what headphones do you own thread - i own dt150's :)

I'm confident if anyone was blindfolded and had say the Nanos put on, they'd think a big heavy desktop amp was being used to power them, not something the size of a tic-tac box.
Chances are that if blindfolded you wouldn't be able to tell the difference between a £1k DAC/AMP and a £9 Apple dongle.
 
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I've never heard one, but I'm willing to put it to the test so have ordered one.

My instinct is telling that it won't hold up to the M15i, considering the dedicated HP amps I've had recently can't beat it either and the apple dongle has no proprietary tech (current drive, quad engine ESS chip etc)

But we shall see.

Edit, I knew Z would have a review and mention both lol, granted it's the M15 not the i, but even that bests the apple dongle...

 
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The M15i is a nice dongle, although @ that price your nearly reaching Mojo 2 cost which is arguably one of the best portable DAC/AMPs under a grand.

The M15i will comfortably outclass an Apple dongle using 'headphones' less so on IEMs, another issue is that the EU/UK version of the Apple dongle is less powerfulful, you really want the US version which deliver's 1v, as opposed to the EU/UK version that only delivers 0.5 volts US Model number is A2049 on the box.

If anyone is looking for a tiny dongle DAC/AMP that has a ton of power for pennies the FiiO K11 is a beast for it's size, £29 and outputs 245mW.

My new toy this week,

Hiby-R4.jpg


IMG-20240709-115250.jpg




Hiby R4, getting a lot of praise on the tubes, absolute bargain for a dedicated Class A amplification DAP for only £219!
 
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The Mojo 2 (it's £400 btw, quite a lot more than the M15i at £250, a lot of the Chord cost is on the Chord name no doubt, too) was on my saved basket along with some others and I heavily researched all of them coming to the conclusion that either the ONIX or the M15i was the best option for my use case and headphones as well as preference to build quality/size etc.

Mojo 2 it uses custom code and requires tuning via the button combos etc to get right for your headphones and then you'd need to change the tuning if you used them with another pair, there's no shortcut memory for presets based on multiple headphones, I'm all for tuning onboard but those 3 buttons is a silly way to do it and you have to consult the manual every time because nobody can remember all the colour combos of each LED. I'd rather a DAC that does it right out of the box.

Also from what I read/watched, the R2R/Current drive dongle DACs are the logical option for sensitive planars like the Nano vs the others.

I have the Apple dongle her enow btw, the box does not state what version it is but i don't think it matters as I am using it via the PC USB not from phone which requires the USB audio player app to fully unlock the otherwise locked 50% volume (as per Z's review) unless that's different too in the UK version?

Will compare shortly.
 
The Mojo 2 (it's £400 btw, quite a lot more than the M15i at £250, a lot of the Chord cost is on the Chord name no doubt, too) was on my saved basket along with some others and I heavily researched all of them coming to the conclusion that either the ONIX or the M15i was the best option for my use case and headphones as well as preference to build quality/size etc.

Mojo 2 it uses custom code and requires tuning via the button combos etc to get right for your headphones and then you'd need to change the tuning if you used them with another pair, there's no shortcut memory for presets based on multiple headphones, I'm all for tuning onboard but those 3 buttons is a silly way to do it and you have to consult the manual every time because nobody can remember all the colour combos of each LED. I'd rather a DAC that does it right out of the box.

Also from what I read/watched, the R2R/Current drive dongle DACs are the logical option for sensitive planars like the Nano vs the others.

I have the Apple dongle her enow btw, the box does not state what version it is but i don't think it matters as I am using it via the PC USB not from phone which requires the USB audio player app to fully unlock the otherwise locked 50% volume (as per Z's review) unless that's different too in the UK version?

Will compare shortly.

That is a good price for the that dongle so really can't complain at all.

The UK Apple dongle version is limited to 0.5v, that can't be unlocked, the volume limit is a separate thing.

Regarding the Mojo 2, it doesn't require any tuning, it has a built in lossless EQ which you can use or just ignore, other than that it's plug and play like any other dongle/DAC, you just turn the volume up or down that's it.

The bonus about the Mojo 2 is it can be used as a dedicated DAC for a headphone amp and/or hifi system, having dual lineout is very handy as you can just set the voltage output to 3v, have one lineout going to a headphone amp and one going to a stereo hifi amp at the same time so it can be the heart of a total setup for speakers and headphones simultaneously which makes it a very versatile device, and also a dedicated headphone AMP/DAC on the move, it uses a custom FPGA DAC chip that rivals dedicated DACs at twice the cost, really good medium sized soundstage that has good depth and separation, gives music a holographic quality rather than just being on a flat plain.

Also regarding cost, it's genuinely cheap for what you get in terms of quality components and being British made, Chord are a very honest company, originally during the pandemic component prices were very high so the Mojo 2 was released at £499 at that time, as soon as component prices dropped they dropped the price to £399 to reflect that.

Now that being said, this isn't a slight on the M15i, it is a very good device.
 
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Yeah for what you get the Mojo 2 is good value, but it doesn't fit my use case so it is effectively a waste of an extra £150 as I'll never have a need for the dual outputs or using it solely as a DAC, my MX3s is more than capable of handling the DAC+Speakers side of being an amp with multiple inputs. My need was just to drive high sensitivity planars without any compromise and with as little faff as possible, the M15i seems to have ticked all those boxes

I've now tried the apple dongle, whether it is 0.5v or not didn't really matter as that's just the loudness, the soundstage and imaging detail is nowhere near the level of the DX3 Pro+/Fiio K7 or even the MX3S, let alone the M15i.

It's very good don't get me wrong, but it just doesn't resolve the kind of detail and imaging that I am hearing from the others. For £9 it is bargain of the century for good quality/acceptable audio. I tested it on my PC btw so outside of any limitations that might have been imposed by a phone. In more detail, I found the Apple dongle to also feel more narrow in soundstage, i felt more central in my head as opposed to wide of all the other amps, the sub bass is also restricted and that's on the Nano, a planar with sub-bass out of the box, even at max volume the sub-bass lacks the depth the other amps all do have. There's also some sibilance on the Nanos I can hear which indicates the Apple dongle is "bright" in sound character which reminds me of the Fiio K7 which is also bright which is one reason I returned it and went back to Topping several weeks ago.

Overall, excellent for £9, but nowhere near the other amps for sound dynamics.

It's been fun and entertaining though, and that alone was worth the £9 to satisfy my curiosity. The dongle will now go in my adapters/cables box for use at some point in the future for another test :D
 
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My guess is that on very easy to drive headphones, particularly at the budget end of the market the difference between an Apple Dongle and any kind of DAC/AMP is going to be negligible. But on something like the PC38x you're just not going to hear much difference particularly as they sound so consistent whatever they are plugged into. But I absolutely get that with harder to drive headphones, or where the amp is more important a dongle is going to make much more impact.

Although I've never taken the £9 test so maybe I should. One of the use cases that put me off the Apple Dongle is that it isn't PS5 compatible, which is something it would be useful for.

The Hiby R4 looks fantastic. I've been going through old, lossless music recently and something like this is somewhat appealing.
 
Agreed there, for £9 it's probably one of those things every audio geek should have kicking about, and credit where due it does a good job given its size:

1ks3LdA.jpeg
 
....

The Hiby R4 looks fantastic. I've been going through old, lossless music recently and something like this is somewhat appealing.

As was I which tipped me over the edge to buying one, especially at that price, it also gives me something to do when the other half drags me around the charity shops, I can pick up a few old CDs from time to time and convert them to FLAC for the DAP as a bit of a side hobby.
 
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Fiio has just announced a K11 update, the K11 R2R :eek: - £150 too...


Smoothness and warmth is the target sound signature with R2R, so this should sound amazing on a wide range of headphones given how existing R2R DACs sound across the board.
 
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I don't us Tidal, I have my local FLAC collection and the rest is streamed on Spotify, regardless of the format played back, musical details are obvious across the board, what matters with albums/tracks is the mastering quality. I have FLAC albums I ripped myself that are terrible sounding masters yet the later remasters on Spotify sound superior just because a better quality master source was used in the later production. So I don't put much value into playing back lossless files as it's mostly redundant and dependent on the original source mastering quality.

I keep Windows at 48KHz (remember Windows 11 samples all audio at 32bit float) as the bulk of my audio consumption is at 48KHz (gaming, movies, TV shows etc), and there's no audible difference in general music between 44.1 and 48, any differences are beyond human hearing. I only care about three things, detail, soundstage and stereo imaging and these are all determined by the quality of both headphone and the DAC, which does all the processing after Windows sends the data over.

Tidal was just an example of a 44.1KHz source, but equally cd rips and vinyl rips I've done (rega3/echo audio soundcard) if you can avoid windows sound-mixer and send the music bit perfect to the dac,
you've removed floating point conversions and (44.1>48) re-sampling - which improves the soundstage/imaging.
I've used audacity as a player on windows with a direct sound/asio interface to dac, which is also what I understand universal audio player can accomplish on android.
 
I tend to avoid ASIO, in favour of using WASAPI . ASIO needs exclusive mode and as such is useless for my needs as I need to be able to hear other app notifications etc since exclusive locks everything else out of sending to the output device. It's also unnecesary as Windows processing is high enough resolution and quality to be inaudible in difference to the human ear anyway having in the past tested all this out then realising it's just typical audio forum chatter for the most part.

The bottom line I discovered was that setting the WIndows sound options to best match the most common sample frequency of the audio you play is the most logical and sensible option, in my case that's 48KHz, and that the local music player (MusicBee for me) ideally outputs via WASAPI. 24 or 32 bit in sound properties in Windows makes no difference, most DACs default to 24/48 anyway whilst some higher end stuff defaults to 32/48. Much of a muchness.

The entire point of all this was to just give a clean (no interference) signal to the amp/DAC, Windows is completely capable of that as evidenced by the inaudible noise floor and zero distortion at any volume using the above methodology and it doesn't need to get any more complex than that really as there are no further gains to be had that the ears would be able to hear.
 
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player (MusicBee for me) ideally outputs via WASAPI.
OK thanks I'll give that player a try .. are you using an equalizer with it ? (parametric I hope like from discusions on car HU's)

Wasapi (via MB) seems to have an exclusive mode which might be what tidal exploits anyway - but my experience is that as soon as exclusive is enabled the soundstage improves,
I always use volume 100% in audacity & vlc , to avoid them truncating bits.
 
No I do not use software EQs at all as I prefer any colouration/tuning being done by the DAC/amp. All audio playing software are set to 100% volume at all times, volume modulation is via the amp (the Topping for speakers) or in Windows master volume (M15i now).
 
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I've been rocking some HyperX Cloud Alphas since 2018 or so, though they're starting to slowly disintegrate now. I've also had a pair of Apple AirPod Pros for a couple of years which are pretty decent.

I just took delivery of some Moondrop Chu IIs and some cheap £7 USB-C to 3.5mm jack to allow me to use them with my iPhone. Very impressed so far for an £18 pair of headphones. It's also clear that Bluetooth has been sucking some quality away! I'll have to redownload all my TIDAL music into lossless now, up from the 320kbps I've been using, and see if I can hear even more difference.

I also need to see how much of a faff it ends up being wiring the headphones down my t-shirt twice a day when I'm using them for commute/office work. I'll probably end up just leaving them dangling from the neck all day to avoid re-wiring :D
 
ok so couple days later and have to say the S5 is a big refinement over the S3, and the S3 was already very good for sound, just had various technical quirks/issues that I mentioned before. All of those (well all but maybe 1 or 2) have been resolved and the ones that remain seem to be engineering limitations or design choices.

The plastic quality is improved too.

The soundstage is wider than the S3, these give a greater sense of open air which is strange at first since they're closed back. I wondered how the planars are venting air given this but noticed vents on top of each cup that hide under the headband arm bit:

P3I2UaN.jpeg


They're over £100 more expensive than the S3 though, so whether they are worth the price will be user preference. Wired mode sounds the same as wireless now (LDAC/aptX-HD) and you can use them wired via USB-C now too so 3 methods of input, dual-device pairing via BT and now has custom EQ control too which seems to remember across all inputs. The pad fit and finish has been revised too:

icx8tg6.jpeg


Think these are a keeper for closed back listening :cool:
Still getting on well with them? Do they leak sound into your surroundings? Eg. Are they good for a commute?
 
Yup really good, they don't leak sound but they also don't have active noise cancellation due to being planars as apparently it puts a lot of stress of the diaphragm (though planar IEMs can have it easier due to size). The leather pads block out more outside noise though so that is an option, but the mesh pads to a good job of passive isolation as well.
 
Interesting, Arya Organic is £1000 on Amazon, or £676 on Ali Express. Obviously there might be some import on the Ali purchase, but that won't take it above 700.
 
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