Soldato
- Joined
- 5 Nov 2004
- Posts
- 9,302
Bet you were hoping for some Chase Jarvis Apple like 1080P video weren't you?
No such luck.
I would like to discuss and explore the systems we have in place or a new one that we can construct as I am never fully happy with the structure of my entire photography library!
I think its important to start with a base structure. Now during import (and to assign the older files that have no previous cataloguing) do we keep file names as recorded by camera or do we change them to something key worded, dated etc..
At the moment my base structure is by Year
RAW
-2005
-2006
-2007
-2008
--landscapes
--portraits
---David Smith
----_IMG_5043.CR2
---Sarah Daken
-2009
-2010
-2011
I kinda like that everything is assigned to a year then I can explore exactly what I have been doing for the year.. However I am still not 100% convinced and if theres one thing I can't seem to apply is how and where to sit the high res and low res jpegs of these files.. I had them in a completely different location to the RAWs and its just been a mess from day 1 that I just can't be bothered to sort.
I am tempted to use the structure I built for work.
05:08:2011 - Joe Bloggs
-RAW
-Processed
-Web
now that works great for client work because most of it will sit per day per client but what if you have been doing landscape work, macro work, portraits and anything creative.
Whats best to approach this situation?
Key wording is something I never did which I wish I had but there we go. I'm the kinda person to import a CF card and leave it for weeks!
I am working in Bridge so I can play with loose files.
Be interested in some ideas thrown forward.
No such luck.
I would like to discuss and explore the systems we have in place or a new one that we can construct as I am never fully happy with the structure of my entire photography library!
I think its important to start with a base structure. Now during import (and to assign the older files that have no previous cataloguing) do we keep file names as recorded by camera or do we change them to something key worded, dated etc..
At the moment my base structure is by Year
RAW
-2005
-2006
-2007
-2008
--landscapes
--portraits
---David Smith
----_IMG_5043.CR2
---Sarah Daken
-2009
-2010
-2011
I kinda like that everything is assigned to a year then I can explore exactly what I have been doing for the year.. However I am still not 100% convinced and if theres one thing I can't seem to apply is how and where to sit the high res and low res jpegs of these files.. I had them in a completely different location to the RAWs and its just been a mess from day 1 that I just can't be bothered to sort.
I am tempted to use the structure I built for work.
05:08:2011 - Joe Bloggs
-RAW
-Processed
-Web
now that works great for client work because most of it will sit per day per client but what if you have been doing landscape work, macro work, portraits and anything creative.
Whats best to approach this situation?
Key wording is something I never did which I wish I had but there we go. I'm the kinda person to import a CF card and leave it for weeks!
I am working in Bridge so I can play with loose files.
Be interested in some ideas thrown forward.