Soldato
Prepare yourself for a rant.
I can tolerate a fair bit of bad music but I've finally had my fill of this new crud and I'm beginning to realise how lucky we were when the worst we had to worry about was Coldplay.
I've chosen to group these three bands together as they all suffer a lot of the same maladies, but they're not alone.
What is it with the absolutely dire quality of lyrical content that seems to lapped up by adoring teenage fans at the minute? Panic At The Disco are particularly awful in this respect as they seem to think that two sentences repeated ad infinitum constitute a chorus. Metaphors stretched to absolute breaking point also seem to be the "in" thing. i.e. "You kiss me like an overdramatic actor, who's starving for work with one last shot to make it happen... You won the role, you've played your part, you've been cordially invited but I'm not impressed, and I'm definately not excited cause the film has a shallow budget and the writer's subject script isn't any deeper" For those of you who forgot what we were talking about, the original subject matter was in fact a kiss. Crazy eh?
The thing that gets to me more than anything though is the complete inability to write a good vocal pattern and stick to it. The only rule is to cram as many multi-syllabic words into as few lines as possible to the point where they're practically reciting a dictionary definition of every hackneyed sentiment they're trying to get across.
The most annoying thing are the bands who have a tiny piece of talent, or one good song... A song kicks in and you think "Hey this album might be worth checking out..." then you get the album and the song you liked is completely unrepresentative and you're left with an expensive coaster. More emotionally damaging are the times you think a song is going to be great, the intro kicks in and sounds great then immediately gets destroyed by the most contrite chirpy verse/chorus imaginable (particular offenders here are Yellowcard).
I absolutely despise this scattergun approach to songwriting and album releases. It seems to be a manifesto of "If we put a little bit of everything on the album, then we can maximise the number of saps who think it might actually be worth buying!".
Thank **** the new Tool album comes out in under a week.
<deep breaths>
I can tolerate a fair bit of bad music but I've finally had my fill of this new crud and I'm beginning to realise how lucky we were when the worst we had to worry about was Coldplay.
I've chosen to group these three bands together as they all suffer a lot of the same maladies, but they're not alone.
What is it with the absolutely dire quality of lyrical content that seems to lapped up by adoring teenage fans at the minute? Panic At The Disco are particularly awful in this respect as they seem to think that two sentences repeated ad infinitum constitute a chorus. Metaphors stretched to absolute breaking point also seem to be the "in" thing. i.e. "You kiss me like an overdramatic actor, who's starving for work with one last shot to make it happen... You won the role, you've played your part, you've been cordially invited but I'm not impressed, and I'm definately not excited cause the film has a shallow budget and the writer's subject script isn't any deeper" For those of you who forgot what we were talking about, the original subject matter was in fact a kiss. Crazy eh?
The thing that gets to me more than anything though is the complete inability to write a good vocal pattern and stick to it. The only rule is to cram as many multi-syllabic words into as few lines as possible to the point where they're practically reciting a dictionary definition of every hackneyed sentiment they're trying to get across.
The most annoying thing are the bands who have a tiny piece of talent, or one good song... A song kicks in and you think "Hey this album might be worth checking out..." then you get the album and the song you liked is completely unrepresentative and you're left with an expensive coaster. More emotionally damaging are the times you think a song is going to be great, the intro kicks in and sounds great then immediately gets destroyed by the most contrite chirpy verse/chorus imaginable (particular offenders here are Yellowcard).
I absolutely despise this scattergun approach to songwriting and album releases. It seems to be a manifesto of "If we put a little bit of everything on the album, then we can maximise the number of saps who think it might actually be worth buying!".
Thank **** the new Tool album comes out in under a week.
<deep breaths>