Man of Honour
I think what you're looking for is VSCO.
VSCO "Film" presets mimic classic classic/modern film colour and mono grades and are often what people emulate in their outputs. Depending on what one you use, you can end up with that "cinema" movie look to the colour grade. It is then up to you to fine tune a preset and save it as your own style.
Before I bought the VSCO film packs for Lightroom, I created a bunch of custom presets that got close to VSCO as I didn't want to shell out for presets. I got to maybe 85% close to the look I'd always liked. Once I'd realised I'd never be able to get the extra 15%, I bought packs 1 to 4 and looked at all the ones that had that missing 15% and then combined the adjustments they had with my own presets and saved as a custom preset.
The great thing with LR is you can continue updating presets and fine tuning them with each new shoot and saving as a new preset, or update your existing one. Means your "look" is forever evolving.
There are free presets that also might take your fancy, just browse any of the preset websites and see if there's anything you like, you can then use those as a baseline and build your own tweaks into them to make them your own. It won't be done and dusted in a week or a month however, it takes time to get just the right preset, one that can be applied to absolutely anything you shoot in any condition and it still looks how it should in the output. But that's all part of the fun anyway.
VSCO "Film" presets mimic classic classic/modern film colour and mono grades and are often what people emulate in their outputs. Depending on what one you use, you can end up with that "cinema" movie look to the colour grade. It is then up to you to fine tune a preset and save it as your own style.
Before I bought the VSCO film packs for Lightroom, I created a bunch of custom presets that got close to VSCO as I didn't want to shell out for presets. I got to maybe 85% close to the look I'd always liked. Once I'd realised I'd never be able to get the extra 15%, I bought packs 1 to 4 and looked at all the ones that had that missing 15% and then combined the adjustments they had with my own presets and saved as a custom preset.
The great thing with LR is you can continue updating presets and fine tuning them with each new shoot and saving as a new preset, or update your existing one. Means your "look" is forever evolving.
There are free presets that also might take your fancy, just browse any of the preset websites and see if there's anything you like, you can then use those as a baseline and build your own tweaks into them to make them your own. It won't be done and dusted in a week or a month however, it takes time to get just the right preset, one that can be applied to absolutely anything you shoot in any condition and it still looks how it should in the output. But that's all part of the fun anyway.