I underexposed it in the field according to the meter (because that's what looked right in the preview screen at the time), then when I came back to the laptop and processed it, I pushed it by a stop or two (because that's what looks right now). I think that when you look at the display on the camera at nighttime, it is easy to miss-judge the exposure.
I think that there are some interesting framing tricks to learn with it. It allows you to get a small, nearby object and a large distant object into the same frame, with both in focus. If you can frame the shot so that you don't have straight lines at the edges (because the edge is sky, or foliage or something equaly random), then you can get some interesting compositions without making the fish-eye-ness prodominant. It works better with round subjects rather than square ones.
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