Gear Thread - Pics

Man of Honour
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:D I know, I like Marshalls though, but then I've never played through a valve...

I've actually been looking at valves recently as I hear they're supposed to be better. What makes them so good? Any particular recommendations? :)

IMHO I don't think that with modern technology there is much difference and the majority of gear magazines agree with me.
My mate has got a Marshall TSL602 (!) and a Fender Twin Reverb and he can get exactly the same tones out of my Marshall Valvestate 2000.
We've been rehearsing with our new band and he gets a perfect Ritchie Blackmore tone through either of his amps but last night he needed to borrow mine and he was upset that he got the same tone.
 
Soldato
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the only thing I've heard a solid state/modelling amp do alright is heavily distorted metal, anything cleaner than that and the valve is always the winner :D especially when it comes to slightly overdriven blues, to me that's when valves really shine
 
Soldato
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during a listening session the other day 3 lecturers, who know there stuff listened to a lads track that he had started working on, and they honestly thought he had recorded through a valve amp, due to its warmth, the lad revealed he used amplitube le :D
 
Soldato
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during a listening session the other day 3 lecturers, who know there stuff listened to a lads track that he had started working on, and they honestly thought he had recorded through a valve amp, due to its warmth, the lad revealed he used amplitube le :D

Hehe, bet they were embarassed.

It can be quite hard to tell from recordings (although lecturers should be able to!) but live a valve always sounds so much more eargasmic
 
Soldato
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Look what arrived today :)

Sorry about the terrible picture quality, I have the worst camera in the world.

pict0049ys4.jpg


pict0052gi6.jpg
 
Soldato
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It can be quite hard to tell from recordings

Although I love valve amps myself it's pretty tricky to record them in such a way as to get that full flavour out of them, Programs like Amplitube aren't really trying to emulate amplifiers, they are trying to emulate the studio recorded sound of a certain amp, this is why for playing live or in a room a valve amp will outshine programmes like Amplitube but often for recording purposes the programmes will sound better. Unless you spend a long time faffing with mics and positioning etc (which is half the fun if you ask me).
 

pby

pby

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Although I love valve amps myself it's pretty tricky to record them in such a way as to get that full flavour out of them, Programs like Amplitube aren't really trying to emulate amplifiers, they are trying to emulate the studio recorded sound of a certain amp, this is why for playing live or in a room a valve amp will outshine programmes like Amplitube but often for recording purposes the programmes will sound better. Unless you spend a long time faffing with mics and positioning etc (which is half the fun if you ask me).

ive used guitar rig for a while now. i mostly agree with you, amp modelling takes a bit of fiddling to get a good sound. guitar rig 3 sounds great with the right tunings and guitars, but it needed a lot of fine tuning.
its a different beast when you run it through a poweramp and guitar speakers though!

i dont doubt modelling amps sound just as good as valve amps but im going to stick with real amps because i would rather spend more time playing guitar than twiddling knobs :D
 
Man of Honour
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i dont doubt modelling amps sound just as good as valve amps but im going to stick with real amps because i would rather spend more time playing guitar than twiddling knobs :D

That is very true.
In the early 80s I went with a mate to buy one of the first Mesa Boogies in the country which was £1600.
He plugged in his guitar and then spent the next hour trying to get a sound out of it.
All of the guys in Wishers at Derby couldn't get a decent sound either so he gave up and went to sit in the main amp room.
He turned round and saw a 30 watt valve Marshall and plugged in his Les Paul and the sound was there immediately.
He also saved around £1300.
 
Soldato
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That is very true.
In the early 80s I went with a mate to buy one of the first Mesa Boogies in the country which was £1600.
He plugged in his guitar and then spent the next hour trying to get a sound out of it.
All of the guys in Wishers at Derby couldn't get a decent sound either so he gave up and went to sit in the main amp room.
He turned round and saw a 30 watt valve Marshall and plugged in his Les Paul and the sound was there immediately.
He also saved around £1300.

:(

Mesa Boogies need to be cranked to sound good, he should've tried it with an attenuator
 
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