Quite enjoyed reading that, there were a few funny moments, but overall you can feel the serious atmosphere. It might just be me, but at times it felt a little too fast-paced (perhaps you were going for something that moved along that way? I'll admit I don't watch much TV, so it might just be that I'm far too used to watching things like Friends, ha!). Other than that though, I agree with what's been said. It has a gritty feel and I really liked that, captures the image I have in my head of the kind of lifestyle these kids lead.
What was weird though is that some of those places are either side of where I live (

), but that also made it quite easy to imagine the kind of look I think you were going for with the setting. Overall, I liked it very much.
where do you live mate? do you mean Topping Fold and Dickybird, aka the Bury Bronx?
Thanks for the input, yeah we were going for fast paced as the other drafts were very slow, I think we got to the point where had all this in our minds and bits of it were on the page, and then we just removed all the filler.
It's my hope that all the jokes and the exposition relate to the plot rather than just pointless information dumps that knock you off your flow.
I think a lot of the comedy comes from the way it's read, which is what I'm worried about most if I'm honest. If it's read in a way that accepts how these kids live, then it becomes funny.
I'm going to make a risky statement now that's gonna come across as dead arrogant but bear with me because that's not what I mean.
In the Office, that environment is ridiculous, if that was you there's no way you'd put up with it, the monotony, the pointlessness and the annoying people.
But...we've all worked in offices. That's why it's funny, because you have to put up with that, because there are these people that the choice you have is between telling yourself it's only 8 hours a day and being homeless.
Once you have accepted that these situations are the norm, you can begin to laugh, I honestly thought the Office was only alright until i'd worked in one, now I can see the genius of it.
The issue with this is going to be the fact not many people will relate to their situation. That's why it's fast paced I think, to get as much info in about it as possible so you can begin to empathise.
I think it's quite layered, it being impossible for me to read it from scratch I can't tell, but I'd like to think there are parts that come out at the end that seemingly come from nowhere but if you read it again you'd see them mentioned or alluded to earlier on.
In one of the first drafts we had, it was just the 3 of them talking about a party and smoking weed, that was almost it. We were praised for the dialogue by the BBC and another producer for the dialogue but there was no story to it. Then with the draft before this I was worried that we had sacrificed everything for the sake of story.
Now I think it's the best of both. I honestly don't know how arrogant I'm being about it but I can't help but think if this isn't what a comprehensive script should look like, then I don't know what is.
Have I just alienated everyone who was about to say something nice now?