Anyone that seriously rates the ps3 as a decent BD player should be ignored, it makes a noise and thus is useless as a player.
Interesting that you say that, I can't hear mine at all.
Anyone that seriously rates the ps3 as a decent BD player should be ignored, it makes a noise and thus is useless as a player.
Anyone that seriously rates the ps3 as a decent BD player should be ignored, it makes a noise and thus is useless as a player.
The cheap Sonys suffer the same fate and are again useless as BD players.
I know it's tough for people to see, or hear the differences between kit like this, and I think the biggest reason is because the 1080p picture given from blu-ray is already very good. people often think - how could this 1920x1080 digital image be any better?
For the most consumer gear, that is probably true. but this Krell player is not a player for a typical consumer - whether it's better than a PS3, sadly is beside the point. It's a reference player, designed for custom installs, or absolute enthusiasts. I'd imagine that no expense has been spared with it, and costs add up. De-construct any really high end AV gear and you will find that the cost of the components and casing will be reflected in the cost of the unit.
The justification in the pirce / performance depends either on how much income you have, or how much enthusiasm you have. I dont mean that in a blunt 'only the rich can afford it' way, but when your income is in a bracket where the difference between 1k and 7 k is relative to the difference between £120 and £500 for soemone on a lower income, it's not too much of a stretch to upgrade your blu-ray source, even if it is to gain only a marginal difference.
Rick
as you go up the scale, trying to squeeze the last drops of quality out of what is already a digital medium, the 20% quality / 500% cost analogy you used just gets tighter and tighter. I guess it's all about getting that last 1% out, regardless of the cost. - and what is cost? this isn't an editors choice 'best value' player. It's probably terrible value for money - if you value your money.the real question is though, is how much does the increased cost of the components translate into increased PQ ?
How much of an improvement in PQ offer. Does it offer 20 % better picture for 500 % cost increase ?
That makes it a poor buy and poor value for money.
Its like those that claim its worth spending £10 / metre on speaker cable and raising the cable off the floor to "improve its sound"
There are huge rip offs in home cinema, like the £100 HDMI cables that magazines will swear blind are worth it, when its been proven they arent.
If I were in a different bracket, the jump in cost might not mean so much to me, it may be neither here nor there, and therefore nor is value for money.
If I had a completly disposable income it would be a different story, providing it was a genuinly better unit.
Thanks Rick. I'm not all sack cloth and ashes thoughLucid: I respect your selfless attitude towards your business and clients, it might not make much business sense from some peoples eyes, but I imagine you go home at the end of the day happy with your self, and happy for your clients. The ability to have an imparcial view or oppinion on equipment, as a result of using it every day, but not shelling out personaly for it is unique; not many occupations allow you to experience that. I understand where you're coming from there.
Speakers, massive difference, TV's huge too. CD players a bit, Amps quite a lot as is the case with headphone and turntables/stylus. Interconnects hardly any in most cases and I see Blue Ray players as much the same form the 3 different versions I have at home.
Agree with all your post, however I thought the quality of DAC used in the cd player would have a bigger variation on the sound than amps?
You look at any pro studio and they will place much more emphasis on the ADC/DAC than on the power amps.
And for those trying to justify hi-end kit like this Krell I started a thread in a pro-audio forum asking the opinion of professional audio engineers if hi-end Hi-Fi like Krell, Wadia, ect is a rip off and the overwhelming response was yes, it's snake oil.
Read here :-
http://www.gearslutz.com/board/moan-zone/470868-hi-end-hi-fi-rip-off.html
Interesting that you say that, I can't hear mine at all.
...............so snake oil or not, do some research into how such companies work flows, and the numbers they are dealing with to produce the best they can, and be thankful they are leading the way for other people to follow. better still go and visit one and get a proper insight, meet the people, the place and listen to, or watch the equipment for yourself. after doing so all views of value for money that you did have will be so far gone they will never come back.
Great to read you had an interesting time up at Linn.... Have to say there is nothing like personal experience to understand what goes into some gear, and why it costs what it does....
For sure some of the "Hi end" kit is snake oil or worse re-badged kit in a fancy box..... then there is some that is a genuine attempt to produce the best product possible.
Quite where people get the idea it's even meant to be value for money I have no idea.... Is a Porsche value for money, is a 600 graphics card,. http://www.overclockers.co.uk/showproduct.php?prodid=GX-122-EA&groupid=701&catid=56&subcat=1750 how about a 3+ grand camera..... Leica anyone ?
I don't read too many posts about people slagging off those items, I think a lot is about ignorance and a little knowledge is dangerous, as many keyboard jockies have no idea what goes into audio and AV kit.... well it's digital innit, so it's all the same
Excellent write up RB Customs, at least you appreciate the effort and detail that goes in behind the scenes, even if you never choose to own or feel it's worth the money.
Edit
Sorry missed this one http://www.overclockers.co.uk/showproduct.php?prodid=GX-230-AS&groupid=701&catid=56&subcat=1577...... WTF !![]()
I too have spent time with both high end manufacturers and also the people who build the machines which create the digital media...and record much of the best quality outputs. I know the top engineers there have a similar view to me of high end kit. Money spunked up the wall for little or no discernible value which will cost and not pay back, something you can't say about a Patek Phillipe or 911 GT3...as examples. Long may it survive however, we all like posh stuff when we can!
Some crap examples you gave there, though I can see the point you are trying to make. The difference between my old 911 GT3 and a 30K TT (for example) were vast and to me it justified its price in many ways. Speed, composure, prescience, feel none of which were subjective, they were empirical and when I came to sell it I lost less than I would in a TT. People don't complain about 911 GT3's (as just one example) for a very good reasons, the differences are vast when compared to cheap sporty 2 seaters. The issue with HiFi is the differences are MASSIVELY subjective and people (like me for example) get very tired of journals such as What HiFi trying to convince the masses that 10k kit is hugely different to 600 quid kit, for it simply isn't or that a £10 cable is crap compared to a £100 cable, or that if you are spending X on amps you should spend Y on cables, it's utter crap lapped up by nerds and people who like to talk about it to others of the same ilk.
I wonder, would any of these top engineers have had anything to do with the many poorly recorded albums I have or the concerts I've been to at which its been extremely difficult to pick out a tune!