Human eye can't see more than 30fps anyway
I jumped on the bandwagon a few years ago, but oled isn't without it's issues. 1 big one is that since dark is off unlike grey on an LCD, some videos games become very different to play in a bright room (or even during the day). Cost is another big one, I went 65, but really the 77 would have been a better size due to distance (or 83, but not sure I could have swung that one by the mrsSeems to be a growing number of people who are all about OLED now though instead of size.
There is a definate FOMO factor about OLED and its very clear in TV threads on this forum also.
). The 77 was double the cost of my 65 so that put me off. I didn't think it was that much more for bigger LCDs, but I could be wrong.Your number 1 big issue is easily fixed by setting up a separate profile for brighter environments.I jumped on the bandwagon a few years ago, but oled isn't without it's issues. 1 big one is that since dark is off unlike grey on an LCD, some videos games become very different to play in a bright room (or even during the day). Cost is another big one, I went 65, but really the 77 would have been a better size due to distance (or 83, but not sure I could have swung that one by the mrs). The 77 was double the cost of my 65 so that put me off. I didn't think it was that much more for bigger LCDs, but I could be wrong.

Not surprised. I've got a 85" tv in my living room and sit just over 2 metres away and can see the difference between 1080p and 4k, but it's not a complete night and day difference either. 1080p is watchable. The jump to 8k is prob not noticeable unless you go noticeably bigger which is not realistic.
Ultimately it comes down to content not being made in 8K. The cost for producing content in 8K is insane and any rendering or processing takes well over twice as long as 4K because you hit other bottlenecks along the way such as storage, network, CPU, GPU speed etc. The jump from HD to 4K was tough enough![]()
Then there's the production side, filming it, storing it - editing it all at 8k native is not trivial, it's hard and it's expensive - so nobody really wants to do it.
35-40 titles scanned in 8K at Warner
Miles DelHoyo revealed that Warner has scanned 35-40 titles in 8K or higher over the past 2-3 years, up from approximately 20 titles in early 2025 – indicating that the pace is accelerating.
- "DelHoyo explained that at WB, the 8K effort is mainly concentrated around preservation rather than on distribution. The aim is to scan the full catalog in ultra high resolution at 8K (or even higher) to capture all the content that is in the original," wrote the 8K Association. "So far, most of the delivery work has been on 4K HDR content but he said that an 8K version could be released later. The firm is getting as much content as possible into the archive in 8K."
According to DelHoyo, scanning a 35mm film in 8K takes roughly 3.5 times longer than 4K. Seven of the films were originally shot in 65mm, at least four in Vistavision and one in Technorama, while many were 35mm titles, where 8K likely represents the upper limit of useful resolution, depending on film stock, lenses and other factors, he said. All of this is part of the preparation required before 8K movies can make their way to viewers.
Warner titles scanned in at least 8K (but released in 4K) include 2001: A Space Odyssey, Oppenheimer, Lethal Weapon, Dirty Harry, Sinners, Purple Rain, Rebel Without a Cause, The Wizard of Oz, My Fair Lady, Blade Runner (1982) and Chapter 51, as well as North by Northwest, High Society, The Searchers and West Side Story (1961) in Vistavision.
FlatpanelsHD has previously viewed an 8K scene from Warner's and Christopher Nolan's Dunkirk where detail suffered due to its low 24fps frame rate.
Samsung has also previously showcased 8K clips from Creed III, Barbie, Blue Beetle, Dune: Part Two, Wonka and Aquaman and the Lost Kingdom.
Not really, the issue is that the dark scenes are dark so you can't see anything. At least on an LCD you get some grey to show outlines of stuff.Your number 1 big issue is easily fixed by setting up a separate profile for brighter environments.
Like i said there's a couple of settings you can use to lift shadow detail. Obviously on your panel it may be different to mine but i have BT.1886 set to +1 and Shadow Detail set to +2 you can also use Contrast Enhancer but that works on the bright stuff as well so is a bit of a compromise. On mine that works really well for daylight viewing. I think my daytime profile is based on Movie mode as well rather than Film Maker mode i use for dark viewing.Not really, the issue is that the dark scenes are dark so you can't see anything. At least on an LCD you get some grey to show outlines of stuff.
Maybe curved TVs are poised to make a comeback instead?!
I haven't enjoyed the cinema since a half decent TV looks better and when you add in Atmos at home there's little reason to go.Probably, cinema screens always look really low resolution to me. Probably because the PPI is stupidly low
Got to agree about the Atmos. Ive recently installed 2 ceiling speakers, so not the full Atmos and i much prefer the sound over the cinema. I guess its because my setup is dialled in for just 1 seating position to give maximum effect.I haven't enjoyed the cinema since a half decent TV looks better and when you add in Atmos at home there's little reason to go.
I can't stand blacks that are grey anymore, projectors all look washed out to me.