 55 and ~150mm. So many different lengths are used because while the software can join images at different focal lengths, it fails if the difference is too great, so intermediate levels are used to make sure it can join all the dots.

Stitching was originally going to be done with the smartblend rendering option, but that was going to take weeks to render if it did it successfully atall. Instead i used multiband which got the rendering done in a few days (requiring ~800GB free space for temporary and destination files), but results in a little more ghosting (see the cars on the roads for example).

Each focal length was rendered seperately then combined and merged manually. The software is not yet able to select the longest focal length to use to render in any given area, so the different focal lengths are put into layers, then lower res layers are erased where they overlap with lower res layers manually. The layers were then merged, and simple post processing done on it (levels, sharpening etc).

Editing the image quickly swamped the RAM, leaving photoshop grinding on the hard disk, which meant just opening the file took half an hour or more, and any actual editing was a few mouse strokes followed by lots of waiting.

Start to finish was about 2 weeks during free time (around FT job), plus 2 days to upload. Final image file is about 9GB after compression.

Strictly, panoramics should be done with a pano head which rotates the camera about its nodal point to avoid paralax errors, fortunately i managed to avoid too many of them in this picture since the majority of the scene is far away.

It can be done with a motorised rig, gigapan is an example of one, but others are also used based on telescope mounts and a little scripting. This saves personal effort, can make sure there are no holes missed, and facilitates stitching of the image, however such things are outside of my budget for now.

Regarding the suggestion a 5D was used, i think you may be refering to the 26GP dresden image: http://www.dresden-26-gigapixels.com/dresden26GP . But as it has been pointed out, simple point and shoot images can be used to stitch together high res images. For example before i got the DSLR i used a bridge camera worth ~100GBP which was able to do things such as http://lifeinmegapixels.com/location.php?location=stpeters . Its biggest limitation was shot to shot speed, but that is because it was quite low end, and half decent bridge camera is going to get you as far as you want realisticly.

Hope ive not completely bored you, ill try to keep an eye out here incase anyone has any further questions.
 
well done, like the picture & thanks for the insight as to how it was done. It is surprising that the layers at different focal lengths can be linked in this way also how did you manage to get that many shots without major changes in light.
 
Strictly panoramic stitches should be done with constant settings on the camera, however i tend to leave it on Av for images like this. That way the camera automatically adjusts for the different light levels, and the stitching software puts it together reasonable smoothly. Because there are so many images, changes are kept reasonably gradual. On lower resolution stitches with just a few images, this can cause a few more problems, especially if the WB changes (e.g http://lifeinmegapixels.com/location.php?location=moundn). An alternative way to account for changing light, is to use bracketed exposures for HDR. This assumes you mean changing light between sky and ground, if you mean between different times of day, or changing weather conditions, the whole shoot was done in 40 mins, so that wasnt too bad of an issue since i managed to grab the last clear day for quite a while.
 
Thanks for the write up, you've already answered all the questions I can think of (and more)!. It's amazing to think that with some special software and time that these images can be made with run of the mill kit. I think that I may have a go myself when I get time.

Have you ever thought about printing these huge images? I know it would take a lot of paper and space, and you'd have to stitch the prints together but I imagine an entire wall filled with 1 picture would look very cool! :cool:
 
2 Weeks! :o

Very impressive for manual work. :)

EDIT: How long did it take you to actually shoot the scene? :)
 
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