8K not the future?

I can't see 8k becoming normal anytime soon. They need to start with 4k first at a decent bit rate in the UK. We are far behind when you think about places like Korea and Japan.
 
I designed the data centre network for one of the largest streaming platforms at the time, around 12 years ago and back then, one problem was the amount of bandwidth required to stream all of the different formats (sd, hd, 1080, iphone, TV, ipad etc), especially from the CDN perspective.

The bitrate for 8k is so much more that nobody really wants to handle it at scale, everybody streaming native 8k content would absolutely smash CDN and infrastructure bandwidth, for relatively little gain when it's difficult to tell the difference between 4k/8k.

Then there's the production side, filming it, storing it - editing it all at 8k native is not trivial, it's hard and it's expensive - so nobody really wants to do it.
 
Human eye can't see more than 30fps anyway

Something which always gets missed on this subject is the difference between a true 30, 60, etc. FPS experience and reality when it comes to things like frame pacing, pixel response and in interactive situations latency, etc. and the need for higher rates of FPS and/or Hz to reproduce a consistent experience.
 
Seems to be a growing number of people who are all about OLED now though instead of size.
There is a definate FOMO factor about OLED and its very clear in TV threads on this forum also.
I jumped on the bandwagon a few years ago, but oled isn't without it's issues. 1 big one is that since dark is off unlike grey on an LCD, some videos games become very different to play in a bright room (or even during the day). Cost is another big one, I went 65, but really the 77 would have been a better size due to distance (or 83, but not sure I could have swung that one by the mrs :p). The 77 was double the cost of my 65 so that put me off. I didn't think it was that much more for bigger LCDs, but I could be wrong.
 
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Not surprised. I've got a 85" tv in my living room and sit just over 2 metres away and can see the difference between 1080p and 4k, but it's not a complete night and day difference either. 1080p is watchable. The jump to 8k is prob not noticeable unless you go noticeably bigger which is not realistic.
 
I jumped on the bandwagon a few years ago, but oled isn't without it's issues. 1 big one is that since dark is off unlike grey on an LCD, some videos games become very different to play in a bright room (or even during the day). Cost is another big one, I went 65, but really the 77 would have been a better size due to distance (or 83, but not sure I could have swung that one by the mrs :p). The 77 was double the cost of my 65 so that put me off. I didn't think it was that much more for bigger LCDs, but I could be wrong.
Your number 1 big issue is easily fixed by setting up a separate profile for brighter environments.
 
Ultimately it comes down to content not being made in 8K. The cost for producing content in 8K is insane and any rendering or processing takes well over twice as long as 4K because you hit other bottlenecks along the way such as storage, network, CPU, GPU speed etc. The jump from HD to 4K was tough enough :p
 
Not surprised. I've got a 85" tv in my living room and sit just over 2 metres away and can see the difference between 1080p and 4k, but it's not a complete night and day difference either. 1080p is watchable. The jump to 8k is prob not noticeable unless you go noticeably bigger which is not realistic.

I'm only on a 65" OLED and I find it's only really noticeable if looking out for it (if sources are the same), so imagine it would be more noticeable on an 85". I do find that a 1080p Blu-ray looks and sounds better than 4k streamed on NetFlix etc though.
 
Ultimately it comes down to content not being made in 8K. The cost for producing content in 8K is insane and any rendering or processing takes well over twice as long as 4K because you hit other bottlenecks along the way such as storage, network, CPU, GPU speed etc. The jump from HD to 4K was tough enough :p

All things being equivalent, 8k requires 4x more data than 4k. And 16x more than bog-standard HD.
 
Then there's the production side, filming it, storing it - editing it all at 8k native is not trivial, it's hard and it's expensive - so nobody really wants to do it.


35-40 titles scanned in 8K at Warner​

Miles DelHoyo revealed that Warner has scanned 35-40 titles in 8K or higher over the past 2-3 years, up from approximately 20 titles in early 2025 – indicating that the pace is accelerating.

- "DelHoyo explained that at WB, the 8K effort is mainly concentrated around preservation rather than on distribution. The aim is to scan the full catalog in ultra high resolution at 8K (or even higher) to capture all the content that is in the original," wrote the 8K Association. "So far, most of the delivery work has been on 4K HDR content but he said that an 8K version could be released later. The firm is getting as much content as possible into the archive in 8K."

According to DelHoyo, scanning a 35mm film in 8K takes roughly 3.5 times longer than 4K. Seven of the films were originally shot in 65mm, at least four in Vistavision and one in Technorama, while many were 35mm titles, where 8K likely represents the upper limit of useful resolution, depending on film stock, lenses and other factors, he said. All of this is part of the preparation required before 8K movies can make their way to viewers.

Warner titles scanned in at least 8K (but released in 4K) include 2001: A Space Odyssey, Oppenheimer, Lethal Weapon, Dirty Harry, Sinners, Purple Rain, Rebel Without a Cause, The Wizard of Oz, My Fair Lady, Blade Runner (1982) and Chapter 51, as well as North by Northwest, High Society, The Searchers and West Side Story (1961) in Vistavision.

FlatpanelsHD has previously viewed an 8K scene from Warner's and Christopher Nolan's Dunkirk where detail suffered due to its low 24fps frame rate.

Samsung has also previously showcased 8K clips from Creed III, Barbie, Blue Beetle, Dune: Part Two, Wonka and Aquaman and the Lost Kingdom.
 
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