Interconnects

Oh look we got a bite at last...... :D

At risk of retreading an age-old debate...

No, the burden of proof is on those who claim cables substantially alter the sound. Still, as far as I'm aware, there's never been a blind trial where listeners have correctly and consistently identified "premium" cables as superior to others. Rest assured when/if one ever occurs it'll be big news!

Until then the null hypothesis, that any sufficiently well constructed interconnect will sound as good as any other, must be accepted. Such interconnects can be had very inexpensively.

Show me ANY evidence to the contrary and I'll be convinced.

P.S. you are perfectly entitled to believe one cable sounds better than another, which at the end of the day is just as good as the "truth" when it comes to enjoying music ;)
 
Such interconnects can be had very inexpensively.
Setting aside any debates about very expensive cables, the point that both you and Flukester touched on was that good cables can be had inexpensively.

While you didn't define what "inexpensive" means in monetary terms Flukester certainly did. The figure given was £10. So while I agree that good cables could be made inexpensively, I'd have to say that on present evidence from what's in the market and from my own experience that good cables aren't made inexpensively at all; certainly not at £10 at least.
 
I'm not a big believer in cables changing sound, though I would say that you want cables that are well built and shielded :)

I'd go for the something reasonable from QED, Chord, Ixos, Van Damme etc - quick google suggests around the £15 mark :)

Something like this even - https://www.hificables.co.uk/product/3340/fisual-super-pearl-stereo-phono-rca-cable-0-75m/

For optical, personally, I'd just go for something like this - http://www.ebay.co.uk/itm/1m-Pure-T...le-6mm-Lead-/261675528993?hash=item3ced13b321

YMMV and I'm only going from my experience with fairly low end hifi. Ultimately it comes down to budget and personal perception.
 
Last edited:
All my stuff is Van Damme cable and Neutrik connectors because I used to be able to acquire it from work for pennies.
 
£10 isn't enough money to buy a stereo phono cable that isn't a moulded design with God knows what cable geometry. Ditto for a digital coax lead.

"Cable Geometry"? Can you explain that, as I assume that is an Audiophile term.

I assume it means cable design or cable construction, but in the case of a digital coax lead, it's still surely not relevant, as long as the signal gets recognised as 0's and 1's at the other end it does not matter (if they don't get recognised e.g. because there is interference then they just get discarded).

In the case of analog cables (e.g. speaker cable, composite cables, even Scart and VGA) then I appreciate there can be a difference between a low cost low quality and a decent cable (e.g. reduced interference etc), but with digital cables they either work or they don't. The difference between a £5 analog cable and a £50 could be quite significant, above that though (i.e. the really expensive cables) then no one is able to scientifically prove there is any difference.


I mean all computers do the same, all watches tell the same time, all cars do 70 mph... please insert the next 100 examples yourself....
Then we can all have a race to the bottom of the pile, and rid our lives of anything of any quality and value, because they're all the same and any crap is just as good an "expensive" one.....

It can be proved that Cars do 70mph though (or more for more expensive cars), it's difficult to prove that an audio cable actually performs better. Similarly I might pay more for a Rolex because the movement is better than a £5 watch, or that it is made of real gold or silver rather than being plated - compared to your Audio cables though, it cannot be conclusively proved that they sound better, the only thing that can be proved is that they are better constructed.
 
Last edited:
"Cable Geometry"? Can you explain that, as I assume that is an Audiophile term.

I assume it means cable design or cable construction, but in the case of a digital coax lead, it's still surely not relevant, as long as the signal gets recognised as 0's and 1's at the other end it does not matter (if they don't get recognised e.g. because there is interference then they just get discarded).
Nothing audiophile about the term at all. While we're at it, why do you use the word 'audiophile' like its a dirty word? Anyone who takes an interest in the gear they use to play the music they love can (and should) consider themselves an audiophile. There's nothing snobby about the term. The very fact that you are reading this thread, and more so the fact that you're contributing to it as well, puts you very firmly in the audiophile pool.

Cable geometry is the shape and layout of the conductors, dielectric and shield. So, if it's a coaxial or some kind of multistrand. With some types of signal that's very important; it can reduce or even eliminate interference that might affect the cable or that the cable might be emitting itself.

In the case of analog cables (e.g. speaker cable, composite cables, even Scart and VGA) then I appreciate there can be a difference... between a low cost low quality and a decent cable (e.g. reduced interference etc),
Good, I'm glad you recognise this. Interconnects is the subject of this thread, and interconnects do come in both analogue and digital form.

...but with digital cables they either work or they don't. The difference between a £5 analog cable and a £50 could be quite significant, above that though (i.e. the really expensive cables) then no one is able to scientifically prove there is any difference.
The "It's digital, it either works or doesn't" argument is a gross oversimplification. But I'm not debating whether this or that HDMI cable is better/worse/no different from another. That debate has been done to death and no doubt will be again... and again... and again... ad infinitum. I'm also not here to debate whether esoteric cables are better for the signal than simple well made cables.

The point I'm addressing is this idea of the "as long as it looks okay from the outside and works in my system then it must be okay" argument. In essence then it's the idea that any cable will do, which then comes back to the first point you raised about 'cable geometry'. More specifically my point is that so much budget interconnect cable is sold and bought without any real knowledge of what's actually inside. Call it the Hot Dog Conundrum if you will. Hot Dogs are cheap. They're tasty too, so what's not to like. But if you really spent any time thinking about what's inside just before you ordered one, would you still throw your money down? Would you consider that a healthy choice to regularly feed to your kids?

I'd like to see better standards in budget cables. IMO far too much of what's sold is either poor or wrongly specified for the job it is meant to do.

A big part of that problem is a lack of good information. This goes for the retailers and distributors who often have less idea of what they're selling than the customers who buy it. But it also goes to customers who are misinformed in internet fora and elsewhere resulting in the promotion of the bad idea that "It's all the same, mate" when it really isn't. Take a basic subwoofer cable. There are loads of places that will sell a 5m sub lead for a fiver or less. None I have found so far give any indication of the type of cable shielding though. The description might say 'shielded' but that's as far as it goes. Very few tell me if it's shielded with a spiral wrap or coaxial braid. They don't mention what the percentage cover is, and very few say what the conductor and the shield material are; whether it's copper or copper coated steel or copper coated aluminium or even just Mylar tape for shielding. There's just as much pointless rhetoric about irrelevant or insignificant points with cheap cables as there is with more pricey stuff. For example, you'll often see mention of gold plating. Here's a quote from an Ebay site selling a 5m digital coax cable for £3.50 "The cable has high quality 24K Gold plated connectors for the best possible connection and ultimate sound quality". Sorry, but a few microns of gold flash does bugger all to guarantee the best the connection or ultimate sound quality. The advert for that same cable makes no mention of whether it's a 75 Ohm lead at all. For every one person spending £50+ on a lead there must be hundreds if not thousands buying sub £10 cables and being conned in to believing that they're buying something decent at a bargain price when really they're just getting what they paid for.



It can be proved that Cars do 70mph though (or more for more expensive cars), it's difficult to prove that an audio cable actually performs better. Similarly I might pay more for a Rolex because the movement is better than a £5 watch, or that it is made of real gold or silver rather than being plated - compared to your Audio cables though, it cannot be conclusively proved that they sound better, the only thing that can be proved is that they are better constructed.
I'm not convinced your analogies are all that effective. Cars have pretty easy to verify specifications. For example, one wouldn't walk in to a dealership and expect the salesman to say that all red ones with chrome wheels are the fastest and are the ultimate in driving experience. As for the Rolex, it can be proved quite easily that a cheap digital watch tells the time just as well. What you're buying is a piece of jewellery with precision engineering.

I'm not arguing that audio cables sound better/worse. That's a debate for another time. I'd just like to see more care within the forum about recommendations and also to see an end for the 'race to the bottom' approach where quality is the baby that's thrown out with the bath water.
 
Last edited:
Setting aside any debates about very expensive cables, the point that both you and Flukester touched on was that good cables can be had inexpensively.

While you didn't define what "inexpensive" means in monetary terms Flukester certainly did. The figure given was £10. So while I agree that good cables could be made inexpensively, I'd have to say that on present evidence from what's in the market and from my own experience that good cables aren't made inexpensively at all; certainly not at £10 at least.

True. What about:

https://www.studiospares.com/Cables-Leads/Leads-Phono/2-x-Phono-2-x-Phono-0.5M_582030.htm#rtabs1

50 cm RCA cables for £7.18? Don't know what the cable is but it's screened OFC and has gold plated connectors. I'd hazard it sounds as good as anything else.

If that's too short they do cheaper (moulded) ones, e.g. 2.5 m for £5.51. Again, screened and OFC.

Not tried either so can't comment on the quality but if they're good enough for live sound use they're very likely to be rugged and sufficiently screened for home use.
 
True. What about:

https://www.studiospares.com/Cables-Leads/Leads-Phono/2-x-Phono-2-x-Phono-0.5M_582030.htm#rtabs1

50 cm RCA cables for £7.18? Don't know what the cable is but it's screened OFC and has gold plated connectors. I'd hazard it sounds as good as anything else.

If that's too short they do cheaper (moulded) ones, e.g. 2.5 m for £5.51. Again, screened and OFC.

Not tried either so can't comment on the quality but if they're good enough for live sound use they're very likely to be rugged and sufficiently screened for home use.

For live sound I would have thought that everything would be on balanced connections (XLR or 3-pole jack) to minimise noise. You wouldn't really use an unbalanced connection exactly for that reason.

As for the cable itself, there's nothing to describe the type of screening, the amount or percentage of coverage, or any of the cable characteristics such as resistance or capacitance. In short it could be just the same as a hundred other similar cables sold a bit cheaper on Ebay.
 
For live sound I would have thought that everything would be on balanced connections (XLR or 3-pole jack) to minimise noise. You wouldn't really use an unbalanced connection exactly for that reason.

As for the cable itself, there's nothing to describe the type of screening, the amount or percentage of coverage, or any of the cable characteristics such as resistance or capacitance. In short it could be just the same as a hundred other similar cables sold a bit cheaper on Ebay.

True if they're being used live it'll be for e.g. a CD player into the mixer, not long runs.

So despite these being "under-budget" you're dismissing them? Have you tried "listening to" (lol) <£10 interconnects, like these or ebay specials? Have you tried blind testing cables in your own system?

Yes geometries and materials affect the cable properties but I repeat, nobody has ever consistently demonstrated an audible difference in cables. Until someone can then it's all academic. Maybe you could be the first? ;)

The issue is that any effect from the interconnects is swamped by the active electronics, the listening environment, even the position of your head. E.g. I've seen in-room FR curves comparing a thin speaker wire and a much thicker one. The max difference in places was 0.5 dB. That's too little for most people to detect (good level matching will be to 1 dB), and is much smaller than levels typically vary in a room, even around the sweet spot. And that's speaker wire, which legitimately must carry some serious current. So until you have your head clamped to mm precision in your listening seat you can forget the interconnects. :p
 
Please don't let spoffle in here. Not that I disagree with what he says on the subject of cables; it's just that we don't need another thread genuinely asking if there is any benefit to having more expensive cables, turning into another heated disagreement. :p

What's that? I feel my ears burning
 
True if they're being used live it'll be for e.g. a CD player into the mixer, not long runs.

So despite these being "under-budget" you're dismissing them? Have you tried "listening to" (lol) <£10 interconnects, like these or ebay specials? Have you tried blind testing cables in your own system?

Yes geometries and materials affect the cable properties but I repeat, nobody has ever consistently demonstrated an audible difference in cables. Until someone can then it's all academic. Maybe you could be the first? ;)

The issue is that any effect from the interconnects is swamped by the active electronics, the listening environment, even the position of your head. E.g. I've seen in-room FR curves comparing a thin speaker wire and a much thicker one. The max difference in places was 0.5 dB. That's too little for most people to detect (good level matching will be to 1 dB), and is much smaller than levels typically vary in a room, even around the sweet spot. And that's speaker wire, which legitimately must carry some serious current. So until you have your head clamped to mm precision in your listening seat you can forget the interconnects. :p

For me, ignoring all academic aspects, is that when you open audio hardware up, it ask uses bog standard copper wiring inside.

That says it all on the legitimacy of cable properties influencing sound outside of it being inadequate for the electrical load.

If you've got an adequate cable, then I'd say the next important part is build quality to ensure you get a cable that lasts.
 
For me, ignoring all academic aspects, is that when you open audio hardware up, it ask uses bog standard copper wiring inside.

That says it all on the legitimacy of cable properties influencing sound outside of it being inadequate for the electrical load.

Almost, but not quite, for three main reasons. Internal wiring is usually 1. in short runs, 2. inside a metal box, and 3. replaced by PCB tracks for sensitive paths. This means regular thin hookup wire is usually sufficient, or at most bog-standard shielded wire.

An interconnect on the other hand is usually a longer run that might cross paths with sources of interference/other cables. Still, as long as it's well behaved it's not much different.
 
Oh, of course. I'm not disregarding shielding, I'm talking about the magical properties people believe cables impart upon a sound system, i.e. gold plating and silver content. As soon as cabling hits a speaker it's just regular copper inside just beyond the speaker posts.

I'm not saying gold plating does absolutely nothing, as it inhibits corrosion.

Well, except for gold plating on TOSLINK cables...
 
True if they're being used live it'll be for e.g. a CD player into the mixer, not long runs.
If it's a proper live set-up then the CD player won't be a consumer unit with phono out. It will be a commercial player such as a Tascam with balanced XLR out.

So despite these being "under-budget" you're dismissing them? Have you tried "listening to" (lol) <£10 interconnects, like these or ebay specials? Have you tried blind testing cables in your own system?
You're trying to make this a discussion about the subjective difference in sound quality. That's not the point I'm addressing. The point I am responding to is that "well made cables can be had for under a tenner", and in response to the ones that you linked to I'm saying there's no evidence that your 0.5M £7 cable (plus £3.60 delivery, I might add) is any better made than something like this for £2.72 delivered. Neither cable details anything really useful about the construction, cable specs, geometry or anything substantial, so why spend £10.60 on a cable from a fancy "Pro Audio" shop when there's no justification why it's better than a lead at a quarter of the price from Ebay? The point is you have very little real idea what's inside either lead.

If you want to talk about durable I have cables like this that are over a quarter century old and still working despite some real abuse. The damned things just won't die :D

We all know where the 'blind testing' debate goes. There's a limit to what can be done in a domestic system in someone's living room without involving fancy comparator equipment. Who the hell has that kind of gear just lying around on the off chance? However it's attempted without gear like that then someone will always come along and say the results are invalid for some reason. So really, what's the point?

Have I listened to cables subjectively?... Yes. Like many here there have been times when I listened to a new cable and couldn't hear a difference. But there have also been occasions with different leads where I could. I have also sat with people who could hear no difference when changing between speakers which is arguably one of the biggest sonic changes one can make in a system.

Thin speaker cable versus thick speaker cable...... I can give you the results of the length, CSA and resulting power loss and roll off calculations right now that could prove there'd be no appreciable difference in perceived performance. I could also give you the same calculations that would show a massive difference. Much depends on the volume of copper between amp and speaker and the power transfer dictated by the impedance matching between the amp and speakers. So what you've seen in the frequency response curves can be easily explained depending on the conditions of the experiment. However, you trying to rationalise difference in interconnects by using the current carrying abilities of speaker cable is a bit like trying to predict Man Utd's chances of winning the league based on how well we're doing at cricket. They're two different games.
 
As soon as cabling hits a speaker it's just regular copper inside just beyond the speaker posts.
I suppose someone had better ring KEF then and tell them they're wasting their time ;)

20140621_130915.jpg


I'm not saying gold plating does absolutely nothing, as it inhibits corrosion.

Well, except for gold plating on TOSLINK cables...
I'm with you on gold plated TosLinks though :)
 
You can still see that they are just insulated copper cables though...

With my point being that very thing invalidates the supposed properties of gold plated connections aiding sound quality rather than just inhibiting corrosion.
 
Is anyone here arguing the toss about gold plating?

Your point though about it being 'just regular copper cable as soon as it hits the speaker terminals' isn't as accurate or as universal as you thought. I know B&W use Van Den Hul CS-14 for their tweeter connections in some models. So that would be a 14 gauge copper/silver cable then for the short internal run. 14 gauge is pretty thick too... possibly thicker than a lot of folk use for the long cables from their amp to the speakers run! To look at just the insulation outer though you'd be hard pressed to tell it from something altogether more pedestrian.

Clearly going off sight alone isn't sufficient to say one understands all speaker internal wiring. Also I would say that if B&W and KEF both consider good cable important inside their speakers then with the weight of engineering experience in both companies then there could be something to it.
 
Last edited:
Back
Top Bottom