growse said:Any thoughts?
If the marking for each of the 3 areas fully utilises the range of scores available then I dont really see the need for weighting.
I'd go as far as to say that theme is either a 10 or a zero. If it's a zero then no marks should be awarded for tech or impact.xolotl said:That's an interesting idea. Perhaps marking theme far more stringently would create the desired effect.
dod said:I'd go as far as to say that theme is either a 10 or a zero. If it's a zero then no marks should be awarded for tech or impact.
I know there are going to be arguments about things being subjective but if the relevance to the theme needs to be explained it's a bit tenuous. In the even of a split decision in the judging room the majority wins.
dod said:I'd go as far as to say that theme is either a 10 or a zero. If it's a zero then no marks should be awarded for tech or impact.
cmt said:Had a quick (5 min) play with excell and came up with:
if all scores (Theme / Impact and tech) were based on 100% - ie if you are near perfect on the theme you would get 90%ish an way off would be 10-20%.
a little play with excell gave me:
=SUM((Impact + Tech)*Theme)/200
so if you got 100 for each catagory you're overall score would be 100, if you only got 50 on the theme it has a large impact on the overall score.
obviously the weighting could be adjusted with a slightly different formula and i have just done it on last years results and it throws up some interesting results!
The trouble with that is that some entries might get disqualified because the photographer has interpreted the theme differently from the judges. This would be especially evident in specific themes where there is no set definition as such. Still life is fairly straightforward as it is defined but the current theme for example is open to interpretation. Someone may interpret it as meaning the season of spring, others might interpret it as a metal spring. Who's to say who is right or wrong with such broad themes?King4aDay said:Actually dod the more I think about this the more I like it.
What would people's opinions be on basically disqualifying images that didn't address the theme?
Allow people to submit a short paragraph with their entries to describe what they were trying to achieve with thier shot (ie show how it addresses the theme), in order to allow for different interpretations of the theme.
And then replace the Theme score with a score for imagination/originality/innovation?
Both of which would be valid. However if someone put in an image of a building which happened to be taken in spring it wouldn't.Scuzi said:Someone may interpret it as meaning the season of spring, others might interpret it as a metal spring. Who's to say who is right or wrong with such broad themes?
Good pointdod said:Both of which would be valid. However if someone put in an image of a building which happened to be taken in spring it wouldn't.
I know the suggestion was a bit extreme![]()
xolotl said:However, theme is important when deciding which photo should win. Its for this reason I favour either a bias towards theme (eg. more marks available) or more stringent marking of the theme category (eg. if the photo has no relevance give out 0 marks)
Scuzi said:The trouble with that is that some entries might get disqualified because the photographer has interpreted the theme differently from the judges. This would be especially evident in specific themes where there is no set definition as such. Still life is fairly straightforward as it is defined but the current theme for example is open to interpretation. Someone may interpret it as meaning the season of spring, others might interpret it as a metal spring. Who's to say who is right or wrong with such broad themes?
I can see that method causing a lot of problems.
I think the suggestion made by xolotol is the best overall solution.