Or be like my racist brother and say what you really mean. He calls it either "Autotuned-Coons" or "Vocoder *******", depending on his mood.
To the OP: This mass-market autotuned r'n'b has killed of the pleasure of going into town for me. I absolutely love dance music and up to a couple of years ago pubs and clubs in towns were buzzing with decent dance music. Even chart stuff used to be good. Go further back to 1995 and 1996 and they were epic years for mainstream dance. Now I can't bear to be in town watching white boys and girls trying to groove to this undanceable black rubbish.
One of my clubbing mates from way back said that the blacks didn't like rave, trance and hard house because it didn't suit their ryhthm. You never did see that many blacks in Gatecrasher for instance. They'd owned dance music since motown/northern soul, right through disco and house and garage. Acid House changed the demographic until right through the late nineties when speed garage ran alongside trance in dance clubs. Then UK garage (2-step?) came around and all of a sudden idiots like DJ Spoony and Trevor Nelson were all over it like it was the savior of dance music. Nah, they just wanted back what young white people had taken from them.
I can't pinpoint exactly where in the 2000's it went wrong because as I'm getting older (38) I am out and about less and less and we have Radio 2 on at work, but i did have the misfortune to hear Fearne Cotton last week on R1 and I'm not surprised music's in the state it's in if everything's as "Brilliant!" as she says it is - even when it is blatantly terrible.
And that's not racist. It's an observation.