Did anyone in this thread really think that the Audiolab did AV surround processing?Just thought I’d chirp in here and add that the audio lab won’t process any surround formats such as Dolby digital DTS, Atmos etc, just 2 channel pcm.
The question then becomes, does what ever optical source you plug it in to support “overclocked” high res’ 2 channel downmixing. I’m not sure I’ve ever seen an option to tell any kind of player (or tv) what sample rate to output, but happy to be proven wrong. (Have however seen it in the pc sound options)
Edit: Sony x800m2 that will let you output 96/192 24bit pcm down the coaxial, so they do exist.
That then would be how I would go.
You could also test out just running an optical from the telly, and see if you can tell the difference between 96/192 and 48, if it’s minimal, then the convenience might be better just plugging the tv straight into the amp.
It might also be worth considering your use case as well - for a long time I was very 2 channel only. But eventually came to the realisation that I spent much more time watching tv/movies/games than listening to music and I should switch my focus there instead. A good surround system can still play music!
Another consideration should be room calibration - a good modern implementation (eg Dirac) makes an amazing difference. The NAD M10v2 could be worth a listen (also has HDMI eArc so time sync and can be controlled by the tv remote).
Anyway, it has been possible to do 192kHz via optical for a long time. It just needs a wideband optical receiver stage and then the DACs capable of handling the signal. I had this with a TAG McLaren AV32Rbp192 back in the very early 2000s. There might be an issue if the gear is capable but the optical cable is a bit crappy. Coaxial is more robust in this respect.
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