I'm much more interested in the Canon 1.4 refresh. The current model is the worst lens I've ever tried, I liked the focal length but couldn't put up with the build quality and focus speed.
If there is any subject movement id much rather 1.4 no is. And that's ignoring the fact 1.4 will render the scene in a more aesthetically pleasing way for most people/scenarios. Which is what matters most IMO.
Edit:
Oh and you won't find an f4 in my bag. F4 is for the riff raff.![]()
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The 35mm is f/4?
I meant if one don't want to spend £1k on the 1.4, get the new 35/2 IS, provided it is nicer than the old one and has bokeh like th 50/1.4 and 85/1.8, it will make a nice "poor man's" 35mm. I use the term figuratively, like calling the Boxter and poor man's 911, which in reality no poor man can blow £40k on a car no matter how poor he is.
What snobbish attitude? I have the 50/1.4 and 85/1.8 still. The entire first paragraph was about the 35mm and f/2 isn't exactly slow...you seem to edited out the first part of the sentence where I specifically said 35/2....
Why?
Where did you get F/4 from?
Am I missing something? I think you have misunderstood me totally.
I know full well IS cant stop action...I have no IS lenses, it's why I went fast glass over IS (24-70 v 24-105 debate) and why I shoot mostly primes.
You mean the current 35/2.0?
I can't see how the current 35/1.4 worst built quality than the kit lens or slower than the 85/1.2.
Sorry I hate the phrase "poor man's XXXX", its just nonsensical in every situation people use it. If you can spend £800 on the f2 IS version then I hardly doubt the f1.4 is out of reach.
And I used f/4 in my example as with static scenes you are likely going to want some DoF which you could get with IS but not at f1.4.
My point is that the two lenses are for totally different purposes, if you want a 1.4 you'll just get that, if you want to do hand held night scenes with some DoF then you'll get IS.
You hate the phrase doesn't stop people using it and has no bearing on anything..it's just a phrase!
And where on earth did you get F/4 from?
Why did you also cut off the first part of my sentence in your quote?
Raymond you can be so insensitive sometimes. I prefer to use the term "the socioeconomically challenged man's lens".![]()
Cheap has such negative connotations, I would prefer if you phrased it differently like below.
"Less expensive version of canon's range of 35mm which is more recent and with IS"?
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Raymond you can be so insensitive sometimes. I prefer to use the term "the socioeconomically challenged man's lens".![]()
Indeed, although I'll soon be moving to the poor man's MF...
Ripping into the naysayers asideI expect this 35 to come in at around £400-500 then quickly drop to the £300 sort of mark. Very few non-L lenses go for any more than £500 and a 35 f/2 won't be the one to change that particularly when the 35 f/1.4 can be had for one of the cheapest prices of any of the L primes.
As for the 24-70, I'm really not sure what to think of it. It doesn't appear to offer anything over the 24-105 which is a great video lens. Maybe it is just that they realised nobody was buying the 24-70 2.8 as a kit lens because it wouldn't be an upgrade in every single respect so they want to get more people to buy the 24-70 and 5D3 as a kit? As long as it drops like a brick in price, then it could be good. Video doesn't often need that long end that often so if it winds up cheaper than the 24-105 then that's great news. If it doesn't, then there's no real reason to buy it instead of the 24-105
To me it just looks like a fast f2.8 version for those who need the speed\aperture, and a cheaper f4 version for those who don't and want a good landscape option as well. The MTF charts show it's better than the 24-105, although how the distortion is at the wide end is obviously not yet known. How anyone can say it is a worse lens that the 24-105 without it even being out yet I don't know!![]()
Slight thread steel but nice to hear some positive feedback on this lens it is definitely on my list as a walk about lens to replace my current 28-75mm f2.8I bought the Tamron 24-70 f2.8 IS (VC) last month... It's been my go to lens for most shoots (video) and the IS is freakishly silent... Great lens..