Part Review - Part Fanboi Wankfest
Saw this in Leicester Sq. last night with a preview audience of, surprisingly, normal, non-insane or not-gay-for-Matt (put me in whichever category you feel appropriate) ladies and gents who proceeded to have a right old time. After months of me pining and whining for this to show up you're reading the post of one very happy Bourne fan. I'd done my best to avoid seeing, hearing or reading as little as possible throughout the incubation and production of the movie, and I can tell you I saw precisely 2 scenes (Bourne walking down the street in NY, jumping across into window in Tangiers), and heard the Landy "...turn everything you have on..." bit, Bourne's "..we'd be having this conversation face-to-face" line, and had also read about the 'dishcloth as defensive weapon' scene. This was because either I couldn't leave the cinema quick enough if the trailer appeared on screen, or I couldn't jam my fingers in my ears hard enough if I was too far away from the exit. If I was seated at the midway section of the cinema and made a run for it, the sight of a gammy-legged, grown man throwing himself down a flight of stairs shouting "LA-LA-LA" may have gotten me taken out by SO19.
So, I got to see the film knowing very little about it visually, but new Strathairn was in it (like him), Joan Allen was back (I still would, even at 50), and Paddy Considine was in it (wouldn't know him if he sold me clothes pegs at my front door). Electric opening setup with a continuation from Supremacy, layering some plot lines up until the Waterloo sequence which had me Polygripped (teeth nailed-on) for it's 20 mins ******* high- tension cat-and-mouse. At that bit's climax with Bourne doing an anti-Streisand on four guys, the whole cinema started clapping! I've never experienced that in a UK cinema.
The stalking of Nicky was about a good a piece of edge-of-your-seat stuff that I've seen in any film, culminating in the best fight of the lot - one, in a daring move by Greengrass, you could actually see this time. That was pretty brutal, especially for a rated 12, and fair play to the director for making it so damn, intense. One person clapped at the end of this fight but no-one else joined in. Heavy.
The insertion of the end of Supremacy into the middle of Ultimatum I did not see coming at all, and to me, was a stroke of genius. There were lots of references and hints to the other films throughout which reinforced the feeling that this was part of a story, and that it was definitely leading to an endpoint. The flashbacks to the other films, and the little things that were total nods to the others....Nicky cutting and dying her hair like Marie, the "look at what they make you give.." line, the car crash heading towards the concrete median with Bourne letting the bad guy live, John Powell's music, which was lifted directly from Identity rather than Supremacy as far as I could tell, right up to using the Universal logo at the opening even though Doug Liman said on the Identity commentary that the studio told him that was a big mistake as the studio intro music usually shuts everyone up in the theatre. All of this leading up to the final scene which was a mirror image to the opening shots from Identity. The ending to me with all the past history of David Webb's life enforced to me what I liked so much about the first one. Webb was a trained killer on his own volition - someone who signed up to it, made a choice to do it, and was bloody good at it. No nice-guy happy ending a la Hollywood. The scene where he changed from Webb to Bourne was harsh and a pat on the back to whoever got that most of vital of plot points past the studio.