Soldato
I posted this on another forum but as there are a few NS1000 owners here, I thought some of you might benefit from it:
The FiiO e5 is the real budget recommendation. For £15-20 the difference it makes to the NS1000s is incredible.
What about other amps and sources - I remember Guest 2 said they did well with the Xonar Esence cards in passive mode out of the headphone amp with the high gain setting. Any other recommendations?
ear8dmg (that's me - Uriel) said:Yes they can be a little temperamental about sources. It's more the source's inbuilt amp really.
I guess they have two sonic signatures - like having two sets of headphones. The specs suggest so too
With ANR mode off they're warm and bassy. If adequately amped* they're rich sounding - full and warm with plenty of bass and smooth sounding.
With ANR on they give more prominence to the trebles and mids than with ANR off. The bass is still there - very tight, well controlled and punchy. It's so well controlled that if there's good soundstage information in a recording it will 'render' bass instruments and drums distantly from you - despite them having a small 'headstage' that's noticeable for close miked stuff. I've heard other headphones that do this convincingly - HD580s, HD600s ATH-A900s - but nothing in the Goldrings' price bracket (the Goldrings DR150s can approach it but aren't as well controlled at low frequncy as the NS1000s). The mids are really one of these headphones strong points. Vocals come across particularly well - presented with a realism that I would say is unrivalled in the price bracket. You'll notice a higher frequency extension shown in the specs. That comes across in harmonics and room acoustic cues that you don't normally hear so clearly in this price bracket.
There are drawbacks. That treble in ANR mode is pretty 'hot'. It's not kind to low bitrate mp3s, where cymbals can sound strident. Before using the NS1000s I was generally happy with 192kb/s mp3s. That bitrate (at least the ones I ripped) can be practically unlistenable for songs with cymbal prominence. 320kb and lossless are much kinder. The treble extension will be something that many aren't used to. It can be a bit in your face - kind of like Grados get criticised for sometemes. I've found using a tube amp, rather than solid state, can smooth the treble a little and I use the Goldrings with my Bravo (my only tube amp at the moment - cheap but very nice now I've sorted the noise problems with grounding) most of the time.
I've spoken to people that just prefer the NS1000s with ANR off. Everything's a little smoother and they're a little less revealing - a little less fatiguing for some.
So - sources and amps I've tried recently with the NS1000s with ANR off
FiiO e5 - surprisingly good - as in 'night and day' different. They make the previously flabby passive mode sound respectable - they don't acheive the kind of bass control that these phones are capable of though - and detail is reduced compared to more transparent amps. Bass boost gives more bass but loses treble detail.
Juice 2214 (I think - ebay seller) CMOY. The detail is there but they can sound a little thin. The fullness of bass that they are capable of seems reduced. I think dynamic range is reduced.
Bravo Audio v1 tube amp - A little like the FiiO but with more volume headroom but something's lacking. There's quite a bit of detail not there.
Sansa Clip - similar to the FiiO - maybe with a touch more detail and a little less bass control.
Victor SU-DH1 - another surprise. Very close to ANR mode with bass control better than any of the above (with Dolby Headphone off). With Dolby Headphone on the NS1000s really come to life. It's like listening to nearfield monitors rather than headphones. Dolby Headphone attenuates the treble slightly (have a look in computer audio for the many threads on using Dolby Headphone as an improved crossfeed - I prefer it with no upmixing plugin as I think it's closer to listening to stereo speakers and best preserves stereo recording soundstage information, as intended by the recording engineer. I tend to stick to DH1, as I find the 'reflections of DH2 and DH3 rather artificial sounding.
Auzentech X-Fi prelude - Flabby bloated bass and recessed mids and trebles. Needs an amp.
Asus Xonar D2 - Very similar to the prelude.
Creative X-Fi Xtreme Music (retail and Dell OEM versions) - Similar to the other two soundcards. Amp required.
My usual music listening setup at the moment is either Dolby Headpohone from Foobar2000 and X-Fi Prelude or SU-DH1 into Bravo with the Goldrings (ANR on) or HD600s - I'm yet to decide which I prefer and the HD600s are still burning in. I never use prologic II for music by the way - it frequently sounds awful. Taking the NS1000s portable I use my Sansa Clip - either using active ANR or sometimes passive with one of the above portable amps. For Dolby Headphone on the go I use Foobar2000 / LAME to encode at 320mb/s mp3 with DH1 (PowerDVD 9 Ultra version of Dolby Headphone dll).
* Note: I'm really struggling to pin down what theoretically makes a good amp for NS1000 in passive (100 ohm, ANR off) mode. I think it might be current supply but I'm mystified why the SU-DH1 does such a better job than my other amps and sources - especially the Bravo.
The FiiO e5 is the real budget recommendation. For £15-20 the difference it makes to the NS1000s is incredible.
What about other amps and sources - I remember Guest 2 said they did well with the Xonar Esence cards in passive mode out of the headphone amp with the high gain setting. Any other recommendations?
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