Can anyone actually name any acclaimed "blues, rock, funk, acoustic, country or metal" (original poster's chosen genres) guitarist in the world who was or is known to be mainly using Steinberger or Hohner headless instruments?
One would imagine there is a good reason for it?
There's probably a very good reason why no-one can name any acclaimed acoustic Steinberger guitarists
Mild teasing aside, who can say? As I've already pointed out, guitarists - like everyone else, come to think of it - tend to err on the conservative side, and are concerned about how they present themselves; their choice of guitar is a strong statement.
Couple that with the immensely powerful associations and heritage of 'traditional' [there's a clue-word, right there] body styles used by influential artists that used what they used because they had little choice, and it's not difficult to see why there's not an even distribution of guitar styles. Why do so many guitarists choose to use a white Fender Stratocaster with white scratchplate? Or a bullseye-painted Les Paul? Or even a Hofner violin bass [a really crappy sounding instrument by today's standards if ever there was one]? Are they the very pinnacle of guitar design and technology, or is it because they have such resonant associations?
When you consider how much hero worship goes on in the guitar world, it's not that surprising that the players of the new generation choose to use similar guitars to their heroes in the generation just past.
So most guitarists like to stick to what they know. And they don't know Steinbergers. I see it in the bass world, too. Fender Jazz or Precision... nothing else is 'true'.
Anyway, I'm veering wildly from the topic. It's fairly obvious that yantorsen wants something unusual, and a Steinberger delivers that. A word of advice though, yan: don't wear a baseball cap and/or jumper with your Steinberger. Coolness does not that way lie, evidently
