OcUK Book Club #3: Cormac McCarthy - The Road

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Nix

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So here we are guys and gals. Our next book, as submitted by Liefrich and chosen by Frosti is: Cormac McCarthy - The Road.

http://en.wikipedia.org/wiki/The_Road

The Road is a 2006 novel by American writer Cormac McCarthy. It is a post-apocalyptic tale of a journey taken by a father and his young son over a period of several months, across a landscape blasted years before by an unnamed cataclysm that destroyed civilization and, apparently, most life on earth. The novel was awarded the Pulitzer Prize for Fiction and the James Tait Black Memorial Prize for Fiction in 2006.

Enjoy! :)
 
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I filed this under "Over-rated".

Part of the problem is that I've read dozens of End-of-the-World books, and many were better than this. Essentially The Road is a "Mood" book: lots of style, some nice writing, but that's it. The author deliberately never tells you what exactly the catastrophe was, which in some ways helps, but in most does not. The basic premise (last "good" man holds on to civilisation) is pretty old too, and previous writers have never been as sentimental as McCarthy. Yes, I do mean sentimental - I'm talking about the relationship between father and son.

I think one reason it is so highly regarded is because it's science fiction written by a non-SF writer. Mainstream readers and critics sneer at SF, and assume that it can never be any good. They also assume it takes a mainstream writer to write proper SF, to the point where their books usually aren't actually called SF, to show how superior they are (when did you last hear 1984 describes as science fiction by a non-SF critic or commentator?. Or "The Road" for that matter).

So when a mainstream writer comes along and writes an even acceptable SF book it's always at least news.

And the book ends with something about this far away from a deus ex machina. What exactly is that hunting guy supposed to have survived on?


M
 
Firstly - I don't think the book should be classed as Science Fiction (not in the truest sense of the genre).

Secondly - I found this to be an excellent book; the story isn't anything to do with "the end of the world", and the author correctly avoids any mention of whatever catastrophe befell the world. Although, in saying that, it is fairly clear that some kind of Nuclear War has taken place - the man's illness, the ash everywhere, the dead fish washed up along the beach.

The story, to me, was about the relationship between the man and boy - how neither of them were correct all the time (indeed, the boy was rightly scared when going down into the basement), how they developed over the course of the story (the boy more than the man) and how they learned from each other. It was maybe also about how people can survive - either through doing things they wouldn't consider beforehand (cannibalism, robbery, murder) or luck (fate?) in the case of the boy.

"What exactly is that hunting guy supposed to have survived on?" - I would suggest his caravan (his wife and children) had a reasonable amount of supplies and/or had the ability to find food as the man and boy did. It was somewhat suggested that he had come from an enclave or similar, so maybe they set out to find other "good" people. Explicitly stating how the "hunter" had survived wasn't really necessary - he survived as everyone else did.
 
I have started reading this, for two reasons, someone has recommended it tome IRL, also I fell guilty after being a supporter for the book club idea but not contributing to the last two threads.

Plus, Post apocalypse stories generally tend to deliver.
 
Firstly - I don't think the book should be classed as Science Fiction (not in the truest sense of the genre).



"SF's no good" they bellow until we're deaf.
But this is good!". "Well then, it's not SF."



To quote (IIRC) Robert Conquest. It's set in the future and it's an End-of-the-World story: of course it's Science Fiction. And my argument was precisely what you nearly hit: as soon a a writer wants his/her science fiction taken seriously by "proper" critics they (and the critics) deny it's SF. Even when it clearly is. It is possible for a book to be Literature (note the capital) and SF.


M
 
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Finished this recently. I don't often read novels but did enjoy this. I felt it lacked something though, maybe a bit shallow. In my head, the disaster was a large volcano rather than nuclear war.
 
Need to pick up a copy of this but I have too many books at the moment to read and it would be greedy to by another.

Shame though as it sounds right up my post-apocalyptic alley!

Rich
 
I wasn't going to bother with this one I'm afraid but was in Waterstones today and it was in the 3 for 2 offer so I've picked it up and will start it soon to make it three books on the go for me at the moment.
 
It's one of m favourite books. I'm not sure I'd agree that his earlier stuff is his best, however I am currently working through Blood Meridian and that's amazing.

He is just one of the best author's of our time. In the Road don't worry about what causes the apocalypse read and saviour the dialogue the descriptions and the pure human emotion that comes across so strongly in the novel.

I love it.
 
Exactly, the emotion conveyed leaves you with the same sense of desperation the characters must be feeling, especially if your a parent.

Imagine yourself trying to survive and save your little boy/girl, but the senseless of it all as there is nothing to actually live for other than living for livings sake.

I thought it was brilliant and I have never read a more emotional book before. I recently purchased his new book but I haven't got round to reading it yet.
 
Finished this a couple of days ago, I enjoyed the book however I don’t think it was worthy of all the hype (very few are). The story gives a very narrow view of the world but I think this helps convey the bleak and harsh reality the father and son have found themselves in.

The fact that all man-made measures of time are lost; leaving each day disjoined and a fresh fight for survival gives the book quite a unique pace, I found the ending a little cheap though.

I managed to fly through the book which is always a good sign for me.
 
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It's not overrated, it's brilliant....read it again you will change your mind as you'll pick up scenes and imagery you didn’t on the first read; for instance the true horror of the basement scene did not strike me until the second reading. Furthermore, even though the actual premises of the novel are pretty damn bleak I think the ending offers hope and well, hope is important!
 
To quote (IIRC) Robert Conquest. It's set in the future and it's an End-of-the-World story: of course it's Science Fiction. And my argument was precisely what you nearly hit: as soon a a writer wants his/her science fiction taken seriously by "proper" critics they (and the critics) deny it's SF. Even when it clearly is. It is possible for a book to be Literature (note the capital) and SF.

Thinking about it again - was it actually set in the future? I got shades of the 1950s when reading it...
 
when did you last hear 1984 describes as science fiction by a non-SF critic or commentator?

You're right, I can't recall having seen anyone call it that although it clearly is, however I think that pigeonholing a work like 1984 does it a bit of a disservice, it's simply a great book that transcends categories.

I finished The Road today and was left slightly underwhelmed by it, it this is one of the great novels of our time then it speaks more to the paucity of choice than providing a glowing endorsement of the book itself. It is a decent enough story but I found the odd omission of punctuation for no discernable reason distracting and the absence of speech marks or names to be unduly confusing - not in the sense that it was hard to follow, with so few characters it isn't but there didn't seem to be any useful purpose to not having them. I'm happy enough to have read it but I don't think I'll be in any great rush to read it again.
 
I thought it was very interesting, and the unique writing style did not bug me...it added to the whole story in my opinion. I enjoyed it thoroughly but I really don't think it's one of the "great" novels of our time.

There are some books that are "must reads"...and as interesting and engaging as The Road was...I don't think it's one of them.
 
I've just remembered what the writing style reminded me somewhat of; DBC Pierre's Vernon God Little, also critically lauded for the eccentric writing style and that book actually irritated me. I think I might be better not knowing what critics think before reading because I find myself so frequently disagreeing with them and I can't tell if it is just my contrary streak or not.
 
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