Don't take it literally!
That's pretty hard when the film, points you in that direction, as I said all along. It's still a good film, but it does detract from it.
Don't take it literally!
Also just to clarify something, there were several markers in the movie to suggest Amelia's connection to Edmund, prior to the choice.
How did she know it was her father? She's been in the room before so what made her pay attention?
Only if you take Brands argument to go to Edmunds planet at face value, rather than consider her motives for doing that. Fundamentally she's pleading to save her love's life not stating how the universe works.That's pretty hard when the film, points you in that direction, as I said all along. It's still a good film, but it does detract from it.
How does your theory explain these two Glaucus?
Only if you take Brands argument to go to Edmunds planet at face value, rather than consider her motives for doing that. Fundamentally she's pleading to save her love's life not stating how the universe works.
the concept of a trans-dimensional being manipulating the one element (love) that transcends dimensions to guide humans into making specific decisions to save human kind
That's funny isn't it. Someone in this very thread has claimed to have watched the movie several times and insists there was no implication of a love interest between the two, and Castiel is saying that not only was there an implication but it occured several times.
Then you have me; when I saw Cooper asking TARS about the love interest I thought "who's Edmunds?"
Haha!!
But only because you've taken her speach as an explicit statement of how the universe works and then applied it to subsequent events. Brand actually tells you how the universe really works prior to this, the whole scene how the past being a ravine and the future being a mountain and you can go up and down between the two. It's entirely consistent with the interaction with the bedroom at the end of the film.If it was just the speech then maybe, but it's still implied in several other areas. To me it very much came across as a terrible attempt at including it.
Not at all. No where have I said they should remove human emotions. Just the mumbo jumbo of love transcending time and space.
The film is about love or emotional connection with other people, the actual journey through space and so on is actually a just vehicle to convey that message.
Not at all. No where have I said they should remove human emotions. Just the mumbo jumbo of love transcending time and space.
That's making it too simplistic. The underlying message isn't that 'love' transcends space and time..but that emotional connections are not subject to physical and temporal limitations. Not just love for another human being, but the emotional connection between humanity and itself, its home world, the universe itself and most importantly humanities emotional imperative to expand and explore, not only what we see around us but what we are, who we are, why we are...and how that imperative drives humanity both as a species and as individuals...thus we see humanity striving to save itself, individuals striving to save each other, and the principle characters trying to save their family and loved ones. We also see examples of hurdles to this, the starvations, the dying earth, limitations placed on education, the revisionist history taught to children and the struggle that characters such as Cooper and his Daughter have to strive to shake off those imposed limitations, to stretch themselves, to look outward for the answers, and ultimately by doing so find answers to those inward questions. That is what the movie is trying to show us, that we area multifaceted, we will find the truth inside ourselves by seeking the truth outside of ourself.
This is not about 'love' but about humanity itself.
You may think this is all poppycock and nonsense, in which case the film isn't for you. You take from it what you can.
But that's the thing. She's not introducing a new theory. She's trying to persuade two, rational thinking scientists that going to his planet is the better choice despite the evidence to the contrary, purely because she is in love with the guy that went there, she is put on the spot by Cooper revealing she's in love with him and she has to come up with something that is irrational at which point the decision is finalised.Again, I'm well aware of this. That speech and other parts of the film where not needed. It did not need to introduce a new theory. She can quite happily play the love card without introducing some rubbish new theory. And as that off course I have taken it for what it is, as in any other context it is surplus to requirement. She could have done a 10minute speech about love, without trying to introduce a new theory.
The scene failed hard.
I'm not saying that at all. You've got it into your head that it's a theory of how the universe works in the film and then applied that to subsequent scenes in the film and then found it doesn't work. There's a reason for that. It's not what that scene is about at all, it's about establishing the irrationality of love and making choices from the heart rather than the head.Ajokester understands, it has nothing to do with this. It has everything to do with Amelia trying to introduce some new "scientific" theory based on love and then implied/reference in several other areas, this is not needed, goes against the rest of the film, and as such detracts several points from the film, hence 7/10
But that's the thing. She's not introducing a new theory. She's trying to persuade two, rational thinking scientists that going to his planet is the better choice despite the evidence to the contrary, purely because she is in love with the guy that went there, she is put on the spot by Cooper revealing she's in love with him and she has to come up with something that is irrational at which point the decision is finalised.
She even tells Cooper immediately after that scene that she will expect the same rationality from him if they get in the position of him having to chose over his children or the human race.
Again haven't said anything different.
jokester understands, it has nothing to do with this. It has everything to do with Amelia trying to introduce some new "scientific" theory based on love and then implied/reference in several other areas, this is not needed, goes against the rest of the film, and as such detracts several points from the film, hence 7/10