CGI blood. This didn't annoy me in the first one, but for the sequel they seem to have turned up the CGI blood to the threshold where you'd start noticing it, and then upped it a little more for good measure.
Good start, not maintained. I really liked the start. Although it doesn't make sense why the Russian gangsters would hold on to John Wick's car for any length of time. Nor why all the henchmen want so much to engage in hand to hand rather than just shoot him. Still, I liked the revelation that he wanted his car back so badly because of what was in the glovebox. Well, that's the impression I got.
Why would you burn down John Wick's house? So Mr Sergio Pannetone or whatever he's called has this blood debt owed by John Wick, who refuses it and so Ravioli (or whatever) blows up his house. And the dog is fine, of course. Even taking into account a weird code of honour, it just doesn't make sense. I mean, this guy certainly knows who John Wick is! Leading on to...
Story So I found the story disappointing. It seems like the kind of screenplay you'd make up as you go along without having an end in mind. Wick's visit to his gun dealer to have some gun specifications reeled off seemed like padding to me.
styleIt degenerates into slapstick at times. And John Wick does in fact kill some people with a pencil! I CLAPPED (to borrow a phrase coined by someone else) I did like the 'accounts payable' scenes, although the conscious mixing of retro themes was odd! and this leads to...
everyone is an assassin and so what does the normal Police force actually do? The lone officer who knows John Wick seems content to leave him well alone. I didn't see any other law enforcement presence. But it does seem by the end that Mr Continental-owner really is the Big Boss of Everyone. So how will John Wick get out of this one? A gripping cliffhanger, or just 'hurry up and roll the end credits already!'