Okay, so you accept sound loss by degradation. So let me ask; why are you so certain that the measurements you can make of a cable gives the full story?
You are attempting to make out that audio is so highly complicated that it cannot be measured. This is a cop out, and you are essentially trying to use science to back up your claims rather than use it to show what's true and what isn't.
Can you conceive that the measurements we can make don't adequately describe all of the properties of a cable? Scientists know better than anyone how the tools we use to describe our world are constantly improving. Could you be open to the possibility that two cables of differing construction can exhibit the same measurable properties, but that there are still some facets that we haven't got adequate tools to quantify.That's why I can say I understand the science but can still hear differences.
I can conceive that it's a *possibility* though realistically it's highly unlikely, it's already possible to be able to record audio and analyse it to such a high standard that your claims are jut not valid.
I understand why you understand the science but hear the differences, but that's not an argument to validate that there are differences. Being able to hear differences is not an indication that they are there in the way you are suggesting, and I don't refute that there *are* differences, just that a difference is degradation, not enhancement.
When I am talking about hearing the difference, I am talking about 2 cables of differing construction, but are adequately specified for the the situation, the issue generally here is that adequate cable is not at all expensive, the claims often surround highly expensive cables which infer magic properties to enhance sound.
The digital era has somewhat laid rest to these sort of things, because analogue degradation isn't inherently obvious like digital degradation is, whereby if a digital signal is being degraded, it's plainly obvious what's happening.
Due to analogue audio signals being the actual sound wave being transmitted, rather than a sine wave that is encoded and decoded as binary, analogue degradation is no where near as obvious, and very easy to do without it becoming very obvious that the signal is being impacted negatively (read, introducing inaccuracies in to the audio).
This hasn't stopped people and companies trying to sell ridiculously expensive cables for digital signal situations, though, and the same claims about analogue are being used for digital systems, like HDMI cables influencing image quality, digital audio cables influencing audio quality, USB and Ethernet cables influencing the quality of the media they are transporting.
These fancy cables are not taken seriously or even accepted in the high end computing industry at all, and never have been which should be enough to demonstrate that it's a con within the AV industry.
The examples of different bits of kit really don't matter. It could be two CD players, or two amps, or two cables. If you were involved in a blind test then you wouldn't know which the models were, so I don't see how it changes anything in this particular part of the discussion either.
The reason double blind tests fail is exactly what I described before: In order to conduct a rigorous double blind test for Hi-Fi equipment means introducing additional equipment foreign to the equipment on test. It taints the system and invalidates any results.
This reads as such a massive cop out, like you're saying the equipment they use for double blind testing "changes" the sound anyway. It's not much of a surprise you'd take that stance since you believe in the snake oil of the AV industry and the magic cables and equipment claims that are yet to be proven.
You see, unlike the absolutists who believed the earth was flat, or that man would suffocate if travelling faster than 30 mph, or that atoms were the smallest building blocks of the universe or that we have all the tools to adequately describe the properties of Hi-Fi equipment, I constantly question perceptions and beliefs.
These weren't really widely held beliefs, it's just a myth that they were.
As for measuring audio equipment, you're the one making extraordinary claims that you are not able to adequately back up. "I experience it" is not valid or adequate proof because of how fickle human perception is.
Jimmy Fallon proves only that if you stand on the street with a camera crew and take enough vox pops that eventually you'll find that enough people and edit the film in the right way to make a good joke. There's no secret to that.
I didn't say there's a secret, it's just making it obvious how human perception is incredibly fickle and how people will perceive something different based on how it was presented. They are told it's different so they see a difference.
This is how a lot of it works in the AV industry and why people fail double blind tests, because when you make it impossible for someone to *know* what's what with regards to equipment and they don't know when things are being changed, it messes up their perception and they lose their "golden ears".
The point of a cable dem is just the same as any equipment audition. It's pre-sale not post sale. If I set up a dem as an experiment there'd be no sales at all. Equally it could be done so that none in the listening panel knew anything about the cables.
To point out, I'm not saying cables don't make any difference at all, and hooking up your system with bell wire will be enough. I'm saying that if your cable is thick enough, and it doesn't degrade the sound, then that's the best you're going to get.
These magic cables will not enhance the sound, and if there IS a difference they will be degrading the signal to make it audibly different.
Finally, why wouldn't the right kind of support make a difference to the way equipment sounds?
Why would it? You're the one making the extraordinary claims here. Does my PC sound any better on a different surface? Do my monitors reproduce colours more accurately if I put them on a more expensive desk?
I'd be up for listening to tables and mains blocks, they are things I don't think will make a difference. I'm a cable believer having heard the difference in my own room.
This is the sort of thing that isn't even worth getting in to at all, a table and a mains block won't influence sound quality, and it's madness for anyone to seriously suggest that a table will change audio properties of amps, CD player decks or anything else that is "piping" the sound. Sure, speakers can resonate through tables they're sitting on, but that's not at all the same thing. The mains block thing is just utter madness.
I'm still interested what language people would use to describe sound, if "audiophile speak" is no good. Using visual terms to describe sound surely can work.... Sparkle, is that so hard to work out?
The cable and others items is an old debate, frankly a boring pointless one, made even more pointless by people spouting what they "think" will make a differnce and what surely couldn't...
Instead of spouting theory go try it and then quote from experience of what you have tried and heard. If not kindly don't speak of what you no jack about.
The onus is on you to prove that these cables are magic and can influence sound quality, as it goes you're the one making extraordinary claims that are contradictory to the physics of electronics.
People who claim that cables DO influence the musicality or enhance the sound quality "no" jack about what they're talking about to be blunt about it.
Lucid is already suggesting he rejects double blind testing which demonstrates he doesn't care that it can be proven to be false, he believes anyway.
Poor speaker cable will degrade sound, fancy magic cables also tend to degrade sound as they make them of a gauge to ensure that the sound is degraded so that people might hear *difference* but that's all cable does, it degrades not enhances.