***The Official Guitar Thread***

I was asked yesterday which I preferred - Stratocaster, Telecaster or Jaguar, I said I was Fender neutral.
I'll get my coat.


An artist said this the other night from stage and I was the only one who laughed.
 
After not touching my electric guitar for... ooh, ten years, as I have been all classical, I am going to try to learn GOAT by Polyphia.

I can't see this going well...

It's not too bad if you just take it fairly slowly and concentrate on it a section at a time. I have the main riff pretty close at this point though still make mistakes when trying to play it full speed, haven't learnt much of the song beyond that yet
 
Some PRS goodness.
Always been a bedroom player but gave it up about 5-6 years back. Always fancied picking it up again so grabbed a cheap Jett Strat, which to be fair is great for the price. This thing on the other hand is on another leve

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Love the birds
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Just played Handel's Music Fir The Royal Fireworks, as it's bonfire night. It's in DADGAD, which is always fun.

I have clearly improved a lot since the last time I tried playing it.
 
transcribed a live version of the Wuthering Heights outro solo...was only writing it out in guitar pro to remember it but got a bit obsessed...made a video with my new guitar, Vintage V100, wine red with mini humbuckers, £140 on eBay...if anyone fancies a look/listen

 
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Having yet another bash at Usher Waltz, by Nikita Koshkin. It is no longer impossible, merely stupidly difficult. Progress!

I love this piece, it is just so angular and wrong sounding, but works brilliantly.

 
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Having yet another bash at Usher Waltz, by Nikita Koshkin. It is no longer impossible, merely stupidly difficult. Progress!

I love this piece, it is just so angular and wrong sounding, but works brilliantly.



This sounds like it's tripping over itself but it's the timing shifts.
 
^^ can't listen to that without thinking of La Bamba!

I love the sound of with nails playing but hate the feeling of having nails that length

this popped up on YT recommended - guessing anyone reading this GUITAR thread has had or will have a metal and country phase...eventually?

 
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^^ can't listen to that without thinking of La Bamba!

I love the sound of with nails playing but hate the feeling of having nails that length

this popped up on YT recommended - guessing anyone reading this GUITAR thread has had or will have a metal and country phase...eventually?

Nails are annoying, but necessary.

The metal phase never ended.

I'm having a bit of a jazz phase now, probably as I am old. Joe Pass, in particular is pretty much god. And Tal Farlow has the biggest hands I have ever seen- fingers like bananas. Charlie Byrd is also excellent.
 
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Been a while since I popped my head in this thread.

I've been taking weekly private lessons for the last couple of months and progress has been good. I have all my major and minor barre chords down and can easily jump to anywhere now. It was quite a decent feeling of achievement being able to play rhythm guitar to a completely new song and just to be able to do it off the bat. Am now working on 7th chord shapes, lead guitar, running through theory and filling in the gaps in my knowledge and overall improving my abilities.

The gear acquiring aspect I went for a long period of calming down and just enjoying and appreciating what I have.

But ah.. after hearing and watching some P90 pickups in some guitars a couple of months back, I just love the sound and dynamics of them. My head has been turned towards a Gibson Les Paul Goldtop with P90s. I previously didn't really care much for goldtops but have had a change of heart.

I started looking at the 1956 Reissue, the R6 but I just cannot justify (or afford!) double the cost over the 50s standard Goldtop P90s. I've put down a deposit to get a Standard shipped to a store to check it out, these seem very hard to come by and get sold out very quickly. Will see how I like it, but I'm really going to have to fall in love with it to go ahead with it. I'm prepared for it to be heavier than my R9, but hopefully not by too much. Shall see!
 
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Andertons is doing a sale at the moment on PRS SE and S2.

A John Mayer Silver Sky SE is like £599 and the bargain IMO is the S2 McCarty at £1.3k, with £900 off. These things normally go for £1500 used.
 
I was gifted an Epiphone Casino for my birthday. I've been wanting one for a while (am a big Beatles fan), they became hard to get in the blonde finish since the Get Back documentary.

The day I got it for my birthday out the case, I plug the jack in to the socket and the jack went straight through the body! Socket fell straight through! Not a good start! A replacement was ordered and I spent some time with it but I really could not get on with it. Not to sound ungrateful, but it literally felt like a toy rather than an instrument in the hands, the build quality on it was horrible and really disappointing. My fault for not checking it out first before wanting it but it was really disappointing. I'm sure these were never built so badly and they aren't exactly being sold for peanuts, so I was expecting a certain level of quality and build quality. Accessing higher frets also was a challenge, but I could have lived with that if it actually felt good in the hands to play.

Spoke to the partner and she saw where I was coming from, I had a look around at what is around in the same ball park of price (including the Epiphone hardcase which was also bought for the Casino).

I played a PRS Hollowbody II in blue finish in a store a couple of weeks back and I wasn't blown away by it, it definitely felt better than the Casino though, looking back!

I started looked at what else is out there. I want to try and go for different sounding guitars to broaden my collection but make the collection meaningful with some diverse tone. PRS have some good sales on at the moment. Visited Peach Guitars, wow.. what a place! It puts my local PMT to shame!

PRS Hollowbody II Piezo can be had for £799 at the moment, down from £1400. Andertons had these a few weeks back on sale, but they since sold out of this finish, with no sign of it anymore on their site. Peach Guitars have them, and speaking to them, they have a lot of these in stock, some 200, so I was told.

When I got there I was greeted by a member of staff and taken to one of their booths, the guitar had already been setup and was hung on the wall ready for me to look at.

Here she is below, I'm a sucker for blue guitars and I'm surprised this is only my first:

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The example presented to me has nice flame on the top, appears they aren't all as flamey as this. So pretty happy I got a nice one! The one on display in store was very plan.

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The features on this SE set it apart from the other SE's, even more so at this on sale price point:

Ebony fretboard

Bone nut

Bird fret markers finished in abalone

Flame binding on the body and neck

It's an absolute delight to play. It's an SE, so not built in USA but the build and finish on it is fantastic! Neck feels great, binding has been done to a high degree. I'd not have any issues buying an SE in future. The neck feels great and it sounds awesome. The piezo pickups are brilliant, switching to the acoustic setting on my THR30III it sounds very convincing, and being able to blend the piezo with the humbuckers means there is even more scope for a whole range of sounds.

It's 100% a keeper!
 
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I was gifted an Epiphone Casino for my birthday. I've been wanting one for a while (am a big Beatles fan), they became hard to get in the blonde finish since the Get Back documentary.

The day I got it for my birthday out the case, I plug the jack in to the socket and the jack went straight through the body! Socket fell straight through! Not a good start! A replacement was ordered and I spent some time with it but I really could not get on with it. Not to sound ungrateful, but it literally felt like a toy rather than an instrument in the hands, the build quality on it was horrible and really disappointing.

My best mate has got a collection of Beatle guitars and the Casino in his hands cost him a fair penny because it's an original.
It felt really cheap when I played it so they were that bad back then.
It was also awful to control because of the feedback it kept making.
The worst thing he bought was the Hofner Violin bass, it was horrible to play and wouldn't stay in tune.
Apparently McCartney used other basses in the studio because of how awful the Hofner was.


Another video showing it more in action

 
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