Just picking up on a few comments in the thread so far...
I follow the physical media side /<snip> It will never be mainstream again as the masses are fine with DVD quality
I think the market has moved past DVD quality for streaming.
Sky is still making subscribers pay a premium for HD/UHD linear TV and downloads, which is pretty shocking in this day and age. There's also a lot of SD Freeview and Freesat too, but part of that is because of all the repeats of old programmes. Folk watch TV in SD because there isn't a proper HD alternative or there's not enough bandwidth via Freeview/Freesat to support a HD channel as well as the SD version required for legacy equipment support.
Apparently a lot of the mixes for streaming are done with TV speakers in mind too as that's what most consumers listen to.
I'd be surprised if that was the case when it comes to mixes. They're usually done as multichannel, then delivered in a more efficient CODEC than DD. The streamer or TV then decodes from AAC-HE to whatever is required by the playback chain. For a TV with basic stereo speakers the decoding will create a stereo mix.
The balance of the mix itself suits a proper surround system because of the dynamic range being used. Reducing the dynamic range or setting the TV to dialogue mode would help rebalance things, but I'm not sure everyone understands this. Even if folk make those changes, there'll still be mixes that are too hot.
The problem is no, streaming from the usual providers hasn’t improved, so we’re still stuck with low bitrate, compressed and artifact filled streams. Add to that no HD audio codecs and I do sometimes struggle to understand why people are actually happy with this. I get it though, most of the population just aren’t interested in the quality on offer from physical formats. Think back to when music went the same way with low bitrate MP3’s - convenience is king.
Convenience is definitely a big factor. Some of the other considerations are neatness, and the lack of experience in hearing really good gear. I come across this with Hi-Fi as much as with surround systems. Folk generally haven't experienced anything better than a small shelf system or one of those '00s DVD/Blu-ray surround kits Currys and Comet were selling from £199. Then there's the inevitable objection to speaker cables.
It's a crazy mixed-up world. People will spend hours planning a dinner, watching the TV Chef programmes or video clips on how to prep and cook things for the perfect result. Then they bottle it at the crunch and go buy everything ready to reheat in plastic packets from M&S.
I know audio platforms have gradually evolved over time to offer much higher quality hires formats, but I don’t see anyone doing that in the video / film arena,
Sony is having a bit of a go with its Bravia Core service. The video streaming is 4K Lossless., which is encouraging. DTS audio makes an appearance too, and this includes support for DTS:X. Dolby Atmos is also featured. Sadly though, DD and DTS are still the lossy DVD-quality versions.
Access to Sony's Core service is contingent on buying one of their qualifying TVs. In anyone is interested, there's more info here:
https://www.pocket-lint.com/what-is-sony-bravia-core-everything-you-need-to-know/
I know one day physical releases will cease, my concern is that we won’t have an alternative way of obtaining that same quality for new movies releases
Well made point, and I think this is one of my main concerns, too.
Some Hollywood movies have been filmed on Red 8K cameras, there are a couple of Netflix movies as well. However none of them are available to watch in 8k so it kind of defeats the purpose
What is shot in camera - its resolution - doesn't necessarily translate to the final resolution we see via streaming / broadcast / physical media. 6K and 8K camera heads give the director choice in how they frame a shot. If fact, they can shoot for multiple aspect ratios knowing that none need to compromise on resolution versus the others despite being narrower or shorter.
Ironically anything filmed on 70mm film can already go beyond 8K. Some of the 4K restorations look fantastic, Lawrence of Arabia is a good example.
Yep. In fact, even good 35mm can be a little ahead of 4K resolution.