Ballerina: High-Octane Action Over Substance - 5.5/10
"Ballerina" largely confirmed my initial impression that it was a bit of a cash grab, a feeling that persisted after its release. While the film attempts to expand the
John Wick universe through a familiar character, her connection to John himself feels notably thin, stemming from what was essentially a five-minute interaction in
Parabellum.
It quickly becomes apparent that the film is primarily built around its action scenes, with the story feeling like an afterthought – a basic plot quickly thrown together simply to facilitate the next fight sequence. This imbalance is particularly striking given that Len Wiseman directed it, not Chad Stahelski, the visionary behind the main
John Wick films. Although Stahelski served as a producer and was reportedly brought in for extensive reshoots to polish the action, the movie ultimately lacks the refined flow and consistent quality of its predecessors.
While the action sequences are often great, delivering explosive entertainment, some moments are undeniably unrealistic, even within the stylized world of the franchise. In terms of overall polish and narrative depth compared to the
John Wick standard, I'd honestly class "Ballerina" as more of a
B-movie.
If you're seeking a straightforward action flick and don't prioritize a compelling story, "Ballerina" might satisfy with its strong action. However, for those expecting the nuanced world-building and seamless execution of the core series, it's a less polished experience.
Missed Opportunities in the John Wick World
"Ballerina" truly feels like a significant missed opportunity, especially considering the rich, pre-built world of
John Wick they had at their disposal. With the proven success of the main series and the considerable amount of time this spin-off has been in planning and discussion, it's disappointing to see a film that doesn't fully leverage the potential of its universe. The depth, established lore, and compelling characters of the
John Wick saga offered so much more to work with than what was ultimately delivered.
If I were to choose how to continue with the
John Wick universe, I believe they may have been better off exploring:
A prequel based on John Wick's own backstory or his legendary "impossible task."
A deeper dive into compelling existing characters we've only briefly encountered, such as Caine (the blind man), the Adjudicator, or the Bowery King.
Building a completely new character that audiences could genuinely connect to on a deeper level, underpinned by a strong, well-developed story, much like they did with John Wick himself.