I really like that set, Clown, particularly 24 and 25 as the low key look really suits strong, single lighting setups - more so than the two of the girl. Not sure on the green screen half background? I really like it in the black and whites and I guess it gives you control over the background tones in a b/w conversion though in a way that shooting black or white backgrounds doesn't (may steal that idea actually), but in the colour images it feels like a behind the scenes of a tv set?
A couple from a test/meetup today, first time shooting with the D800 properly, first time I'd ever used the Siggy 35. Still not really used to the perspective just yet, and I don't think it works incredibly well for outdoor location work but I'll get used to it I think. The 50 was certainly more forgiving of lazy composition but I've seen what 35s are capable of when you get it right, and given the build quality I'm very happy I went with the 35 over a 50. Only one of the photos I'm using in the album from today is from the 35, but I guess that stems mostly just from not being familiar with the length in the same way that I'm used to the 85.
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