This record really is like, three rivers that I love very much, it's the body of water that they all flow into and I had to go and find them. One being classical music. There's three pieces that have a 110-piece orchestra, a lot of intense, beautiful classical harmonies. And then glitchy, very sort of modernist, clicky kind of electronic stuff in the vein of IDM. I spent all summer writing thousands of lines of code to create BreakTweaker, which is responsible for all the splining micro-note values and granular surround sound. The third being asymmetrical meter isorhythms derived from jazz. A lot of the pieces have an incredible density and severity of meter changes.
You know honestly, more than anything, the most important thing for me to say about this record is that this is my first record that I've made since I became a father. And more than anything, this record is seven lullabies that I wrote with my daughter laying and sleeping in my lap. And I think, more than anything this humanist quality of this record and the kind of lullaby-esque quality to it has everything to do with that.