***The Official Home Recording Studio Thread***

Associate
Joined
4 Aug 2006
Posts
2,473

I'm intrigued by the inexpensive Lewitt 440 Pure. Check out the comparison to a U47 worth $$$$. Forward to 6mins or so onwards.
 
Caporegime
OP
Joined
24 Dec 2005
Posts
40,065
Location
Autonomy

I'm intrigued by the inexpensive Lewitt 440 Pure. Check out the comparison to a U47 worth $$$$. Forward to 6mins or so onwards.

Yeah I've seen that...does sound great. Even though that guys voice does my head in.

I'm also looking at an Advanced Audio CM87se http://advancedaudio-europe.com/

They get really good reviews and studios in the US are buying them in to replace their vintage Neumanns...

https://advancedaudio.ca/

If only I could try one out...

The Stam Audio SA87 is meant to be better than the real thing...
http://stamaudio.com/sa87.html

There are options...but it's tricky cause I want to try one out!

The Neumann does interest me and I'd get it on the 0% finance along with a pair of AKG C414s
 
Soldato
Joined
10 May 2004
Posts
5,149
Location
Middlesex
I'm not sure I'd consider 1 expensive mic unless I had a pretty decent recording environment. I.e a 10k mic will sound crap in a garage with no treatment.

With that being said, my main mic cost 1k (Slate VMS). To me, it sounds amazing in my environment even without processing. I'm constantly blown away while tracking. Put a little LA2 on it and it sounds amazing. It's even better when applying mic models. 1k is a hell a lot of money for me but it's not just 1 mic, it brings a lot of versatility and I use it on more or less everything (vocals, percussion, drum room, acoustic).

The only problem with it is that you can't print with processing (ie through a compressor or eq) as the mic emulations will no longer be faithful. It can be a problem with very dynamic vocalists. As I have an apollo I can use a compressor/eq when tracking without actually applying the processing which can help the vocalist but it doesn't help with the printed dynamics. I've only had a problem once but it's due to poor mic technique by the singer really.

When I compare it while tracking with my sm7 - I know I'll get amazing results with my sm7 but it takes a little more work.

Anyway, my 2c.
 
Caporegime
OP
Joined
24 Dec 2005
Posts
40,065
Location
Autonomy
I'm not sure I'd consider 1 expensive mic unless I had a pretty decent recording environment. I.e a 10k mic will sound crap in a garage with no treatment.

With that being said, my main mic cost 1k (Slate VMS). To me, it sounds amazing in my environment even without processing. I'm constantly blown away while tracking. Put a little LA2 on it and it sounds amazing. It's even better when applying mic models. 1k is a hell a lot of money for me but it's not just 1 mic, it brings a lot of versatility and I use it on more or less everything (vocals, percussion, drum room, acoustic).

The only problem with it is that you can't print with processing (ie through a compressor or eq) as the mic emulations will no longer be faithful. It can be a problem with very dynamic vocalists. As I have an apollo I can use a compressor/eq when tracking without actually applying the processing which can help the vocalist but it doesn't help with the printed dynamics. I've only had a problem once but it's due to poor mic technique by the singer really.

When I compare it while tracking with my sm7 - I know I'll get amazing results with my sm7 but it takes a little more work.

Anyway, my 2c.

I've got my studio sounding good now.
 
Associate
Joined
4 Aug 2006
Posts
2,473
There's a few mid range mics I'm interested which I think punch above their weight:

Roswell Mini K47
Warm Audio WA-47jr
Lewitt Pure 440
SE Electronics SE2200 (newest model)
Aston Origin / Spirit

I can't afford a boutique mic, and I do think several grand is false economy for someone at my level. But I also can't afford to buy all the above mics to determine which will suit my needs best. Gear eh? :)

I'm also looking at an Advanced Audio CM87se http://advancedaudio-europe.com/

The Stam Audio SA87 is meant to be better than the real thing...
http://stamaudio.com/sa87.html

Oh great, more options!
 
Last edited:
Soldato
Joined
20 Mar 2006
Posts
8,336
Just a heads up that izotope have a sale on at the moment. I picked up Netron Elements and Ozone Elements for $29 a piece RRP $129 each.

https://www.izotope.com/en/store/deals.html

Offer runs out in 3 days.

These are cut down versions of basically the best EQ and mastering plugins out there and seem more than adequate for me. I currently use the native EQ in Ableton and master using LANDR online service to see what the final product might sound like. So this will be a good step up for me.
 
Caporegime
OP
Joined
24 Dec 2005
Posts
40,065
Location
Autonomy
Just a heads up that izotope have a sale on at the moment. I picked up Netron Elements and Ozone Elements for $29 a piece RRP $129 each.

https://www.izotope.com/en/store/deals.html

Offer runs out in 3 days.

These are cut down versions of basically the best EQ and mastering plugins out there and seem more than adequate for me. I currently use the native EQ in Ableton and master using LANDR online service to see what the final product might sound like. So this will be a good step up for me.

Cool.:cool:
 
Soldato
Joined
10 May 2004
Posts
5,149
Location
Middlesex
Nice. Thanks for that, claimed it (not sure I'll ever use it but it's free)!

I signed up to this thing called "Nail the mix". It's like a community for mixing hardcore/metal tracks. They give stems away each month for a mixing competition. My God, it's so much easier to mix things that have been professionally recorded! I'm learning a lot about how I should be recording things from this. Bring Me The Horizon - Doomed is this months track.
 
Caporegime
OP
Joined
24 Dec 2005
Posts
40,065
Location
Autonomy
Nice. Thanks for that, claimed it (not sure I'll ever use it but it's free)!

I signed up to this thing called "Nail the mix". It's like a community for mixing hardcore/metal tracks. They give stems away each month for a mixing competition. My God, it's so much easier to mix things that have been professionally recorded! I'm learning a lot about how I should be recording things from this. Bring Me The Horizon - Doomed is this months track.

get the 1176 compressor aswell if you haven't got it. Its free instead of £99

 
Soldato
Joined
17 Aug 2009
Posts
17,820
Location
Finchley, London
Hey guys, I've been messing around with Magix Movie Edit Pro and put something together for a bit of fun. Do you know Led Zeppelins 'Fool in the Rain'? Well an isolated John Bonham drum track for that song was released a little while back. https://www.youtube.com/watch?v=lWnhz1ZcF74

I've done a mash up of that drum track to this drumless version of Toto's Rosanna. https://www.youtube.com/watch?v=XwWqsrMQyfE

This is what I came up. I had to slow Rosanna down to match the drum tempo and then manipulate bits of the song tempo where Bonham's tempo fluctuates. It's not perfect because Toto used a click and Bonham didn't. But I think it sounds pretty cool as his possible interpretation of that song. :D

 
Caporegime
OP
Joined
24 Dec 2005
Posts
40,065
Location
Autonomy
Hey guys, I've been messing around with Magix Movie Edit Pro and put something together for a bit of fun. Do you know Led Zeppelins 'Fool in the Rain'? Well an isolated John Bonham drum track for that song was released a little while back. https://www.youtube.com/watch?v=lWnhz1ZcF74

I've done a mash up of that drum track to this drumless version of Toto's Rosanna. https://www.youtube.com/watch?v=XwWqsrMQyfE

This is what I came up. I had to slow Rosanna down to match the drum tempo and then manipulate bits of the song tempo where Bonham's tempo fluctuates. It's not perfect because Toto used a click and Bonham didn't. But I think it sounds pretty cool as his possible interpretation of that song. :D


That's cool :)

Can you actually play that drum beat ?
 
Back
Top Bottom