Mate, I'm not in the habit of having utterly pointless internet arguments, I think Star Wars was a fantastic leap forward for the cinema experience which is ultimately where most film makers want their movies to end up, you disagree, that's fine. I feel most would agree.
Incidentally if you google all time greatest films or 100 greatest films then there are several lists created by people other than Sun readers and Star Wars features in all of them.
Going to see A New Hope is actually my earliest childhood memory from the age of 4 so maybe I'm biased but it's a kids film, never before or since has so much effort been put into a kids movie.
I am curious though, how exactly do you think it set the Sci Fi genre back 30 years? Could you clarify that please and explain how you quantify the amount of time you suggested?
Sound familiar? (Not aimed at you Meridian, I know you aren't a Firefly fan particularly)
Actually I like Firefly enough to watch the series again recently - but that's not the same as saying it's a great series (which it isn't) or to stop me spotting all the weaknesses. I am perfectly able to tell the difference between what I like and what is good, and understand that they may not be congruent. Something I've noticed many struggle with.
As for Star Wars setting the genre back, it would probably fairer to say that it stopped it advancing. From the late 1960s onwards, it looked like people were finally going to make intelligent science fiction films. Forbidden Planet started the move (if you're going to pinch your plot, pick the best), and was soon followed by 2001. There was still a lot of silly films around, but at least they tried: Silent Running was twee nonsense, but about a serious subject, Marooned predicted (partly) Apollo 13 in real life, etc. Finally, Close Encounters: again, a rather silly basic idea, but handled with intelligence and from an adult perspective.
But it got crushed at the cinema by Star wars, so the lesson all the film producers came away with was that if you want to make a Science Fiction film it has to have a cheap cast, cheap script, but expensive special effects, especially ones involving space ships that violate several laws of physics. And guess what we've had ever since: science fiction films with cheap actors, cheap scripts but expensive special effects, and mainly aimed at teenagers. Just occasionally a film like Blade Runner will creep through, but just about the only way to get a good science fiction film made it so play down that it's science fiction (like the remake of Solaris) or not even mention the fact (like The Truman Show). As soon as you see a film which is proud of the fact that it is science fiction you will see talentless actors you've never heard of (except for maybe a hammy cameo from a decent actor), a plot less original than last year's panto (aka the Star Wars plot) but loads of special effects.
What happened to science fiction for adults? I don't mean pr0n, I mean serious plots about serious issues? Gattica was a start, but such films are few and far between. A vicious circle has set in where labelling a film as "Science Fiction"/"Sci-Fi" (aka "Skiffy") is to label it juvenile, so only juveniles want to see it. Since only juveniles want to see such films (because adults know they will be bad) then the films may as well be made for them. Please note I mean juvenile in its technical sense, not its pejorative one.
Here's the test I always set at this point:
Q: What is the only science fiction film to win one of the "Big Four" (Film/Director/Actor/Script) Oscars?
How many of you could answer that without looking it up? Notice how it came out in 1968 - the time when the films were getting better - and here was an adult film with an adult theme. How many here realised that it
is the only science fiction film to win one of the Big Four? What does it say about the state of science fiction in films? I'll concede a bias against such films operates, but I can understand why.
Finally, as someone old enough to remember the original release of Star Wars, it should be noted that:
a) Lucas made no secret of the plot being one where you should be booing the villains ans cheering the heroes. He even made a direct analogy to panto.
b) At the time it was only ever considered a mid-budget "B" movie.
Only once the fanboys started running amok did these things tend to get forgotten.
M