Martyn Ware tells Rockstar Games to do one!

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I am not asking for SEO results, or "why is the sound track is so iconic" I am asking for what he is claiming.

He claimed "every 80's pop and rock star who featured in GTA Vice City saw a massive resurgence of interest in thier back catalogue"

What is this resurgence of interest? If it isn't revenue then the argument is totally bogus. If it is revenue then prove it. Monetary figures for every 80's pop track featured. I need numbers, actual numbers.

What, that is absurd you ask.

I didn't make the claim.

Frankly you're making a bad argument above your (apparent) age from a bygone generation still stuck in an era when they were adults before widespread access to the Internet.

The 'raw' data isn't likely in the public domain, or at least not something that could be collated without a bit of dedicated research.

But there's a clear inference to be made that increased search activity correlates with increased revenue for media in an enviroment where streaming services pay per view/ play of a piece of work.
 
Frankly you're making a bad argument above your (apparent) age from a bygone generation still stuck in an era when they were adults before widespread access to the Internet.

The 'raw' data isn't likely in the public domain, or at least not something that could be collated without a bit of dedicated research.

But there's a clear inference to be made that increased search activity correlates with increased revenue for media in an enviroment where streaming services pay per view/ play of a piece of work.

It is not my argument. He brought it up out of his bum. If you and he have no proof or can't provide anything then he is doing nothing more than guessing. And using that guess to guess a different game will do the same.

So much guessing.

And I didn't even force him to make that claim to begin with, he just came out with it on his own accord!

And if you are sure and can guarantee the increase revenue then Rockstar should do a deal with Spotify, Apple and whatnot to strike a deal to make a cut with all the artist to guarantee them that slice of profit.

I mean if you are so sure about the increase. Then everybody wins.

What the artist is doing is protecting their backside (obviously you know this), the last thing they want is undervalue and undersell their work, watching a massive cooperation taking advantage of them, underpay them with a 4 figure payoff and when they are on a10 digit profit margin.

What you are claiming is "here is a bone, take it, hand over the keys to your house, someone else is going to come and give you another bone later." With no guarantee except "look, it happened before, I can't proof it though, but trust me bro."
 
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It is not my argument. He brought it up out of his bum. If you and he have no proof or can't provide anything then he is doing nothing more than guessing. And using that guess to guess a different game will do the same.

So much guessing.

And I didn't even force him to make that claim to begin with, he just came out with it on his own accord!

Most people are able to make inferences from information.

E.g:

Streaming services (for example YouTube) pay per view. -FACT

Creators can earn around $2 – $12 per 1,000 views or approximately $0.002 – $0.012 per view on YouTube.

Increased search for a song/ video etc can lead more views -FACT

Yes, Google searches can lead to more YouTube videos being watched:

Source: Google Gemini

GTA Vice city lead to an increase in search activity for the song featured - FACT (see previous post).

Therefore the inference is that GTA Vice city led to an increase of revenue for the songs it features outside of the fee R* paid for the use of the songs.

This isn't a 'guess' or something produced from someone's 'bum'.

It's a standard so high in fact that inferences are considered legitimate in use in criminal trials in the UK.
 
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Stop moving the goal posts, if I am selling my work, I don't want "inference", inference won't pay bills. Give me numbers. Don't explain what the word means, I know what the word means.

I am not asking for a dictionary, tell me how much they earn.

Oh I forgot, you can't.

I got back to, your entire argument from the start is "trust me bro".
 
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Stop moving the goal posts, if I am selling my work, I don't want "inference", inference won't pay bills. Give me numbers. Don't explain what the word means, I know what the word means.

I am not asking for a dictionary, tell me how much they earn.

Oh I forgot, you can't.

Raynind Lin: "Please provide what is largely confidential buisness information because I'm unwilling or unable to make relatively simple and obvious inferences"

You must be very fun to deal with IRL
 
Raynind Lin: "Please provide what is largely confidential buisness information because I'm unwilling or unable to make relatively simple and obvious inferences"

You must be very fun to deal with IRL

Then if you didn't know these confidential information then don't make the claim to begin with. You are either a liar or a fool.

And I repeat, he came out with that came on his own accord. And don't change the subject to be about how fun I am in real life. If we are talking about business then you need to back up your claim especially when someone make a claim about numbers. That is just good business practice.
 
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Raynind Lin: "Please provide what is largely confidential buisness information because I'm unwilling or unable to make relatively simple and obvious inferences"

You must be very fun to deal with IRL
That’s not what he’s doing. You’ve jumped in to answer a question that wasn’t asked of you. You can’t answer it so are now twisting and turning and trying to have a sly dig at Raymond. Answer the question that was posed, if you can’t then say so and stop trying to act the clever boy.
 
I don't get the fuss really it's HIS song, he can decide what it's worth even if he's totally unreasonable financially.

It's not even a new fight, Led Zeppelin are famous for not allowing their music to be used in other media, and there are musicians that don't feel comfortable on an artistic level, can you name more than one Rembrandt's song ? Sure they made lots of money, but it killed the band, siltskin sure had a long and successful career.

The 'exposure' argument is pretty scummy too, like a 19-year-old Instagrammer asking for a free meal at a fancy restaurant, at least it's not EA levels where record labels have to pay them to be on FIFA I suppose.
 
Both. Clear as day it’s both. Jumped in on a convo thinking he was going to be the smart arse, that fell apart so now is shifting the goal posts and trying to throw in weak insults.

And here's you sticking your oar in and adding nothing of value... you going to pretend you don't understand 'inferences' aswell?


No I didn't call you an Anti Semite (I don't know you well enough to make that determination) I mere pointed out you were repeating the trope.

There's a few other usages on your posting history aswell....
 
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Ware didn't ask for inference as payment. Ware ask for money up front, not for more potential earnings that might never come.

Ware isn't some 16 year old kid who is looking for a record label and has to sign away 99% of the earnings to get a record deal. He is past that, he has the song, he has leverage. The man would prefer his payment up front, not spread over the next 10 years. The dude will be practically 70 when GTA6 comes out, you can understand why he doesn't want or need "inference". If he is going to sell his song and sign over the rights for a life time to Rockstar, he wants the money for that lifetime, up front.

He is in a position to bargain.
 
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And here's you sticking your oar in and adding nothing of value... you going to pretend you don't understand 'inferences' aswell?





There's a few other usages on your posting history aswell....
Keep grasping. What a shockingly horrid poster. Answer the question you failed to answer or go away you troll.

Edit: so we’re clear, I understand the inference completely. But no one is talking about inferences. Claims were made, you jumped in talking crap and trying to come across clever. So, again, answer the question clever boy.
 
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Nonsence for the artists actually in demand touring is where most of the money is made.

If 'critically acclaimed' artists can't make money on tour then the 'critics' are clearly out of tune with the public.
You haven’t got a clue I’m afraid.

For this article, the Guardian has seen 12 tour budget sheets for various bands and artists varying from up-and-comers to firmly established and successful acts, all of whom regularly undertake headline tours across the UK in venues ranging from 150 to 2,500 capacity. Almost all of these result in losses. Understandably, most shared their balance sheets on the condition of anonymity. One four-piece indie band, whose last two albums went Top 10 in the UK charts, reported a loss of £2,885 from a six-day UK tour. The only tour that shows anything resembling healthy profit was a 29-date tour for a solo artist who came away with £6,550. Not bad going for a month’s work but, as Martin points out, “that’s then his touring done for the next six months. So it’s not enough money.”
I’m told that one US artist – who released one of the most critically acclaimed albums of 2023, which went Top 10 and placed very highly on numerous year-end polls and was nominated for a major award – worked out that the only way she could make her UK tour work was by sub-letting her home.
 
Up to him. If it were me, whether I had millions or not, I'd say yes because my song would be in what will almost certainly be the biggest and most successful game (and possibly any media product?) in history. I'd get a personal kick out of it plus it introduces music to a new audience. I think going public to moan was a bit childish but again up to him.
 
Up to him. If it were me, whether I had millions or not, I'd say yes because my song would be in what will almost certainly be the biggest and most successful game (and possibly any media product?) in history. I'd get a personal kick out of it plus it introduces music to a new audience. I think going public to moan was a bit childish but again up to him.
What if the game gets panned as the biggest woke POS, or the biggest bigoted POS, with your song as the soundtrack of the controversy, and you've signed it away for life ?

Or you do get a 'new audience' who start turning up to your gigs and hang around bored until you play that one song and then leave, ruining your live income and turning away your loyal following that might come and see you for the next 20 years.

It's not always that easy and it's not always about the upfront cheque.
 
What if the game gets panned as the biggest woke POS, or the biggest bigoted POS, with your song as the soundtrack of the controversy, and you've signed it away for life ?

Or you do get a 'new audience' who start turning up to your gigs and hang around bored until you play that one song and then leave, ruining your live income and turning away your loyal following that might come and see you for the next 20 years.

It's not always that easy and it's not always about the upfront cheque.
The game will be very successful, I'd accept.
 
What if the game gets panned as the biggest woke POS, or the biggest bigoted POS, with your song as the soundtrack of the controversy, and you've signed it away for life ?

Or you do get a 'new audience' who start turning up to your gigs and hang around bored until you play that one song and then leave, ruining your live income and turning away your loyal following that might come and see you for the next 20 years.

It's not always that easy and it's not always about the upfront cheque.
Yet Ware whinged about none of those things, only about the direct earnings.
 
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