Not in the same class as yours but I'm so tempted to buy a bottlehead crack headphone amp to put together myselfAgreed - we need AudioPr0n
I'm not sure my examples of butt-fugly "beauty on the inside" (ie electronically) DIY creations count
From the left - ADC 5572 with opamp front end (the red film caps in use for AC only), middle - my own designed and built 24.576MHz clock (low noise and jitter), my own design and build i2S and i2c digital isolator board, and finally (blue) on the right the STM32 board that acts as an Audio Class 2.0 USB device to i2s bridge. Outside to this there's three regulators on a protoboard (soon to be replaced by a proper PCB with SMT).
So the average noise floor is low -160dB currently at it's lowest average point... but like all ADCs we're only talking about †120dB dynamic range. So for any bit-tarts there.. for a 24bit chip (ADC or DAC) you're only likely to get about 18-20bits of that at most. (this s a 32bit chip but in reality it will still only give you 20bits before the noise hits).
The clock is a CCHD957 which starts at -100dB close in phase noise and is kept safe from external influence (ie noise corrupting the signal) by using a 4 layer board and using a clock distribution IC to provide a buffer (that's why there's three ports for the clock output). At some point I'll finish the shunt voltage power supply to reduce noise further. If I wanted I could drop that phase noise further starting at -130dB but todo that means the oscillator costs jump to almost £200 each! That's close in phase noise rather than the loons that attempt to use oven controlled clocks which have high long term accuracy but short term (close in phase noise) jitter they're not as good (starting at -60dB or even -40dB!)..
Agreed - we need AudioPr0n
I'm not sure my examples of butt-fugly "beauty on the inside" (ie electronically) DIY creations count
From the left - ADC 5572 with opamp front end (the red film caps in use for AC only), middle - my own designed and built 24.576MHz clock (low noise and jitter), my own design and build i2S and i2c digital isolator board, and finally (blue) on the right the STM32 board that acts as an Audio Class 2.0 USB device to i2s bridge. Outside to this there's three regulators on a protoboard (soon to be replaced by a proper PCB with SMT).
So the average noise floor is low -160dB currently at it's lowest average point... but like all ADCs we're only talking about †120dB dynamic range. So for any bit-tarts there.. for a 24bit chip (ADC or DAC) you're only likely to get about 18-20bits of that at most. (this s a 32bit chip but in reality it will still only give you 20bits before the noise hits).
The clock is a CCHD957 which starts at -100dB close in phase noise and is kept safe from external influence (ie noise corrupting the signal) by using a 4 layer board and using a clock distribution IC to provide a buffer (that's why there's three ports for the clock output). At some point I'll finish the shunt voltage power supply to reduce noise further. If I wanted I could drop that phase noise further starting at -130dB but todo that means the oscillator costs jump to almost £200 each! That's close in phase noise rather than the loons that attempt to use oven controlled clocks which have high long term accuracy but short term (close in phase noise) jitter they're not as good (starting at -60dB or even -40dB!)..
There's a lot of options and improvements you can make (some people go overboard). I have designed my own tube headphone amps so I'm familiar with bottle head.Not in the same class as yours but I'm so tempted to buy a bottlehead crack headphone amp to put together myself
It's fully operational now. I have to order to finish from Farnell - it will cover adding a linear AC mains PS and the parts for a set of SMT PCBs. It's there to provide measurements for audio devices (the requirement is for differential signal analysis).So when are you putting it together with your box of bits?
Take a read up on something like a miniDSP, you need the HD version, free REW software and calibrated measuring microphone.
Issue with using more than one sub is the sound waves coming from them will not be time aligned so you end up with one sub cancelling parts of the others frequency response out.
The “monster” has arrived, ie the BAT power amp, all 50kg of it.
Temporarily dumped it in front of my other electronics such that the various leads can reach.
Currently warming up, but sounding “pretty good”.
I'm on a strata 3 but I've seen you're in London.
I'm on a strata 3 but I've seen you're in London.
For movies you need to upgrade, those old rel subs woefully inadequate for modern movies. Find and plenty for music though.
Look into svs pb2000 pro or similar
My system has always been more optimised for music than AV and that’s not something that I’m looking to change.
For movies you need to upgrade, those old rel subs woefully inadequate for modern movies. Find and plenty for music though.
Look into svs pb2000 pro or similar
I'd recommend using a sub sonic filter as they never had that, probably add several extra output and lower distortion by quite a bit