Indeed. I go to Fabric every fortnight and have never had tinnitus after, even when spending all night in room 3 which has immense sound for the size of the room. Spent a couple hours in a Walkabout or Oceana and my ears are ringing for days after.
A properly calibrated system in a proper club and you can pick out the instruments and nuances in the music rather than just a brash mishmosh of sound.
I think the original argument was that you can't tell what bitrate something is on a club system (or the differences between a high bitrate MP3 and lossless file) unless it's something terribly low or the file encoder was broken. I'm not denying that some venues sound incredibly good. It doesn't matter how good the source material is if it's going into a DJM-800 anyway, those things manage to destroy everything that goes through them.
Two random questions; I have had to abandon flacs and go for other methods of obtaining the tracks. The tracks that I have managed to get are 320kbit, 320kbit is ok, but is there a way to verify that the quality is efficient rather then just low bitrate lossless, in other words to make sure that it is actually 320kbit quality. Also when I burn 320kbit onto a CD will it actually be 320kbit on the disc or will it be upscaled to CD bitrate size?
For the second part, it will get converted into the same format that CD audio is recorded at, but it won't lose any quality in this process. For the first part, trust your ears. If it sounds fine then don't worry about the nitrate.
I'm not sure what you mean by 'low bitrate lossless', since that's a bit of an oxymoron.
Last edited: