***The Official Home Recording Studio Thread***

Line level input...it's well documented on the net.

Just checked the Roland manual and you're correct, 4db more headroom even than the XLR inputs 7/8. I wouldn't have caught that.

I haven't even had chance to test my DAV into the Roland yet. With no output attenuation on the DAV have you had any issues going into the Roland? It's still surely super hot?? 4dbu max on the 1/4 inputs but the DAVs can throw out much more than that.
 
Just checked the Roland manual and you're correct, 4db more headroom even than the XLR inputs 7/8. I wouldn't have caught that.

I haven't even had chance to test my DAV into the Roland yet. With no output attenuation on the DAV have you had any issues going into the Roland? It's still surely super hot?? 4dbu max on the 1/4 inputs but the DAVs can throw out much more than that.

Just see the DAV like any line level input going into the Octa.

Like a keyboard or drum machine.
 
Just see the DAV like any line level input going into the Octa.

Like a keyboard or drum machine.

Not entirely. Line level can be any level, including massive dbu which can overload an input. For example the Audient iD22 you can bypass the pres straight to the converters up to a headroom of 22dbu. Various interfaces have various nominal input max amounts.
 
Not entirely. Line level can be any level, including massive dbu which can overload an input. For example the Audient iD22 you can bypass the pres straight to the converters up to a headroom of 22dbu. Various interfaces have various nominal input max amounts.

I know that...


what I'm saying is no issues using the dav and the octa inputs at zero gain.

I had the DB gain on about 60 % on the dav when recording an acoustic guitar last night.

Octa gain on zero.
 
I know that...


what I'm saying is no issues using the dav and the octa inputs at zero gain.

I had the DB gain on about 60 % on the dav when recording an acoustic guitar last night.

Octa gain on zero.

Cool ta. Great to hear.

Are your 1/4 jacks balanced, on the jack end?
 
Hows the Eleven Rack? Was wondering what the latency round trip is when using USB.

I have been using Scuffham S-Gear 2, there's plenty of peeps stating that its more responsive to input than 11R, but not having tried it I'm not so sure.

I'm looking to minimise round trip latency when using software but I'm tossing up between a Babyface Pro or just hybriding with hardware and going for an 11R right now so your opinion would be great.
 
Hey guys, I've been getting into some home recording the last few days, albeit not on the grand scale of equipment shown in this thread.

Took me a little while to understand how to record but finally got there. Also had to install ASIO4ALL drivers to reduce latency. What do you think of this for a drum sound. A 50 second test recording of me playing the kit and there's a backing track. Not on my acoustic Yamaha 9000 RC however, but with my Roland TD9 vdrums. I'm triggering EZ Drummer 2 software with high quality real drum samples via a Roland UM-ONE mk2 midi interface from the TD9 to my laptop into Mixcraft 7.

http://picosong.com/Zuuf/

Pretty realistic and punchy drum sound I think and one might be hard pushed to know it's not an acoustic kit being played? Better than the Roland module defaults. I'll play and record myself playing that complete song soon. I'll probably bring the drums down in the mix a bit as well, although I do kind of like the strong presence.


I also did a video recording of myself drumming using EZ Drummer again, but this time tweaked the pitches up of the snare and toms. Vinnie Paul 8 x 14 signature maple snare, Yamaha 9000 toms, and 22" Sonor kick - damped extreme EQ.

Video is from my S6 phone. After recording the audio in Mixcraft and saving as a .wav, I imported both the .wav and the video into Pinnacle Studio 17 onto two tracks. I did a sort of clapperboard thing at the beginning of my recording by hitting the drums hard 3 times which the phone and the drums picked up so that I'd have a reference to line up the AV. So I detached the phone audio and manually/visually lined up the spikes with the matching spikes of the mixcraft .wav. Then I deleted the phone audio and cropped the clapperboard bit. Seemed to come out ok I think without any noticeable sync issues?

Here's the video. Also gives me a chance to showoff a bit :p

https://www.vdrums.com/forum/performance/showcase/1132756-latin-playalong
 
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Hows the Eleven Rack? Was wondering what the latency round trip is when using USB.

I have been using Scuffham S-Gear 2, there's plenty of peeps stating that its more responsive to input than 11R, but not having tried it I'm not so sure.

I'm looking to minimise round trip latency when using software but I'm tossing up between a Babyface Pro or just hybriding with hardware and going for an 11R right now so your opinion would be great.

I'm using the Spdif digital coax on the eleven rack going into the octa capture 9/10 digital inputs

I'm not using the ER as a audio interface its slave to the octa capture.

I got it of ebay brand new for £ 250 with Firmware 2.0 installed ( absolutely vital) quite simply its stunning...Not experienced any latency at all. :)
 
Hey guys, I've been getting into some home recording the last few days, albeit not on the grand scale of equipment shown in this thread.

Took me a little while to understand how to record but finally got there. Also had to install ASIO4ALL drivers to reduce latency. What do you think of this for a drum sound. A 50 second test recording of me playing the kit and there's a backing track. Not on my acoustic Yamaha 9000 RC however, but with my Roland TD9 vdrums. I'm triggering EZ Drummer 2 software with high quality real drum samples via a Roland UM-ONE mk2 midi interface from the TD9 to my laptop into Mixcraft 7.

http://picosong.com/Zuuf/

Pretty realistic and punchy drum sound I think and one might be hard pushed to know it's not an acoustic kit being played? Better than the Roland module defaults. I'll play and record myself playing that complete song soon. I'll probably bring the drums down in the mix a bit as well, although I do kind of like the strong presence.

Its sounds great mate...Not my cup of tea with drums but its all subjective anyway,


I also did a video recording of myself drumming using EZ Drummer again, but this time tweaked the pitches up of the snare and toms. Vinnie Paul 8 x 14 signature maple snare, Yamaha 9000 toms, and 22" Sonor kick - damped extreme EQ.

Video is from my S6 phone. After recording the audio in Mixcraft and saving as a .wav, I imported both the .wav and the video into Pinnacle Studio 17 onto two tracks. I did a sort of clapperboard thing at the beginning of my recording by hitting the drums hard 3 times which the phone and the drums picked up so that I'd have a reference to line up the AV. So I detached the phone audio and manually/visually lined up the spikes with the matching spikes of the mixcraft .wav. Then I deleted the phone audio and cropped the clapperboard bit. Seemed to come out ok I think without any noticeable sync issues?

Here's the video. Also gives me a chance to showoff a bit :p

https://www.vdrums.com/forum/performance/showcase/1132756-latin-playalong


Quality drumming right there...You should pop over to my place I have loads of stuff that you could do some real drum recording on :)
 
Iv'e been trying to get some decent mic pres and after a month searching and haggling on the net

Brand new Eleven Rack £250

ZQOmJ8xl.jpg




Focusrite ISA One £ 200

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DAV Electronics BG1 £ 255

sGtPuJyl.jpg

I just need another pre and I'm pretty much there.I don't need more than 4 for the drums. Currently got 3 mic pre channels and a Focusrite Di so should give me some flexibilty.

They all sound amazing. Its amazing what you can pick up.

Oktava Mk 012 recording some acoustic guitar parts....Its amazing that once you get some quality stuff the sound quality sounds so professional it inspires creativity.

ixBNRahl.jpg
 
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Few upgrades arrived earlier on. :)



Both of our Pro Tools HD2 systems being retired for HDX's. Also an extra 16 channels of outputs for the second studio meaning we can do 32 channel analogue mix downs. Nice! :)
 
My current mess...


ZDLU7k2.jpg



and the future room in design..


R7w9EyC.png


Still a work in progress...


I gave up DJ'ing (clubs/radio) over a decade ago but fancy doing a bit of online stuff these days.. Also do a little bit of production, jungle/hardcore/dnb.. nothing fancy.. Will probably learn Ableton..
 
Few upgrades arrived earlier on. :)

Snip

Both of our Pro Tools HD2 systems being retired for HDX's. Also an extra 16 channels of outputs for the second studio meaning we can do 32 channel analogue mix downs. Nice! :)

Very nice!

Must have cost a few quid. :p

My only hardware purchase is a countryman DI.

I think I'll be able to get better guitar tones via software than a 5w combo.

Have a friend coming in to track some vocals on Saturday, should be good.
 
TBH you can get cracking tone from a 5w amp. Depending on the room, sometimes having a huge amp/stack can work against you, especially if you're trying to push the amp hard. One of the best tricks in smaller rooms is to have the guitar amp as quiet as you can possibly get away with. This way the energy from the amp/speakers isn't lighting the room up and muddying the tone. You get a much more focused sound as a result.

As for the HD upgrade - that little lot was north of £10k :o
 
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