New Olympus OM-D E-M1 Mark II - The perfect camera???

Caporegime
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Olympus announced their mark 2 E-M1 yesterday and it looks a corker!

Especially for people like me heavily invested in some glorious micro 4/3 glass.

Looks like my next body is sorted and will be a massive improvement on my current EM5 mark 2.

Highlights for me

1. Bigger improved Sensor
2. ISO 64
3. 121 cross type dual autofocus points
4. Dual SD cards
5. Improved High ISO
6. Vastly improved CAF target tracking
7. 60fps raw shooting!!!!!!!!!!!!!!!!!!!!!!!!!!!
8 4k Video
9 "pro" mode which takes raw 14 shots before the shutter is pressed.

shut_up_and_take_my_money.jpg



Official Press Release

CENTER VALLEY, Pa., September 19, 2016 — Olympus announces the development of its newest flagship camera and the latest addition to the award-winning OM-D series, the Olympus OM-D E-M1 Mark II, a compact system camera with performance capabilities that surpass pro-level DSLRs. The Olympus OM-D E-M1 Mark II will be designed to deliver incredible speed, superior image resolution and a host of new shooting features to expand the boundaries of photographic expression.

The OM-D E-M1 Mark II will be equipped with the newly-developed high-speed TruePic VIII Image Processor which is 3.5 times faster than previous TruePic processors and a new 20.4 megapixel Live MOS sensor equipped with 121 points of cross-type on-chip phase detection and contrast detection AF. These technologies will work with the camera’s electronic shutter to provide full resolution images at up to an unprecedented 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

The advanced Dual FAST AF system will automatically select between contrast and phase detection AF depending on lens type, camera settings and lighting conditions to ensure accurate focus and sharp image quality. In addition, the continuous AF tracking performance will be dramatically improved with a new moving subject tracking algorithm.

The OM-D E-M1 Mark II will boast a wide array of shooting features including a new Pro Capture Mode for lag-free shooting that enables the capture of split-second moments, a 50 Megapixel High Res Shot Mode for images with incredible detail that rivals that of full-frame DSLRs, in-body 5-Axis Image Stabilization with a maximum of 5.5 shutter speed steps of compensation performance, and 5-Axis Sync IS for a maximum of 6.5 shutter speed steps of compensation when combined with the new M.ZUIKO Digital ED 12-100mm f4.0 IS PRO.

The OM-D E-M1 Mark II will be weathersealed to be dustproof, splashproof, and freezeproof (down to 14°F / -10°C) in a compact lightweight design, ideal for shooting in all types of outdoor conditions. The camera will exceed professional photographers’ performance requirements by employing a high-performance durable shutter designed to clear 200,000 actuations, dual memory card slots, and an improved battery capacity of 37 percent from its predecessor model.

Main Features

High-Speed Sequential Shooting and Superior AF Performance
Live MOS sensor and TruePic VIII Image Processor

The newly-developed high-speed TruePic VIII Image Processor and a new 20.4 megapixel live MOS sensor will work in concert with the camera’s electronic shutter to provide full resolution images at a maximum 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

The TruePic VIII Image Processor will boast a dual quad core system with four CPU cores and four image processing cores that achieve image processing speeds approximately 3.5 times faster than the TruePic VII Processor. Because camera operation and image processing functions will be carried out in parallel, transfer speeds and menu operations will be vastly improved over previous models. A new Pro Capture Mode will provide lag-free shooting so users can capture high-quality full resolution images at precise moments with no compromises.

Advanced Dual FAST AF

The advanced Dual FAST AF will automatically choose between on-chip phase detection AF, contrast detection AF, or will utilize both phase and contrast detection simultaneously. This system will boast 121 cross-type on-chip phase detection focus points in order to dramatically improve accuracy. The simultaneous use of contrast detection and on-chip phase detection AF will enable accurate focus in difficult lighting conditions, while a new moving subject tracking algorithm will rapidly and continuously measure the subject-to-camera distance to precisely maintain focus. Finally, an in-camera AF limiter will be included to achieve faster focusing by limiting the focus range of the lens, thus preventing time-consuming focus hunting.

Autofocus functions such as AF Target Mode, AF target position, and face/eye priority AF will be easily set with a single action. AF operations will be enhanced with a new cluster display, which illuminates active sensors to assure the user of focus subject accuracy. The AF Targeting Pad feature will allow users to select the AF point by sliding their finger on the rear touch LCD while looking through the viewfinder.

High-magnification, high-speed electronic viewfinder

The performance of the 1.48x (35mm equivalent) high-magnification, high-resolution electronic viewfinder will rival those of professional full-frame interchangeable lens cameras. With high-speed operation that includes a maximum frame rate of 120 fps and a minimum six-millisecond display time lag during shooting, users will never lose track of fast-moving subjects.

High-speed response

Superior response will be facilitated by a significant improvement in shutter release lag time; this time will be reduced by approximately 30% from that of the predecessor model so users will never miss a photo opportunity. In addition, frame advance speed during playback will be approximately three times faster for faster scrolling and review of images.

Outstanding Portability and Reliability
A compact, lightweight system with excellent portability

The OM-D E-M1 Mark II will feature weatherproof construction in a compact and lightweight design. Coupled with an Olympus M.ZUIKO lens, the OM-D system remains extremely compact, providing the ultimate in portability for shooting and transportation. Hand-held super-telephoto shooting will be possible with the M.ZUIKO Digital ED 300mm f4.0 IS PRO lens (600mm focal length in 35mm equivalent), and this camera and lens combination will even be compact enough to store in carry-on luggage when flying.

Weatherproof construction and Super-Sonic Wave Filter dust reduction system

The OM-D E-M1 Mark II will feature high-performance weathersealing for excellent dustproof, splashproof and freezeproof (down to 14°F / -10°C) performance so that users can shoot in the harshest of conditions. This weatherproofing will not be limited to the camera body alone: it is extended across the entire OM-D system, including the dustproof, splashproof, and freezeproof M.ZUIKO PRO lens lineup. In addition, a Supersonic Wave Filter (SSWF) dust reduction system will vibrate the image sensor more than 30,000 times a second to virtually eliminate any dust that may land on the sensor while changing lenses.

High-performance shutter rated for 200,000 actuations

A newly-developed shutter will be rated for 200,000 shots3 to withstand consistent daily use in professional environments.

Dual memory card slots

The OM-D E-M1 Mark II will feature dual memory card slots to allow simultaneous use of two SD cards for more versatile shooting. The slots will be positioned in a staggered layout, making cards easier to insert and remove. Users will be able to select from four types of settings: “Standard” will record to the specified card; “Automatic Switching” will automatically switch to the second card when the first card becomes full; “Dual Independent” will record to both cards according to the specified image quality setting assigned to each; and “Dual Same” will record identical files to both cards simultaneously. Slot 1 will support UHS-II and UHS-I cards, while Slot 2 will support UHS-I cards.

High-capacity battery and rapid charger

With an improved 1720mAh rating, the new BLH-1 lithium-ion rechargeable battery will have a capacity that’s approximately 37% higher than that of the BLN-1 used in the predecessor model. The Olympus OM-D E-M1 Mark II will display the remaining battery life percentage on the rear monitor so that users will never be surprised by a depleted battery. Also, the new BCH-1 charger will be 50% faster than the previous version.

Exceptional Image Quality
Higher resolution and improved dynamic range

The new 20.4 megapixel Live MOS sensor will offer 25% higher resolution than the predecessor model, and the absence of a low-pass filter further enhances image quality. A higher dynamic range6 will improve the reproduction of highlight and shadow detail, and an anti-reflective coating on both sides of the sealing glass over the sensor will further enhance contrast performance.

Improved image quality at high ISO settings

The newly-developed TruePic VIII Image Processor will dramatically improve image quality when shooting at high ISO settings, making it possible to capture images with minimal noise. The normal sensitivity ISO (ISO AUTO) range will be expanded to ISO 6400 for greater flexibility in a variety of shooting scenarios and Fine Detail Processing II will ensure that no detail will be lost due to over-sharpening.

ISO 64 equivalent ISO LOW setting

The ISO LOW setting will be equivalent to ISO 64, providing greater flexibility to shoot at wider apertures even in brightly-lit situations, making it possible to achieve beautiful shallow depths-of-field.

50 Megapixel High Res Shot Mode

A High Res Shot Mode will utilize the Voice Coil Motor (VCM) system of the 5-Axis Image Stabilization System to precisely shift the sensor in half pixel increments while capturing a total of eight shots. The camera will then automatically composite the shots into a single 50-megapixel equivalent ultra-high resolution image. This unique Olympus technology is a necessity for any still life photographer or anyone that requires ultra-fine detail reproduction. The new TruePic VIII Image Processor will effectively suppress blur due to subject movement, making it possible to utilize High Res Shot Mode in a wide variety of shooting conditions, such as gently-blowing grass, tree leaves, or ocean waves. In addition to 80 megapixel RAW and 50-megapixel equivalent JPEG images, it will be possible to select a smaller 25 megapixel equivalent file size.

In-body 5-Axis Image Stabilization

The Olympus OM-D E-M1 Mark II will be equipped with the latest in-body 5-Axis Image Stabilization that compensates for all types of camera shake. An optimized correction algorithm will boast outstanding compensation performance with approximately 5.5 shutter speed steps of compensation*1. Also, when combined with Olympus lenses equipped with in-lens image stabilization, 5-Axis Sync IS will provide the world's most powerful 6.5 shutter speed steps of compensation for blur-free handheld shooting of stills and video.

Stunning UHD Video Capture
Digital Cinema Standard 4K videos

The OM-D E-M1 Mark II will support Digital Cinema Standard 4K (4096 x 2060 pixels) video capture at a 24P frame rate and a bit rate of up to 237 Mbps for authentic movie production. The 20.4 megapixel Live MOS sensor will provide a read speed three times faster than that of the predecessor model for effective suppression of movement distortion, resulting in sharp, clear image quality. The video-specific picture mode "Flat" will be ideal for color grading and finishing the footage exactly as envisioned by the videographer.

5-Axis Image Stabilization combined with electronic stabilization for video

With four times the resolution of Full HD, 4K videos are easily affected by camera movement and typically require a tripod, mini jib, crane, and other specialized accessories for movie recording. The OM-D E-M1 Mark II will pair its advanced 5-Axis Image Stabilization with electronic stabilization specialized for movies (M-IS) to effectively reduce camera shake, making handheld 4K video capture possible. This outstanding image stabilization system will allow videographers to easily shoot movies with virtually no visible camera shake. The camera’s rear vari-angle LCD monitor will be adjustable to the user’s preferred angle for shooting convenience.

HDMI monitor connection and recording synchronization

The HDMI monitor connection will provide the ability to view live video output live on a larger display while shooting. Users will be able to select from Monitor Mode for an external monitor and Recording Mode to capture uncompressed video directly from the HDMI port. The OM-D E-M1 Mark II will be equipped with a synchronization signal so that video recording to an external device may be started or stopped from the camera. A 4:2:2 external output will be provided to meet a wider color correction range. An audio synchronization function will make it easy to synchronize audio recording when using Olympus’ Linear PCM Recorder LS-100 while recording video, and a Slate Tone function will facilitate the syncing of recorded audio and video.

Advanced Shooting Functions
Silent Mode

Silent Mode will utilize a silent electronic shutter to eliminate all mechanical noises while shooting. Silent Mode will be especially useful for shooting in situations where noise of any kind is not appropriate, including stage performances, concerts, and even sleeping children. Also, it will be possible to deactivate the AF Illuminator, autofocus confirmation beep, and flash for practically silent operation.

Focus Stacking / Focus Bracketing Modes

Depth-of-field is especially shallow when taking macro photos, making it difficult to capture an image that is completely in focus from the foreground to background, even at smaller apertures. Focus Stacking Mode will capture eight shots at different focal positions and composite them to form a single shot that is entirely in focus. The depth-of-field provided by Focus Stacking will be far deeper than even the smallest aperture at close distances. Focus Stacking Mode will be compatible with seven Olympus M.ZUIKO lenses for a variety of shooting scenes.

Focus Bracketing Mode will capture up to 999 shots at different focal distances with a single shutter button press, allowing users to choose shots with the optimal focus point or use commercially-available software to composite all images into one picture with stunning depth-of-field.

Live Composite / Live Bulb Modes

Live Composite Mode will be available for shooting fireworks and cityscapes against starry backgrounds. While using Live Composite, the exposure of dark areas remains constant, while areas of light that change during the exposure are updated, creating trails of light from stars or fireworks. Live Bulb and Live Composite Modes will allow users to easily check the image on the LCD monitor in real time, instead of relying on intuition.

Keystone Compensation

The camera will be equipped with Keystone Compensation for photographing architecture. Keystone Compensation digitally provides tilt and shift functions with all M.ZUIKO lenses, and because trapezoidal compensation may be applied simultaneously to both vertical and horizontal directions, it is possible to shoot various subjects in a wide range of situations.

Tethered shooting with Olympus Capture

Olympus Capture is now available in Version 1.2 and will support tethered shooting with the Olympus OM-D E-M1 Mark II. High-speed data processing and transfer via the USB 3.0 Type C port will be four times faster than with Olympus Capture Version 1.1. A cable clip will be bundled for securing and stabilizing the cable to a strap when the camera and computer are connected.

Additional features

Customizable C-AF tracking sensitivity will allow users to choose the best setting for their subject to optimize C-AF tracking performance.
AF Scan will allow users to adjust the lens scan operation settings in low-contrast environments to prevent unnecessary hunting.
Preset MF will let users quickly set a preferred focus distance when using manual focus.
AF Home Settings will be assignable to a customizable function button. Users will be able to program their most frequently used AF target position, AF Target Mode, and AF Mode as an AF Home setting.
Lowest Shutter Speed Setting on the camera will allow users to predefine a minimum shutter speed so that the ISO sensitivity will increase in low-light situations rather than slowing down the shutter speed. This is convenient for handheld shooting in low-light environments.
Users will be able to back up customized camera settings on a computer so that they can be re-applied to the camera whenever necessary, especially useful for using the same settings on multiple cameras or maintaining settings after a firmware update.
Specify Folder function will let users select a folder as a recording destination and create new folders to make image editing and management easier.
Grid settings will allow users to set a highly visible grid color for display as a guide when shooting in dark locations such as theaters.
The “Date/Time/Second” display will let users organize images by a second unit. This is an effective feature for high-speed sequential shooting.
Optional Accessories

HLD-9 Power Battery Holder

This dustproof, splashproof and freezeproof power battery holder will be specifically designed for the OM-D E-M1 Mark II. With the HLD-9, users will have the power of one BLH-1 lithium-ion rechargeable battery in the camera body and a second one in the HLD-9. The rear of the HLD-9 power battery holder will be equipped with the same directional pad, two control dials, two function buttons, and shutter release as on the camera body for identical controls whether the camera is held in a vertical or horizontal position. An optional AC-5 AC adapter may be used for studio photography or other situations when using the camera for long periods of time.

FL-900R Weatherproof High-Intensity Flash

This is a high-intensity flash boasting a maximum guide number of GN.58m. This accessory on-camera flash has the highest sequential shooting tracking performance in its class at 10 fps. It features a lightweight weatherproof design with a wireless RC mode for simultaneous control of multiple flash units, and supports Multi Flash, High Res Shot, Focus Stacking and Focus Bracketing Modes. The FL-900R is also equipped with a built-in LED light for recording videos. For additional details, please see the FL-900R press release.

STF-8 Weatherproof Macro Flash

The STF-8 will be the world's first macro flash built with dustproof, splashproof and freezeproof construction. The flash heads and controller will feature a lightweight compact design. When combined with the Olympus OM-D E-M1 Mark II, Focus Stacking and Focus Bracketing modes will be supported for flash photography, useful for capturing flowers, insects, and commercial photos in the studio. The bundled adapter ring will be compatible with the M.ZUIKO Digital ED 30mm f3.5 Macro, M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 12-40mm f2.8 PRO. When using both flash heads the GN will be 8.5m. In addition to a TTL Auto Sync Mode for precision control, users will be able to set the flash in 1/3 step increments on the camera when in Manual Mode and in one step increments with the flash dial. The main flash will also be able to be used as a commander to control multiple flash units. The flash head angle will be adjustable within a range of -60 to 40 degrees.

RM-CB2 Release Cable

This release cable with a pin jack terminal (2.5mm diameter) will feature a bulb lock function convenient for long exposures. The connector terminal will feature an L-shaped design ensuring a compact form when connected to the camera.

PT-EP14 Underwater Case

This compact underwater housing will provide water depth resistance up to 60 meters. It will provide a clear field of view to each corner of the screen, designed to be easy to hold to frame and zoom your shot easily. In addition, the PPO-EP03 Macro Lens Port will provide compatibility with the M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 30mm f3.5 Macro.

CBG-12 Large-Capacity Backpack

This large-capacity backpack will easily fit multiple Olympus cameras and several interchangeable lenses, including the M.ZUIKO Digital ED 300mm f4.0 IS PRO. This backpack will feature a padded back and straps that reduce strain, side openings for quickly removing necessary items and water-repellent materials for superb functionality. The CBG-12 will feature a genuine Micro Four Thirds mount emblem in the center of the backpack.
 
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I always shoot raw and jpg together. I wonder if you can set it to save the raw on the UHS-II and the jpg on the UHS-I?

I also wonder how long it can take 60fps before the frame buffer is full as well?
 
Sometimes I quite like the jpg pic from my olympus over the raw file. Sometimes the camera's effort is more than good enough and then I dont spend anytime in LR with my raw files.

Its only the very best pics that I spend the time adjusting the raw files to finish them off properly. I just dont have to time to do it to every picture I want to keep. Always have the option to refer back to the original raw file if submitting it in a competition at a later date though.

And not so sure about memory cards been cheap if you go for UHS-II to use the 4k video which needs 238mb/s write speed and the 60fps from the still side. Most decent UHS-II 65Gb cards seem to be over £100 still. Might be what you call cheap!!!!!!!!


Full specs here

https://www.olympus.co.uk/site/en/c...e_m1_mark_ii/e_m1_mark_ii_specifications.html
 
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What's the price going to be like?

I'm in the starting process of selling off my 5DII and lenses because I barely take it because of the size/weight and rarely do anything that warrants a FF DSLR so it's sat gathering dust most of the year.

I was planning on replacing it with the OM-D E-M10 II, but maybe if the price is right... but maybe I'm hoping too much. :p
 
There is no reason to shoot raw and JPEG because SD cards is so cheap now. Plus I've done some testing on my 5D3, the camera actually is slower if I do that because it needs to process 2 kinds of files to write to card vs converting just Raw once. So I have never done Raw and JPEG.

RAW + Jpeg is slower because the process of creating a Jpeg is done once the raw is prepared anyway, so it will always be slower. JPEG only can be faster because you don't have to save a large RAW file but FPS until the buffer fills is slower.
 
Sometimes I quite like the jpg pic from my olympus over the raw file. Sometimes the camera's effort is more than good enough and then I dont spend anytime in LR with my raw files.

Its only the very best pics that I spend the time adjusting the raw files to finish them off properly. I just dont have to time to do it to every picture I want to keep. Always have the option to refer back to the original raw file if submitting it in a competition at a later date though.

And not so sure about memory cards been cheap if you go for UHS-II to use the 4k video which needs 238mb/s write speed and the 60fps from the still side. Most decent UHS-II 65Gb cards seem to be over £100 still. Might be what you call cheap!!!!!!!!


Full specs here

https://www.olympus.co.uk/site/en/c...e_m1_mark_ii/e_m1_mark_ii_specifications.html



I feel the same-way with a lot of photos modern in-camera Jpeg engine is good enough. The thing is with a little be of effort you can get LightRoom presets to be just as good if not better, therefore you have no real advantage beyond the extra import/export step.


The main advantage of shooting Jpeg only, (no raw) is you have infinite buffer size on most modern cameras. That is why some sports and wildlife pros will actually just use Jpeg mode. Especially if they are covering a sports event and need to send photos back ASAP.
 
What's the price going to be like?

I'm in the starting process of selling off my 5DII and lenses because I barely take it because of the size/weight and rarely do anything that warrants a FF DSLR so it's sat gathering dust most of the year.

I was planning on replacing it with the OM-D E-M10 II, but maybe if the price is right... but maybe I'm hoping too much. :p

Exactly the same price as the OMD EM-1 Mark 1 was which is good but bear in mind the EM-1 is their top of the range body.

I see places are already selling off the mark 1 EM-1 for £100 less than the EM-5 mark 2 to clear stocks.
 
I'm thinking of going m4/3 as I have an Olympus Stylus 1s and seeing as Olympus don't look like doing a 1" sensor any time soon this might be my best route for a bigger sensor.

I'm pretty used to the immediacy of the Stylus 1s with it's 28-300 constant F2.8 lens and being able to travel very light is a great bonus but I may be willing to compromise.

I'm thinking I would need 2 lenses to cover the range I already have, could some one shed some light on that?

I also always shoot RAW + Jpeg, though the Jpeg is really just so I can quickly email/whatsapp pictures using the Olympus Image Share android app and for quick viewing and selection on the PC. To this end I make Jpegs Small + Basic, which greatly reduces the writing time to SD.

OOC Jpegs can look really good but a minute taken processing RAW is always better for me.
 
AVCHD codec for the video is a bit of a shame, though 230Mb/s is nice. Otherwise it looks pretty good. Beast of a camera though (size) for micro 4/3. By volume it's larger than the sony A7. Of course, the lenses are smaller.

Good to see m43 still moving forward anyhow.
 
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Don't think the sensor is any bigger - just has more pixels.

I want to see if there's any truth to the extra stop of DR, that's my biggest gripe with m43.
 
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I'm thinking of going m4/3 as I have an Olympus Stylus 1s and seeing as Olympus don't look like doing a 1" sensor any time soon this might be my best route for a bigger sensor.

I'm pretty used to the immediacy of the Stylus 1s with it's 28-300 constant F2.8 lens and being able to travel very light is a great bonus but I may be willing to compromise.

I'm thinking I would need 2 lenses to cover the range I already have, could some one shed some light on that?

I also always shoot RAW + Jpeg, though the Jpeg is really just so I can quickly email/whatsapp pictures using the Olympus Image Share android app and for quick viewing and selection on the PC. To this end I make Jpegs Small + Basic, which greatly reduces the writing time to SD.

OOC Jpegs can look really good but a minute taken processing RAW is always better for me.

If you want f2.8 through the range then yes you would need two lens - the 12-40 and 40-150.

However Olympus have just launch a 14-100 f4 with in built IS which is meant to be a gem of a lens.

If you can live with f4 and the slightly shorter reach then as a always on travel lens covering effective 28-200 then that would be the lens to go for,
 
Dat spec! :eek:

I know! I have so much invested in Olympus m4/3 glass now, I cant see myself changing systems anytime soon.

Got

12-40 F2.8
40-150 F2.8
1.4 teleconveter
75mm f1.8
45mm f1.8
25mm f1.8

Just about to buy something at the wide range as well as the next lens.

The new body "fixes" all the things I find the em5 mark 2 struggles with which is only nic picking.

took 300 shots of birds in flight last week and only 10 hit focus.
 
TBH I find the em5 mkii focusing to be very good. Unless using it in serious anger with fast moving subjects (think motor racing) - even then with practice and adjustment its pretty good. Otherwise it pretty much nails it.

It got a good testing with fast moving kittens on the weekend, it did well :p

Lens helps too...the 17mm prime I have....jesus! its like lightening!
 
Yeah I was using a 40-150 with tele so f4 at full zoom. It did not focus well. Didnt help there was a very busy background and the lens would sometimes refocus on that. In fact I did better trying to guess the focus manually.

So everything about the new body just makes the sysem better. Loving the ISO 64 and better focus and 20Mp sensor for starters.

The new super pic which can handle movement to a degree should be interesting too
 
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AVCHD codec for the video is a bit of a shame, though 230Mb/s is nice. Otherwise it looks pretty good. Beast of a camera though (size) for micro 4/3. By volume it's larger than the sony A7. Of course, the lenses are smaller.

Good to see m43 still moving forward anyhow.

Its the op of the line camera for pros etc, the size s mostly for ergonomics and balancing lenses comfortably.
 
Its the op of the line camera for pros etc, the size s mostly for ergonomics and balancing lenses comfortably.

Is m43 actually used by many pros? If it can't compete on IQ or size I don't know why you'd actually pick it as a pro. For mere mortals the size advantage of the smaller cameras and lenses along with OBIS is important and I get that, but I don't really get where these bigger m43 cameras fit in for pros - the lenses aren't even cheap.

I can't think of any occasion I've seen a paid photographer not using a DSLR.
 
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