Spike_UK said:
I think it's a cleverly researched and well put together piece of fiction, but that's all it is, fiction.
Great read though...
Well, broadly yes. But it's intermingled with a fair bit of fact.
Personally, I loked it, both as a read and as an admirable bit of fictional construction. DB started out with a typical murder whodunnit premise - a murder in a very well known place. So far, standard stuff. Then he goes down the police investigation/single track policeman route. Still, standard stuff. The Langdon's background starts to play into the plot, i.e. the character's extensive knowledge of religious symbolism. Then he introduces more known facts ... the Knights Templarm Opus Dei, etc. But he then starts to weave the fabrication and fact together, bit at a time. All the while, he's gently hooking the reader further and further into the construct.
So you've got, for example, a fair bit of historical background that IS true, a fair bit more that probably is, and some wild speculation, all masking the joins in the sheer fabrication.
The Da Vinci code wouldn't be half as plausible or thought-provoking (of the could it possibly ..... nah ..... but .... erm...." variety if it didn't mask the sheer fiction with a thorough blend of known fact, plausible creation and tempting conspiracy theory.
A lot of people put DBs books down, but my assessment is that
as fiction, they are superbly written, not least because he hardest part of writing a best-seller, that being the marketing, is built-in and damn-near self-financing. By any real assessment of a novel's success (that being sales, of course() it's a raging masterpiece.
After all, novels are commercial, not "art".