Avoiding all the circular debating.......
Why not do the job properly and get one of these as an all in one units.
http://www.linn.co.uk/all-products/network-music-players/sneaky-dsm
or if you don't want the HDMI interface, and just a wired streaming interface one of these:-
http://www.linn.co.uk/all-products/network-music-players#sneaky-ds-black
A proper Hi-Fi solution![]()
Because the pricing of Linn equipment makes me giggle, along with how they bleat on about their wonderful 24/96 'studio master' recordings of their dull Jazz artists they sell on their record company website

The point of having capability of carrying a higher bit rate or the bandwidth and also is that this is a HiFi product, powering HiFi speakers and not your £40 PC speakers. So it would be nice to have the current tech in there and give you more headroom.
I can't see the negative and not really sure why you are against having USB 3 in there.
Don't make me laugh. Next you'll be telling me the quality of the USB cable affects what you'll hear through this amp. You sound like the sort of person who is a marketing department's dream and I bet you lap up all of the buzzwords and 'new technology' adamant that you really are gaining.
USB1 (11mbits/sec) is enough for uncompressed "red book" Audio CD (~1.4mbits/sec (44.1k samples per second * 16 bits per sample * the number of channels (2) = 1411.2kbits/sec) ) data never mind a lossless FLAC.
Increased sampling rates for consumers are a bit of a con really, unless your ears are capable of hearing frequencies at more than 20khz

The benefits of a higher bit depth can be more apparent in that you're lowering the noise floor simply because there's more "bits" of data for each sample. If you think of an amplifier with only 4 possible volume level choices, you don't get much in the way of a variation, or resolution. Double that to 8, and you will get more, and so forth. Therefore you're gaining in dynamic range. But there's still so much potential to the standard PCM "audio CD" format that you're unlikely to run into any limitations other than those in your own mind.
In short, 16/44 audio is all you ever need as an "audiophile" and USB 1 or 2, even with overheads, is plentiful. With this amp, Nad have focussed on getting the required components right rather than filling it with unnecessary ******** in the name of marketing.