Need some help mulling over 5D mk2 v 5D mk3

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Hi guys.

Hoping to get some feedback from users of the 5D mk2 (and 5D mk3).

Basically here's my story (one Im sure has come up a fair few times on forums, and I'm well aware of the stigma it carries):

I've been into photography since I was around 8 years old helping my dad in the makeshift darkroom we had for a few years in our garden shed. Ive always had a camera of some sort since then.

Fast forward 2007, I bought my first DSLR; Olympus E-330 which was lovely but I soon became acutely aware of the Olympus system and the 4:3 sensor etc. April 2008, I purchased a brand new 450D and photography, in terms of a hobby, moved on to the next phase for me. Since then Ive taken the camera around the world with me. I've experimented with a few lenses by renting quality glass from time to time, and have ended up doing a bit of everything from landscapes, motorsport, portraits.

Here comes the typically cliché part of my post: Over the passed year or so, friends of mine have been getting engaged, married, etc and I've had to look through many photographers galleries. From time to time, I have done this and thought "Given time, Im sure I could produce comparable results". I want to begin wetting my beak with taking my photography more seriously, with a view to gaining more experience and potentialy doing some small jobs on the side.

I feel I must be clear some things: I dont not intend to shoot weddings over night. I dont want to charge anyone for anything just yet.

I dont mind spending a bit of money to get my gear up to scratch, but I want to want to throw money at things that are not necessary. Right. So I'm upgrading my 450D, 18-55mm IS and 50mm F1.8 kit. Things that bugged me the most about this kit; small camera body with sometimes awkward control. Generally poor autofocus performance (im well aware of how AF works technically, so I use what I know to get by sticking to my centre cross point a lot of the time... I was even manual focusing to get my F1 cars coming through the corners etc). Small viewfinder is very annoying to me. When I looked through a 5D for the first time... I was amazed! Thats pretty much it, when I nail a shot on the 450D image quality is not bad, especially if good glass is used. Usable ISO is only upto 400 really, maybe 800 sometimes so I guess that is another thing im not happy with.

So what this has always made me believe is if that I upgrade, its not going to be to another APS-C body, and that I will buy decent glass.

With that in mind I heavily debating switching to Nikon with the release of the D600, due to the spec of the body on paper and the availability of their 24-70mm F2.8 at around £1000. In the end I bottled the switch to Nikon for a number of reasons; one of them being I snapped up the purchase of a mint Canon EF 24-70mm F2.8 L mkI off the TP forums for £800. This is me sorted for my main lens for now. In order to test the if I could get by with it on my 450D for the near future and first "assignments/jobs" (more on that in a sec...) I bought a flash so I could try it out. This week I took delivery of my Speedlite 600EX-RT which is... just an ETTL flash really. Radio trigger stuff will be cool in future when they release a cheaper radio slave flash or the price of the ST-E3 drops. In all honesty I could have bought a Yongnuo 565 or a second hand Canon 580EX-II but this means no need for pocket wizards for off camera flash.

So the 24-70 and the 600EX can take some nice pictures using the 450D. My biggest problem still is AF performance, esp regarding locking on the eyes. I always use the closest focus point, sometimes a bit of focus re-compose. Im not sure whether or not this is technique, or whether the few knocks my 450D has had over the years means it needs sending in for AF calibration. Either way with my current set up my biggest peeve is AF performance.

I might have my first bit of (unpaid) work on in November, a christening for some friends who dont have the money to hire a pro and would like some photos taken.

Now in North London, especially in the Greek community, I know word of mouth can be all you need to be successful with regards to winning work. If I do a good job Im sure Ill be recommended but this young couple to their peers for other such christening and maybe engagement jobs for me to cut my teeth on. Doing a good job from day 1 is important to me. I know from now I will not do a perfect job no matter now much stuff I read, practise I have, or gear I own.

I have a budget of around £1200 for a body. Which fits perfectly to the price of a 5D mark 2 from Digitalrev. I dont really want to spend the extra £750 required to buy a mark 3 if its not necessary. However I dont want to spend the £1200 on the mark 2 and then have the same unconfidence in the AF system as I do now with my 450D; feeling I have to second guess it and undermine the compositions I want to achieve with my photos just to make sure eyes are over focus points clustered in the centre of the frame.

What I want is a pragmatic answer (not opinion) by someone who has used both cameras, who can tell me if the 5D mark 2 is annoying with regards to autofocus - and whether the 5D mark 3 is that much better with regards to AF point coverage across the frame, and achieving accurate AF when selecting the focus point yourself.
Thought Id hide that diatribe in the spoiler tags to save people from whiplash when turning their heads away from such a wedge of text!





TL;DR?


5d2 v 5d3 pragmatic AF performance information, from someone with experience please.

:D
 
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Take all advice with a big pinch of salt, gear will not make you a great photographer plenty of people have shot great events with old 20D's and the classic 5D but thts not to say newer bodies aren't easier/better.

Great point. Im aware of this and have been holding on to it in my head. I know the 5D2 has been used to take a million amazing photos that nothing except skill as a photographer is going to hold me back from matching at first.

Im almost trying to put a monetary value in my mind what that AF system is worth using the experience of people who've had both and used both.

Thanks for your input :)
 
There is no should or shouldn't. You do whatever works for you with the gear you have. Camera's are not equal, there is not a one size fit's all approach. With Canon you often have to shoot a little hot to avoid banding. This means if the scene is contrasty you either lose highlight detail, or you have to accept noise or more precisely.. blotching/banding in the shadows. Having to check histograms is a PITA and slows you down/breaks connection with your subject and is a general hindrance.

Something like a D800 gives you film like DR. Like film, you don't need to lose the highlights if you don't want to. Just expose to the left by a stop and you get 4 stops of highlight recovery and zero perceptible noise increase in the shadows.

In fact the additional noise would only be like shooting ISO 200 instead of 100. Does shooting at ISO 200 instead of 100 really make an appreciable difference in noise?
If you want even more highlight headroom, ISO 400 or 800 isn't a big deal either.

In short, don't tell people what they should or shouldn't be doing just because it doesn't fit in with your mantra.

How about not expanding on points irrelevant to the original question in the thread so you don't waste my time, and others who are interested :p ?
 
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