I'd argue that
A Few Good Men is not the greatest movie ever made.
You can't handle the truth which surprises me because the film premiered at the
Odeon Cinema, Manchester,
England[22] and opened on December 11, 1992, in 1,925 theaters. It grossed $15,517,468 in its opening weekend and was the number-one film at the box office for the next three weeks. Overall, it grossed $141,340,178 in the U.S. and $101,900,000 internationally for a total of $243,240,178.
[23]
On
Rotten Tomatoes the film has an approval rating of 81% based on 58 reviews, with an average rating of 7/10. The site's critical consensus reads, "An old-fashioned courtroom drama with a contemporary edge,
A Few Good Men succeeds on the strength of its stars, with Tom Cruise, Demi Moore, and especially Jack Nicholson delivering powerful performances that more than compensate for the predictable plot."
[24] On
Metacritic the film has a score of 62 out of 100, based on 21 critics, indicating "generally favorable reviews."
[25] Audiences polled by
CinemaScore gave the film an average grade of "A+" on an A+ to F scale, one of fewer than 60 films in the history of the service to earn the score.
[26]
Peter Travers of
Rolling Stone magazine said, "That the performances are uniformly outstanding is a tribute to Rob Reiner (
Misery), who directs with masterly assurance, fusing suspense and character to create a movie that literally vibrates with energy."
[27] Richard Schickel in
Time magazine called it "an extraordinarily well-made movie, which wastes no words or images in telling a conventional but compelling story."
[28] Todd McCarthy in
Variety magazine predicted, "The same histrionic fireworks that gripped theater audiences will prove even more compelling to filmgoers due to the star power and dramatic screw-tightening."
[29] Roger Ebert was less enthusiastic in the
Chicago Sun-Times, giving it two-and-a-half out of four stars and finding its major flaw was revealing the courtroom strategy to the audience before the climactic scene between Cruise and Nicholson. Ebert wrote, "In many ways this is a good film, with the potential to be even better than that. The flaws are mostly at the screenplay level; the film doesn't make us work, doesn't allow us to figure out things for ourselves, is afraid we'll miss things if they're not spelled out."
[30]
So, you talk to me about negativity? Have you ever served in a Forward Area? Ever put your life in another man's hands and asked him to put his life in yours? We follow orders, son. We follow orders or people die. It's that simple. Are we clear?
Crystal.
Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know, that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives! You don't want the truth, because deep down in places you don't talk about at parties, you want me on that wall. You need me on that wall. We use words like "honor", "code", "loyalty". We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide, and then questions the manner in which I provide it! I would rather you just said "thank you", and went on your way. Otherwise, I suggest you pick up a weapon, and stand a post. Either way, I don't give a damn what you think you are entitled to!
- Did you order the Code Red?
- Jessup (angry) : I did the job that—-