Cool...
I'm setting it up for the first time in years....I want to use the sounds on my Yamaha PSR 520 keyboard but control them of my Roland piano...
Can't achieve what I want
First of the videos I've been going on about
The Taylor was recorded with just an AEA R88mk2. Since the video was focusing on the left hand I wasn't able to get the mic in an optimum position for gain, hence it's a little on the hissy side in the quieter sections (passive ribbons need lots of gain at the best of times). But, the tone is absolutely bang on despite the distance. There's no EQ on this whatsoever, and only very mild compression. The reverb is the only other processing - just goes to show what a really good mic is capable of.
OUT of the Roland, IN to the Yamaha. Ensure that you're transmitting on the same channel as the Yamaha is set to receive.
Also try a different lead if it doesn't work.
Sometimes 5 pin dins can be wired up differently.
Ok - you'll need a DAW active then. Roland to computer, then out the Octa into the Yamaha. Ensure on your DAW you have 'Soft Thru' enabled.
Yes - unless you want to also be able to use the Yamaha to input MIDI data to the DAW/computer.
Looks fantastic, wish I had all that space!
Is that a Bronco bass on the wall?
Nice, don't see those very often. Have never played one, I should imagine with the short scale and guitar pickup it sounds quite different to the more traditional fenders?
That studio looks amazing easyrider, personally I would be beyond happy with that.
Alas I'm doing recording mostly 'in the box' on a shoestring budget without even decent monitors atm, pretty uninspiring and an excellent way to lose interest in a hobby fast.
This thread is a real eye-opener for me!
Edit:- Out of interest, what is your budget/damage for all your gear/space?
Rather than buying more foam, put a curtain rail up and get some heavy (!) draped theatrical curtain blacks. This way it's far easier to open or close the drapes to change the character of the room, not to mention position them around the space. Don't make the mistake of putting the rail in such a way that the drapes hang close to the wall. You want an air space between the drape and the wall, this way you get a double whammy effect, the sound is partially absorbed, then reflects back off the wall into the drape again.
As an example..
http://www.showtex.com/en/products/velours-bellini
If you look at the data sheet they even give you the acoustic absorption data.
I tried to find this thread when I had some pics to share but couldn't find it.
I went into a studio and recorded live drums for the first time. The house engineer basically set up the mics for me.
It turned out okay I think. Stupidly I didn't take any pics of the setup though! Haha.
Linky if anyone is interested:
https://soundcloud.com/projectmay/lit-like-vegas-drawing-all-the-lines/s-Ff0tX
The drums were recorded into an apollo 8p (not sure what mics were used)
My Apollo Twin was used for everything else.
Rhythm guitar - Blackstar HT1 mini amp, miced with an SM57.
Lead was an engl UAD plug in.
Accoustic - AKG Solid Tube mic
Vocals were recorded through an SM7b
Not as impressive as some of the setups on here but here's mine:
In pic: Yamaha HS7s, Saffire Pro 40, Technics Turntable, Zoom H4N
Out of pic: Rode NT1-A, Novation Impulse, SM57 x2
Apologies for the poor camera quality.