Fender Deluxe Strat....Views

Caporegime
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This caught my eye today.Looks very nice IMO.

American Deluxe Stratocaster® HSS



All the refined features found on the American Deluxe Stratocaster guitar, but brimming with beefy tone thanks to a Fender DH-1™ humbucking pickup, S-1™ switching system and LSR Roller Nut with locking machine heads. The two Samarium Cobalt Noiseless™ pickups (neck and middle) are wound extra-hot for proper balance with the humbucking pickup.





Thoughts?



0101500764_xl.jpg
 
Tell you what, that guitar is flippin' sexy :cool:

I would prefer to have 3 really great single coils, such as Texas specials as i don't particularly find coil switching sounds that great. However, as long as the price is alright, i would definatly go for it. Very versitle in that config too. :)
 
Personally I reckon the HSS setup is the best there is for strats, it's a great blend of tones, especially with a coil tap. I miss mine. I'm not at all a fan of the DH1 pickup though, it's a decent workmanlike unit but I don't think it excels at anything, very undistinguished.

I don't know that particular strat well enough to comment, I've only met one and it was good but unremarkable... Modern Fenders are very consistent, you used to get great ones and rotten ones, now they're all good but I've not found a great one yet.
 
I have the single-coil version of the American Deluxe and it's a fantastic guitar. Sunburst with a maple neck.

Really playable, very well finished and the noiseless pickups sound great. Holds its tuning very well, even with lots of whammy abuse and no roller nut. However, I can't really say much for the S-1 switching. I think it loses the nice strat tone when activated ['in' position]; sounds a little muddy and compressed. Though the output is hotter in some positions, I don't really find much use for it - perhaps good for darker/metal sounds.

A minor issue is the 'pop-in' bar. It's a little awkward and tough to push in and pull out; just one thing to keep in mind if you're using a soft gig-bag and need to pack it away often. I think I'd prefer one that screws in as I'm always a little concerned the bridge is going to end up snapping off. And the abalone inlays - take 'em or leave 'em I say. Sometimes I think they look a bit naff, other days I think they add just that little extra.

I think that would be an excellent guitar. Even though I'm a bit traditional when it comes to colour choice, that model doesn't look too bad - maybe looks better in the flesh.
 
I prefer the sunburst out of the three, but i'm fairly old fashioned when it comes to Strats. I'm not keen on the look of a humbucker in there, a single coil sized 'bucker would be nicer, and i'd go for a standard nut too.

The roller nuts are ok but a well cut and lubricated standard nut will do a fine job.

That said i'm not really much of a Strat fan. I used to own one but just never got on with it. Tele>Strat in my humble opinion..
 
That said i'm not really much of a Strat fan. I used to own one but just never got on with it. Tele>Strat in my humble opinion..

I already have a a 1990 USA Tele that I traded in from my Gibson SG (Awful Thing)

So just fancied getting a Strat to play around with.
 
The amber just wins it for me. Perhaps because the black/gold is a bit 'eugh' and the sunburst is too obvious.


Yeah,

I have discounted the sunburst.They are to common and ordinary imo.

The amber is growing on me and I like the look of the natural grain underneath,

Still like the Montego Black too.Its looks classy but modern at the same time.
 
I went on fender's website to look at the colour range of the american series and I was quite dissapointed, nothing really stood out for me. My favourite is the three colour sunburst:

31112140003jz0.jpg


But its not availible for the model of your choice as far as I can tell.
 
I already have a a 1990 USA Tele that I traded in from my Gibson SG (Awful Thing)

So just fancied getting a Strat to play around with.

Yeah, that's the reason I bought a Strat, just out of curiosity. I had a black one with white scratchplate. The knobs and pickup covers had faded to a creamy colour which looked great.

I just couldn't get on with it though....shame really.
 
I went on fender's website to look at the colour range of the american series and I was quite dissapointed, nothing really stood out for me. My favourite is the three colour sunburst:

31112140003jz0.jpg


But its not availible for the model of your choice as far as I can tell.

Its nice,

Not available in the HSS version.

Found this colour:

b262a6a446c762107f32126f0c79a395.jpg


On Fenders site they don't seem to have the full colour range on view.

The silver is awful imo.
 
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Gotta be amber really.

If you go for it, make sure you try before you buy!

If it was me though, I'd be buying a Jimmie Vaughan Tex-Mex in white. I think they're cheaper, but they're lovely.

Amber, Tortoiseshell and a maple fretboard would be a good combo for your choice though.
 
Gotta be amber really.

If you go for it, make sure you try before you buy!

If it was me though, I'd be buying a Jimmie Vaughan Tex-Mex in white. I think they're cheaper, but they're lovely.

Amber, Tortoiseshell and a maple fretboard would be a good combo for your choice though.

I'm getting it impoted from the states.

So I'm taking a gamble on it.:eek::)
 
A Stradivarius is a stringed instrument built by members of the Stradivari family, especially by Antonio Stradivari.

Antonio Stradivari was born in Italy in 1644, and said to be a disciple of Nicolo Amati, of the Amati family of luthiers of Cremona. Antonio set up business for himself in 1680, though his early violins are generally considered inferior to those made between 1698 and 1720. While many of his techniques are still not fully understood by modern science, it is known for sure that the wood used included spruce for the harmonic top, willow for the internal parts and maple for the back, strip and neck, and that the wood was treated with several types of minerals, including potassium borate (borax), sodium and potassium silicate, and vernice bianca a varnish composed of Arabic gum, honey and egg white.

Nicolò Amati (1596 - April 12, 1684) was an Italian luthier from Cremona, a member of the Amati family.

The founder of the Cremona school was Andrea Amati (c. 1520–c. 1578), whose earliest violins date from about 1564. His labels bore the name Amadus, and he is credited with the basic design of the modern violin. His sons were Antonio Amati and Girolamo or Geronimo Amati, who worked together and followed closely their father’s patterns in making violins of graceful shape and sweet tone.

The Amati instruments were characterized by mathematically derived outlines and transparent amber-colored varnish. Nicolò Amati (1596–1684), son of Girolamo, brought the Amati violin to its height after c. 1645. Andrea Guarneri, grandfather of Giuseppe "del Gesu" Guarneri was a pupil of Nicolò. Also at least one Antonio Stradivari label, dated 1666, reads, “Alumnus Nicolais Amati” - student of Nicolò Amati. Other documented pupils of Nicolò include Jacob Railich, Bartolomeo Pasta, Batrolomeo Cristofori, Giacomo Genarro, and Giovanni Battista Rogeri. Nicolò’s son, Girolamo (1649–1740), was the last of his line to achieve distinction.

Amber wins:p
 
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