Yes Zach does put forward some good and entertaining points, with of course some exaggeration. i.e. not every FF camera is in a D4s/1Dx form factor, he could just as easily have taken an A7r, a7s, RX1 etc. to vegas.
Like he says, most of the time the difference between FF and APSC is fairly negligible in terms of noise, but then sometimes it's not. What APSC comes close to the A7s ISO right now?
I'm also one of those who would already be shooting Fuji if it were 35mm.
Unfortunately for them, it's like Ferrari releasing a new model with two engine choices.. a V6 or a V8. Which one would you want to test drive?
Well that's Fuji's problem. It's a truly compelling and beautiful tool, but it's a V6 trying to compete with V8's.
Of course the lighter weight higher rev V6 could easily be the better drivers option
I thought mustangs were for drivers who like strait roads.
He's a quality read and watch. Got hooked on him when i read his white seamless blog years ago, then his CreativeLive, Onelight stuff.He entertains me I shall subscribe to his channel now
sounds like he has been sponsored by Fuji..
Look. Some of the trolls out there are going to think this is a Fuji sponsored message. It isn’t. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. I don’t get **** for saying this stuff or making blog posts like this. I’m simply relaying my experiences working with all sorts of cameras in all sorts of situations. And in preparation for making this blog post I have done a lot of pixel peeping at newer APS cameras from Nikon, Canon, Sony, and the rest and I feel confident saying… APS sensors kick ass these days. Across the board. Whatever you are shooting.
Quote:
Look. Some of the trolls out there are going to think this is a Fuji sponsored message. It isn’t. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. I don’t get **** for saying this stuff or making blog posts like this. I’m simply relaying my experiences working with all sorts of cameras in all sorts of situations. And in preparation for making this blog post I have done a lot of pixel peeping at newer APS cameras from Nikon, Canon, Sony, and the rest and I feel confident saying… APS sensors kick ass these days. Across the board. Whatever you are shooting.
Funny how he says MF is so much better than FF but there is no differce between FF and crop. Even the biggest MF sensors are 2.5x larger than FF (most are much smaller), but FF is 2.3-2.6x larger than APS-C and Canon crop respectively.
Anyway, there is a stop difference between these. Whether that is important or not depends on what you shoot. There isn't a big difference fir most people.
Some of the trolls out there are going to think this is a Fuji sponsored message. It isn’t. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis.
Lighten up.Personally I don't mind if he's a Fuji sales guy or simply a happy customer/fan of Fuji. What annoys me with this quote, is that by questioning if there is a little bias in his video you must be a troll. Considering the commercial at the end, asking the question is a reasonable, prudent and appropriate thing to do for anyone who isn't a sheep.
Personally I don't mind if he's a Fuji sales guy or simply a happy customer/fan of Fuji. What annoys me with this quote, is that by questioning if there is a little bias in his video you must be a troll. Considering the commercial at the end, asking the question is a reasonable, prudent and appropriate thing to do for anyone who isn't a sheep.