Joseph Mallozis (writer/producer on SGU) blog usually has some answers on the little things people are wondernig about such as the kino etc.
http://josephmallozzi.wordpress.com/2009/10/09/october-9-2009-an-sgu-heavy-mailbag/
Joseph Mallozzi said:ZeroPointBatteries writes: “One thing is bugging me though, why couldn’t they just use the kino to shut the door instead of having to kill someone?”
Answer: And how exactly were they supposed to do that? The control to seal the door wasn’t some giant button they could sail the kino into in the hopes that the impact would initiate the seal. In fact, you can see the senator first press one button on the seat console, then move down to press another. The kino’s surface area wouldn’t have allowed for pinpoint accuracy. Yes, Rush had a pencil, and even IF someone happened to have brought the masking tape to fasten it to the kino, you’re making several more assumptions: 1) that in the short time Eli has been working with the kino, he would be capable of controlling it with the accuracy needed to hit those particular buttons, and 2) the kino would possess enough force to trigger the buttons.
I dont understand why they dont use the communication devices to get some experts onbaord and help figure the mess out. Rodney would have power up and going in 2mins flat.
did you notice the hugeness of the soldiers breasts in tonights episode? the camara man/director defintately made them easy to see!

TBA writes: “304’s are able to easily destroy Ori battlecruisers, Wraith hives, and Replicator Aurora warships, but the Hammond is forced to retreat for three puny Ha’taks?”
Answer: You’re assuming that while Earth has made progress with its shields and weaponry, the rest of the galaxy has remained stagnant.

Series creators Brad Wright and Robert Cooper established everything from the tone of the show and the look of the ship to the individual characters. Using Air I, II, and III as a template, the rest of the writers simply followed their lead. Brad and Rob have overseen all aspects of production to ensure it remains true to their original vision for the show, sitting in on all meetings and doing passes on all scripts.
If I recall correctly, once the stones have been touched by certain people, they are keyed into that one person and can't be reprogrammed.
So they may have had the stones set up for regular communication at their original base and had no need for sciencey people at that time.
FTL (other than hyperspace) has been used by Asgard before, so it's not something new invented for SGU.
OK, is anyone else getting really mugged off with the same 'dirty border' filter they use over half the shots in this show?
They have also started to rip off signature BSG elements, like the fast zoom shots onto peoples faces, and the use of the term 'FTL Drives'.
I'm enjoying the show, but do not see why they have to emulate BSG. Some originality would be nice/