Man bad. No issues for me at that end.I mean I physically can't hear it. So it's hard to follow. It's like the background sound it's so loud I can't hear the voices. Gf said the same. Turning it up didn't work
Man bad. No issues for me at that end.I mean I physically can't hear it. So it's hard to follow. It's like the background sound it's so loud I can't hear the voices. Gf said the same. Turning it up didn't work
I mean I physically can't hear it. So it's hard to follow. It's like the background sound it's so loud I can't hear the voices. Gf said the same. Turning it up didn't work
Went back to listen to the first episode, and yeah the dialogue isn't the easiest to pick out although I'd say it's a long way from impossible to understand. It's a stylistic choice and one I quite like, it makes it feel more realistic and I like the fact they aren't mixing things to compromise with those who want to not pay attention.
For people complaining about sound and dialogue. Disney+ has broken audio output (yet again!!! particularly Atmos) for most app versions aside from the ATV, all Android TV users (Sony, Philips, Shield etc.) and also Android derivatives (Amazon devices) are affected, Many LG users are starting to say they are affected and some Samsung as well. For a lot of people the best audio they are getting is Stereo PCM and if lucky in some cases DD5.1 may kick in. Disney say they are aware and looking for a fix.
what a great episode, this is my favourite bit of star wars in a long time
also major lolBlackpool = SPACE FLORIDA
Was waiting for the episode this part was in, was nearby when they filmed it, have walked down the Promenade there many times.
It is one aspect that I'm a bit on the fence on - there are loads of bits where the horizontal sections i.e. walkways (Barbican especially as mentioned above) and bridges are from real, UK based, places, but then they've added in CGI vertical architecture and backdrops - but I still recognise the real bits from either being passingly familiar with the location or seeing it used in other movies as it is in real life, etc.
Tony Gilroy produces this, and his son writes it 9Dan Gilroy). Tony Gilroy was the writer who modernised The Bourne Identity and that trilogy excelled at the cinema, plus he was the saviour of Rogue One after the co-directors got sacked.I'm up to episode 6 and I've enjoyed this so far. It has obviously been filmed for a more mature audience than the Obi Wan series, which I also enjoyed. What I like is the pacing. It takes it's time without becoming ponderous. That allows the story to build and develop tension. So much of today's sci fi is frenetic with the worst example being stuff like Doctor Who where all the dialogue has to spewed out to the point where it's almost unintelligible. That also puts more pressure on the sfx to be good. Andor has struck a nice balance and I like that its quite gritty. Thumbs up from me so far
, plus he was the saviour of Rogue One after the co-directors got sacked.