Wow those Prague shots are fantastic!
Raymond do you have a blog/site?
Lovely photo's.
Is that a roadworks triangle I can see in the far left archway?
Because the purpose of the group shot is to have everybody in the photo. It is a momento to the couple. I feel like I am not doing my job right if I missed someone, be it if they have gone to the loo or the bar.
So it is especially frustrating that they are actually there but hiding behind someone. They shouldn't be concerned about not looking great in the camera either because i am so far away too.
Hey Ray,
On a related note, how do you handle when people simple won't interact with you?
The example I have was at a family wedding on round tables - On most tables, the person who had their back to me would turn around however I found one table where they guy simply refused to turn, look towards or well, do anything bar eat (this was after being badgered by his wife).
So at that point, do you just take the shot with them facing away etc?
How do you find the 85mm for portraits? I have the 24-70 II and the 70-200 2.8 IS II, as much as I like the 24-70 I do love prime lenses...
It's amazing. It is pretty much the de facto portrait lens, for me.
I don't use the 24-70 much these days, I don't even have the 70-200 II.
Although I quite like the Sigma 50A quite a lot these days.
Damn, not what I want to hear! Also looked at the 50A to replace my Nifty Fifty.
Presume it's the L f/1.2 you have?