“It was very important to us that the show not feel like a companion piece to For All Mankind that is just mimicking,” Wolpert said. “So this is not a show that jumps in time, actually. It lives in the 1970s. Cold War, spy thriller behind the Iron Curtain. And it’s just that era. And it also, creatively, is more interesting because… the beginning of season two picks up right where season one left off. We don’t have to figure out 10 years of life [in between].”
“We’re done with the decade time jumps and the makeup and the prosthetics,” Nedivi said for Star City. “For us, the only reason to do a spin-off is if it feels like its own thing. It feels like you’re really adding a different element. So for us, this show is not only its own show; it’s its own genre. It’s a totally different look, feel. And it really came through.”