What film did you watch last night?

Heart Eyes. 5/10

If it wasn't for the killings this would be pretty boring romcom movie.

The drive in movie theatre bit was stupid. The Heart Eyes Killer is well known, but he walks around in his mask and no one seems to care.
 
Watched a couple of war movies...

Warfare (2025), pretty good, 6.5/10.

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Guy Ritchie's The Covenant (2023), seen this before but still good, 7/10.

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Watched K.O. , a French action thriller where a cop and a former mma fighter are looking for a kid who witnessed a gang murder and is now being hunted by the gang.
Its ok but could have done with a bit more action to be honest.
6.5/10
 
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Once Upon a Time in Hollywood (2019)

Technically I watched it this morning while on a flight. Probably the forth or fifth time of watching now and every time I like Brad Pitt's portrait of Cliff a little more. Hopefully "The Adventures of Cliff Booth" definitely starts filming this year.

9/10
 
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Once Upon a Time in Hollywood (2019)

Technically I watched it this morning while on a flight. Probably the firth or fifth time of watching now and every time I like Brad Pitt's portrait of Cliff a little more. Hopefully "The Adventures of Cliff Booth" definitely starts filming this year.

9/10
Definitely a film that grows on you the more you watch it imo, I remember the first time I watched thinking it was ok/good 7/10 but after further viewings I would give it a solid 9/10 now
 
Once Upon a Time in Hollywood (2019)

Technically I watched it this morning while on a flight. Probably the forth or fifth time of watching now and every time I like Brad Pitt's portrait of Cliff a little more. Hopefully "The Adventures of Cliff Booth" definitely starts filming this year.

9/10

Definitely a film that grows on you the more you watch it imo, I remember the first time I watched thinking it was ok/good 7/10 but after further viewings I would give it a solid 9/10 now

I'd agree with that, I certainly didn't gush over it when I originally watched at the cinema.

I hated the film, I've only seen it at the cinema when it came out, until Brad Pitt's character ended up at the ranch. I wonder if it's worth a rewatch.
 
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At the ranch and onwards is probably the better half, it's quite slow and pondering up till then from I can remember, but I love it. A love letter to film really.
 
A couple of well regarded animated films:

Flow - a ‘no dialogue’ following a troupe of animals dealing with a flood.

This is mostly held together with perpetual animal threat. It works and is very watchable, but didn’t leave any lasting impressions on me.

The animation style is interesting. The is a grainy filter and the backgrounds look good, but the animals have a cell shaded look that I think was a poor choice… the cat perpetually looks like it has ‘crushed blacks’ and it’s quite distracting…!

7/10 for watch-ability, 6/10 lasting impressions.

Memoir of a Snail - a stop motion ‘memoir’ of someone doing their best to get by in life. I won’t say anything further as I went in pretty blind and that worked well.

This is excellent. Heartfelt, tragic, funny, beautiful… a must watch IMO, one of the best films I’ve seen in a long time.

10/10
 
Memoir of a snail is absolutely brilliant.

I did a search before my post and I saw you were the only person on the forum to have previously mentioned it! Seems to be really under the radar.

Aside from the core story, I absolutely love the attention to detail and focus on life’s little ‘irrelevant’ moments.
 
Double Team

Director Tsui Hark orchestrates what can only be described as a frenetic operatic hallucination disguised, daringly, as an action film. Beneath its surface of explosions, inexplicable tiger motifs, and product-placement pyrotechnics, lies a meditation on identity, estrangement, and the absurdity of geopolitical machismo.

Jean-Claude Van Damme’s Jack Quinn is less a character than an avatar of modern existential exile a soldier without a war, estranged from family and self, grappling with both his past and the supermodel-styled consequences of poor decision-making. Enter Dennis Rodman’s Yaz a postmodern trickster figure draped in vinyl and chaos, whose fashion-forward nihilism provides a Brechtian counterpoint to Van Damme’s tragic stoicism. Their chemistry is inexplicable, and perhaps that's the point it represents the incoherence of male intimacy in a hyper-commercialised world.

The film’s mise-en-scène is a fever dream of late-‘90s aesthetics: neon-lit coliseums, cybernetic techno-lairs, and Coke-adjacent explosions. Cinematographer Peter Pau crafts each frame like a pop-art tableau Andy Warhol by way of Michael Bay.
 
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Double Team

Director Tsui Hark orchestrates what can only be described as a frenetic operatic hallucination disguised, daringly, as an action film. Beneath its surface of explosions, inexplicable tiger motifs, and product-placement pyrotechnics, lies a meditation on identity, estrangement, and the absurdity of geopolitical machismo.

Jean-Claude Van Damme’s Jack Quinn is less a character than an avatar of modern existential exile a soldier without a war, estranged from family and self, grappling with both his past and the supermodel-styled consequences of poor decision-making. Enter Dennis Rodman’s Yaz a postmodern trickster figure draped in vinyl and chaos, whose fashion-forward nihilism provides a Brechtian counterpoint to Van Damme’s tragic stoicism. Their chemistry is inexplicable, and perhaps that's the point it represents the incoherence of male intimacy in a hyper-commercialised world.

The film’s mise-en-scène is a fever dream of late-‘90s aesthetics: neon-lit coliseums, cybernetic techno-lairs, and Coke-adjacent explosions. Cinematographer Peter Pau crafts each frame like a pop-art tableau Andy Warhol by way of Michael Bay.
Pop this on letterboxd and I'm confident it will become the top popular review
 
I did a search before my post and I saw you were the only person on the forum to have previously mentioned it! Seems to be really under the radar.

Aside from the core story, I absolutely love the attention to detail and focus on life’s little ‘irrelevant’ moments.
It really does deserve more people viewing it than seems to be the case.

A very human film. I don't know how to describe it really. As you say, it's the details that help make it
 
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