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- 12 Jan 2021
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short circuit.
stand by me.
maximum overdrive.
stand by me.
maximum overdrive.
Pretty sure Short Circuit is widely considered to be an ET ripshort circuit
Pretty sure Short Circuit is widely considered to be an ET rip
Saw this and remember seeing the trailer for it years back - was in stitches. Also reminds me of Teeth and Donkey PunchRubber.
Can’t say I recall anything quite like it.
I’m going to go a little bit left field
WALL-E
an animated family film with basically no dialogue in the first 20 minutes and two lead characters that don’t speak was at the time an incredible gamble and still makes the film stand alone. The absolute peak of Pixar alongside the likes of UP and coco before they disappeared down the sequel wormhole!
I’d agree and I’d throw UP into the mix the opening sequence is genuinely emotional and upsetting which isn’t what you expect when sitting down to a light weight family flick it was a serious gamble. They do similar in Coco which tackles death in a truly beautiful way. (I might be a Pixar fan boi)In terms of animation, I'd also argue that Inside Out was pretty original with its ideas.
It's like Bambi and Dumbo never happenedI’d agree and I’d throw UP into the mix the opening sequence is genuinely emotional and upsetting which isn’t what you expect when sitting down to a light weight family flick it was a serious gamble. They do similar in Coco which tackles death in a truly beautiful way. (I might be a Pixar fan boi)
I put the start of Bambi alongside that of finding nemo, the way UP lead with people growing old and dying and those left behind was more ground breaking for me.It's like Bambi and Dumbo never happened![]()
Pixar would make awesome films except they end up blighting them with overly cutesy design choices seemingly to appeal to children… but even as a child it would peeve me. Pixar really need to knock that **** off!
Interesting way of looking at it, maybe you’re right. Finding Nemo is probably their most rounded and best film.I'd actually argue they're going too far the other way these days. As much as I adore Soul and Inside Out, I do pine for the day's when Pixar was curiously playful narrative first, existential crisis second. Their movies these days are so top heavy with heady philosophical meanderings now. Finding Nemo and Monsters Inc seem to be a distant memory at this point.
Interesting way of looking at it, maybe you’re right. Finding Nemo is probably their most rounded and best film.
I am hyper sensitive to overly cutesy, saccharine or dumb things and that really breaks my immersion when we are in ‘heavier territory’.
Eraserhead